Bhavik Haria: My mission is to make bhajan music more mainstream
‘It's a trulyimmersive experience'
By ASJAD NAZIRJan 19, 2023
The UK live music has been thriving since lockdown was lifted, with singers from all genres entertaining audiences.
One of the most unique has been British Asian singer Bhavik Haria. The talented vocalist has taken bhajans to the live arena, connecting spiritual music rooted in Indian tradition with cross-generational audiences, and giving many of those attending solace.
Eastern Eye caught up with him to discuss his forthcoming shows and brilliant way he is expanding the reach of bhajan music.
How much does performing live mean to you?
From March 2020, we have been performing virtually, and it’s been amazing to reach thousands from all corners of the world. However, nothing beats performing to a live audience. The energy, real-time engagement, with people witnessing and appreciating the intricacies of our music is all truly special.
Which would you say has been your most memorable concert?
The most memorable concert has been our Roots & Changes concert in London in February 2022. This was my first-ever bhajan concert in my hometown. Being able to share my favourite style of music in a contemporary way, using unique instruments and western influences to create an eclectic sound, was something unique.
How much does it mean to you that so many come to see you live?
It always has, and still blows me away, that people take time out of their busy lives to come and see us perform live and join me on this mission to ‘keep bhajans alive’. For that, I’m so grateful.
How do you feel performing devotional songs on stage?
Performing these devotional songs on stage fuels my heart and creates such a soulful energy all around. I absolutely love this genre of music. My mission is to make this music more mainstream, which we’re gradually achieving through our recent concerts all across the UK, and hopefully performing, internationally in the future.
Why do you think audiences connect so strongly with your shows?
The beauty of this style of music is that you don’t need to understand the language or music to feel the vibrations and connect with it. It’s an opportunity to put aside any distractions, give your full attention to that moment, and become fully immersed in it – forgetting the outside world for a few hours.
You have people of all ages attending your shows...
Yes, it’s been incredible to see people across different generations sitting in the audience, singing and clapping along, often reminiscing about memories with their grandparents or other older family members who used to sing these bhajans to them. During the shows, we also share stories and meanings behind the bhajans to help the younger generation, in particular, understand what they mean and the stories behind them.
What can we expect from your forth coming shows in London, Birmingham and Manchester?
Bhajans like you’ve never experienced before, a true blend of traditional and western instruments bringing a new dimension to this genre of music without losing its heritage. The music is directed by Kaykay Chauhan, one of London’s finest keyboard players and producers.
What do you think is the secret of a great live performance?
All of our shows are ‘experiences’. The magic is in engaging and connecting with the audience.
You are becoming a music hero for many, but who is someone you admire?
Salim-Sulaiman. Over the last three years, they have worked on a passion project called Bhoomi, which has brought together sounds from all around the world, giving the genres that don’t receive much limelight a new platform and stage to shine.
What inspires you as a musician?
Music has the power to heal the soul and is the perfect medicine for when you are sad, remembering a loved one or even celebrating. Over the past two years, we’ve performed around the globe, and the feedback has been so moving. It just inspires me to continue creating.
Finally, why should we come to your forthcoming shows?
If you have never been to one of our live shows, I encourage you to come and join us. It’s not just a ‘music concert’, it’s a truly immersive experience and you would have never experienced bhajans like this. Just imagine listening to bhajans with a saxophone and violin? Hope to see you there.
Bhavik Haria presents Roots & Changes Live at Harrow Arts Centre next Sunday (29), Mac Theatre in Birmingham on February 4 and The Empty Space in Manchester on February 12. Visit www.bhavikharia.com for more.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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