The 26-year-old talks about her acheivements with Meet: Badlegi Duniya Ki Reet and her future aspirations
By Asjad NazirFeb 16, 2024
THE remarkable run of the hit drama, Meet: Badlegi Duniya Ki Reet, was one of the great television success stories in recent years.
Ashi Singh was one of the driving forces who propelled the recently concluded girl power-infused ZEE TV serial beyond 750 episodes. She brilliantly portrayed the award-winning title role, proving why she is one of this generation’s finest young talents. The multiaward-winning actress already has an impressive body of work and now all eyes are on what she will do next.
Eastern Eye caught up with the 26-year-old to discuss her acheivements with Meet: Badlegi Duniya Ki Reet and her future aspirations.
When you started on Meet: Badlegi Duniya Ki Reet, did you expect it to be so successful?
When Meet... commenced, I was very nervous. I wasn’t sure if I could pull that role off. I never imagined myself playing such a character. I was always wondering if I could do justice to the part. I was so consumed by my thoughts that it never crossed my mind that the show would ever be a success. I just focused on my character and concentrated on portraying it as well as I could. I believe it was god’s grace that Meet... got so much love. I was surprised by its two-year journey and am very grateful for it.
What was your most memorable moment from shooting the show?
I have many memories from Meet... It is very hard to choose just one from a twoand-a-half-year-long voyage. The first ever memory that made me happy on set was when we were shooting a scene and there was an artist from Haryana (a state in northern India) in it. I was trying to speak in the Haryanvi dialect and was nervous about doing that correctly. The actor asked me if I was from Haryana. I’m not, so his compliment on my diction was a huge relief.
Ashi in Meet: Badlegi Duniya Ki Reet
Meet: Badlegi Duniya Ki Reet
What about other memories from Meet: Badlegi Duniya Ki Reet?
Winning three awards consecutively was definitely a highlight for me. Another memorable moment was my last day of shooting for Meet’s character. I cried uncontrollably that day, unable to hold back my emotions for hours. It was a unique feeling because my time on the show was not yet over; it was just saying goodbye to the character. It was hard to let go.
Why do you think the show was loved so much?
We have never seen a heroine portrayed quite like Meet before. It was an experiment that resonated with audiences. Meet’s character stood out as different, which always piques viewers’ interest. The promos sparked curiosity about the show, with Meet positioned as the hero. The show’s creators are also exceptional; they consistently introduced new elements that audiences loved.
What do you miss most about it?
I just miss my character of Meet. I think I fell in love with Meet. Even yesterday when I was scrolling, I came across the reels of Meet... and it made me miss the character even more. Sometimes, I even speak to my mother in the Haryanvi dialect.
What is the plan going forward and are you thinking about making the move to films?
Whatever I have done so far was not pre-planned. I go with the flow. While I do crave a change in direction, such as exploring opportunities in OTT platforms or movies, nothing is set in stone. I’m focusing on auditioning for exciting roles.
Do you have a dream role?
I always wanted to play a character like Poo from Kabhi Khushi Kabhie Gham, or perhaps the complete opposite – a serial killer. Although I must admit, all the roles I've taken on until now have been surprising in their own right because I never envisioned myself playing such diverse characters. Especially Meet; it was such a unique role. I only hope for more such challenging roles.
Who would you love to work with?
There is a long list, and (the late actor) Irrfan Khan sir was at the top of it. It’s unfortunate that my dream to work with him will remain unfulfilled. It would be great to share the screen with Manoj Bajpayee sir, Amitabh Bachchan sir and Shah Rukh Khan sir, as well as directors such as Sanjay Leela Bhansali sir or Anurag Kashyap sir. My list is never-ending, but working with SRK is non-negotiable.
Did you make a New Year’s resolution?
I didn't have a specific resolution this year. Instead, I focus on continuously learning new skills. I began working on self-improvement in December itself, without waiting for the new year.
What keeps you going as an actor?
I'm inspired by good work. Whenever I see exceptional performances or projects, it motivates me to work harder. After finishing Meet..., I considered taking a long break, but I couldn't stay away for too long. I'm considering joining workshops or theatre to explore more characters. In essence, inspiration is everywhere, and I like to follow great work wherever I find it.
Ashi Singh
What, according to you, is the secret of a great performance?
Being emotional really helps. An emotional person feels everything and hence can give great performances. You cannot be hollow as an actor. You go through so many emotions and have to be very strong. If you get the emotion right, you can crack the character.
Tell us more about that…
For instance, in Masaan, Vicky Kaushal unexpectedly began crying while delivering the line, ‘Yeh dukh khatam kyu nahi hota’ (why does this grief never end). He wasn't supposed to cry in that scene, but by tapping into that emotion, he elevated the experience, resulting in an iconic movie moment for him. The right emotion can greatly enhance your performance.
Do you have any other big interest apart from acting?
Acting is my only ambition. I feel perfectly suited for this profession. I would like to venture into business, but my primary goal is to be a great actor.
You have become a hero to a lot of people, but who is your hero?
For me, our army and farmers are paramount. Everything else pales in comparison. They are the true heroes, providing protection and sustenance, which are the fundamental necessities of life.
Today, what is your idea of happiness?
Happiness lies in small things. Good food, no traffic on the road, sitting and laughing with family are all my ways of celebrating life. I believe in creating happiness every day. The big joys of life may come in time, but you can’t wait for them. Instead, I genuinely appreciate the small pleasures that come my way every day.
Over the Memorial Day weekend, Disney’s live-action Lilo & Stitch outpaced Tom Cruise’s Mission: Impossible – The Final Reckoning, topping both domestic and global box office charts.
The family-friendly sci-fi comedy pulled in a massive $183 million (₹1,525 crore) in North America and a total of $341 million (£252m/₹2,840 crore) worldwide, making it not only Disney’s biggest opening this year but also the highest-grossing Memorial Day debut ever, surpassing Top Gun: Maverick’s $160.5 million (₹1,335 crore) record from 2022.
Meanwhile, Mission: Impossible – The Final Reckoning, promoted as the final chapter in Cruise’s 28-year run as Ethan Hunt, opened with $77 million (₹640 crore) domestically and $190 million (£150m/₹1,580 crore) globally. Despite it being the franchise’s best-ever opening, it faces a steep climb to cover its reported $400 million (₹3,330 crore) production costs. It’s estimated the film will need to earn at least $1 billion (₹8,320 crore) to break even.
Directed by Dean Fleischer Camp, Lilo & Stitch reintroduces the story of a lonely Hawaiian girl and her chaotic but loveable alien friend. Eight-year-old Maia Kealoha plays Lilo, while original creator Chris Sanders returns to voice Stitch. The cast also includes Sydney Agudong, Courtney B. Vance, and Zach Galifianakis.
The film joins a long list of Disney’s live-action remakes, ranking just behind The Lion King (2019) and Beauty and the Beast (2017) in opening weekend earnings. Though reviews have been mixed, ranging from “delightfully quirky” to “a mess”, audiences clearly showed up in droves.
Cruise’s Mission: Impossible film ties together several past storylines from earlier entries and brings back a wide cast of returning characters, including Simon Pegg, Hayley Atwell, and Ving Rhames. Though Cruise has insisted this is the final outing, there’s still speculation about whether it truly marks the end of the road.
The battle between a beloved Disney alien and an ageing action hero drew large crowds, but it is clear which film captured the spotlight. While Mission: Impossible may yet prove its legs in the coming weeks, Lilo & Stitch has already surfed into record books, reminding everyone that sometimes, heart and nostalgia can outshine even the biggest high-stakes spy games.
Ana de Armas has addressed the ongoing buzz linking her to Tom Cruise, but she’s making it clear: what’s brewing between them isn’t love, it’s just work.
The actress, known for her roles in Blonde and the upcoming Ballerina, has been spotted alongside Cruise several times in recent months at dinners, in parks, and even stepping out of helicopters. These sightings quickly ignited speculation about a possible relationship. But according to de Armas, there’s nothing more to it than professional collaboration.
Tom Cruise and Ana de Armas spotted leaving a London heliport, sparking dating rumours
X/Tom Cruise News
“Of course I’m working with Tom,” she said in a recent interview, brushing off the chatter with a hint of amusement. “We’re developing a few projects together with Doug Liman and Christopher McQuarrie. It’s been intense, but it’s also been a lot of fun.”
Liman and McQuarrie are no strangers to big-screen action, both having long-standing ties with Cruise through films like Edge of Tomorrow and the Mission: Impossible series. De Armas spoke highly of the duo, calling them “a great team” and praising the energy and creativity on set.
While the specifics of their collaboration remain under wraps, the actress hinted that the scale of the projects demands extreme physical preparation. “The training is intense, the kind you expect when working with someone like Tom. He sets the bar high, and we’re pushing ourselves to meet it.”
This isn’t the first time de Armas has had to bat down dating rumours. During an appearance on Good Morning America, she again emphasised that multiple projects and not a romance are behind the frequent sightings with Cruise. “We’re working on a few things. Not just one. It’s exciting stuff,” she said.
Ana de Armas keeps it professional despite romance speculation with Tom Cruise
Instagram/Vogue/People
Cruise, meanwhile, has publicly shown support for Ballerina, de Armas’s lead role in the John Wick spinoff set to release on 6 June. He called the film “fantastic” and praised her performance.
Their high-profile outings, including a birthday walk in the park and a helicopter ride over London, might look like scenes from a romantic film. But as far as de Armas is concerned, they’re just part of the job.
“We’re just enjoying the process,” she said. “That’s all there is to it.”
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The Mysterious Gaze of the Flamingo wins Un Certain Regard prize at Cannes 2025
While many expected Hollywood faces like Kristen Stewart and Scarlett Johansson to dominate the Un Certain Regard category at Cannes this year, the honours went elsewhere. Chilean filmmaker Diego Céspedes stunned the jury and audience alike by winning the top prize with The Mysterious Gaze of the Flamingo, his debut feature rooted in queer identity, fear, and survival during the AIDS crisis in 1980s Chile.
Set in a dusty mining town, the story follows young Lidia, who grows up in a tight-knit transgender community. As rumours spread that an unknown illness can be passed between men through eye contact, fear and prejudice threaten her chosen family. Céspedes’ film mixes myth, social tension, and innocence, offering viewers a powerful look at how marginalised people navigate suspicion and stigma.
While the film divided critics, with some calling its pacing uneven, the jury praised its raw emotion and unpredictability. Céspedes accepted the award with visible emotion, saying the film began “with all the angry lovers who just wanted to love like everybody else.”
This year’s Un Certain Regard jury was led by British filmmaker Molly Manning Walker, who herself won this prize in 2023 and included names from across Europe and Latin America. They chose works that didn’t shy away from discomfort, moral ambiguity, or political urgency.
The Jury Prize went to A Poet, a Colombian dark comedy about an ageing writer who tries to mentor a gifted teenager from a poor background. The film explored the blurred line between inspiration and manipulation with quiet unease.
Directing honours were awarded to Palestinian brothers Tarzan and Arab Nasser for Once Upon a Time in Gaza, a gripping drama about two young men caught in crime and conflict during Hamas’ rise to power in 2007. Their emotional speech touched on the current devastation in Gaza, dedicating the award to their people.
Actor awards went to Cléo Diara for her commanding role in the 3.5-hour postcolonial drama I Only Rest in the Storm, and British actor Frank Dillane for Urchin, a gritty look at homelessness in London. Diara’s speech included a strong call: “Free Palestine.” Dillane, quieter but just as heartfelt, dedicated his win to “those on the margins.”
Chilean film The Mysterious Gaze of the Flamingo wins top Cannes prizeIMDB
Best Screenplay was awarded to British director Harry Lighton for Pillion, a powerful queer romance involving a BDSM relationship between bikers. Lighton cheekily thanked his team for stopping him from relocating the film to Ancient Rome at the last minute.
This year’s Cannes proved that raw, honest storytelling still triumphs over star power.
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Alia Bhatt shines at Cannes in couture look and bonds with Simone Ashley in unforgettable moment
Alia Bhatt’s first appearance at the Cannes Film Festival wasn’t just about couture. It was a quiet, powerful moment of representation, style, and sisterhood. Dressed in a delicate Schiaparelli gown, she walked the red carpet for the first time, joining a legacy of global icons at the prestigious event. Her presence, however, was about more than glamour. It was a subtle celebration of Indian talent on an international stage.
Alia Bhatt makes elegant Cannes debut in Schiaparelli Getty Images
Bhatt’s ivory-toned, off-shoulder dress featured soft floral embroidery and a dramatic tulle hem. Paired with minimal jewellery, slicked-back hair, and radiant makeup, the look was elegant and understated. Her stylist, Rhea Kapoor, brought out a vintage charm without losing Alia’s signature modern vibe. On Instagram, Alia teased the outfit with a behind-the-scenes photo, holding a fan emblazoned with L'Oréal’s iconic line: “I’m worth it.”
The highlight, though, wasn’t just the dress. During a L’Oréal photo-op, Alia met Bridgerton star Simone Ashley. The two actors, both of Indian heritage, posed together, Simone in a structured Vivienne Westwood outfit and Alia in her Schiaparelli creation. One candid moment stood out where Simone, visibly moved, looked at Alia with a warm smile; Alia caught her gaze, and both burst into laughter.
Fans were quick to call it a “Shanaya meets Kate” moment, linking Alia’s breakout role in Student of the Year to Simone’s Bridgerton character. Social media lit up with admiration: “Two queens,” one user posted. “This is powerful,” said another.
Later that evening, Alia switched to a deep navy Armani Privé gown for L’Oréal’s Lights on Women’s Worth event, which honours female filmmakers. The second look was pure high fashion with bejewelled details, a plunging back, and sapphire accents. Her hair accessory and soft makeup let the gown speak for itself.
The L’Oréal Lights on Women event saw Alia in a navy Armani PrivéGetty Images
This double appearance wasn’t just a fashion statement. It was Alia Bhatt embracing her place on the global stage while connecting with peers like Simone Ashley, who share similar roots. It wasn’t loud or dramatic, but it was a moment that said a lot and did so beautifully.
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Billy Joel’s diagnosis with Normal Pressure Hydrocephalus has led to an indefinite touring break
Billy Joel has called off all upcoming tour dates after being diagnosed with a neurological condition that’s affecting his daily life. The 76-year-old music icon, best known for hits like Piano Man and Uptown Girl, is dealing with Normal Pressure Hydrocephalus (NPH), a condition caused by excess fluid in the brain that can disrupt movement, memory, and balance.
In a statement posted on his social media, Joel said the symptoms like trouble with hearing, vision, and stability have worsened due to recent live performances. Doctors have now advised him to pause all touring while he undergoes physical therapy.
As a result, every show between April 2025 and July 2026 has been cancelled. This includes high-profile stops across the US, Canada, and the UK, including performances in Edinburgh and Liverpool. Fans who bought tickets will be automatically refunded.
Normal Pressure Hydrocephalus is rare and mostly affects people over 60. It can often be mistaken for natural signs of ageing. But left untreated, it can lead to long-term complications. Diagnosis typically involves an MRI, and if caught early, it’s treatable through surgery to drain the fluid using a shunt. Joel’s condition is being monitored and treated, and he remains hopeful about returning to the stage.
Billy Joel performing on stage before health concerns paused his careerGetty Images
Joel had been touring actively since wrapping up a decade-long residency at Madison Square Garden in 2024, a run that drew nearly two million fans. Just earlier this year, he released Turn the Lights Back On, his first original single in decades, and played a rare European concert in Cardiff, where he made headlines by arriving on a public train.
Though this latest health update comes as a shock to many, Joel expressed gratitude for the care he’s receiving and support from fans. “I’m sincerely sorry to disappoint our audience,” he wrote, “and thank you for understanding.”
Billy Joel shared a heartfelt statement thanking fans for their supportGetty Images
A documentary on his life, Billy Joel: And So It Goes, is set to premiere at the Tribeca Film Festival in June. For now, Joel is taking time to focus on recovery, with hopes of returning to music when he’s ready.
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