Are you drinking too much water? 3 signs to look out for
“Increased water intake means you're drinking too much water for your kidneys to process through urinating, which can cause water build-up in your bloodstream.�
Drinking eight glasses of water a day is usually recommended by health experts. However, according to a recent study that was published by the University of Aberdeen the intake of two litres of water really doesn’t match the body’s needs and, in some situations, may be too high, thereby causing overhydration, the Independent, reports.
Apparently, there doesn’t seem to be any single formula to establish how much water we should drink per day.
But scientists reportedly said that given that half of our daily requirement of water comes from the foods we consume, we only need around 1.5 to 1.8 litres a day.
Also, an earlier report featured in WebMD informs that water intake should also be adjusted according to one’s environment, overall health, exercise regimen, and other conditions like pregnancy and breastfeeding.
Lead GP from online health service, Livi (livi.co.uk), Dr Bryony Henderson, is reported as saying, “Our bodies need water for a whole host of essential functions.
“Water carries nutrients to the cells and transports the waste away, and it cushions and lubricates the brain and the joints. Through perspiration, it also helps to regulate the body’s temperature.”
Speaking about dehydration, which is when the body loses more water than it takes in, Dr Henderson explains that it, “can have an impact on almost every part of our body.
“Even mild dehydration can affect our ability to concentrate. It can lead to headaches, extreme tiredness, and constipation,” she said.
So how do we know when should drink water and when we are overdoing it?
“Thirst is the best rule of thumb symptom in day-to-day life,” said Dr Henderson. “However, by the time you feel thirsty, you might already be dehydrated,” she warns.
The doctor advises eating veggies and fruits along with drinking water. She also suggests to always keep a water bottle around – especially if you are one of those people, “who frequently exercises, particularly in hot weather, or who commonly worries about not drinking enough water.”
She also recommends a visit to a GP to clarify any doubts or concerns regarding the quantity of water you should be drinking.
While it’s obvious we need water to function well, here are three signs that will help you understand if you’re overhydrating and drinking more water than your body requires.
1. Relieving yourself more often, but still, all the water is not expelled
“Increased water intake means you’re drinking too much water for your kidneys to process through urinating, which can cause water buildup in your bloodstream,” explains Henderson.
This may mean your body is not flushing out the excess waste which in turn is affecting your health and making you unwell.
2. Your body is retaining water
If you feel puffed up and bloated or notice that you are rapidly gaining weight, you may be experiencing water retention.
“Retaining water occurs when your body physically can’t get rid of the water, which can be a result of major health conditions. Both are equally as dangerous, as it disturbs the balance between the sodium and water in your blood,” Dr Henderson said.
3. Reduced salt levels in your body
Drinking excess water “can cause water intoxication, which is when your salt levels and your electrolyte levels become too diluted,” Dr Henderson explains.
When there is not enough salt in the body it can lead to vomiting, nausea, irritability, and muscle weakness.
“If untreated, (water intoxication) can lead to a condition called ‘hyponatremia’, which means your salt or sodium levels have become dangerously low. If these levels drop too low at a rapid pace, it can be dangerous, and in rare cases cause death,” Dr Henderson concludes.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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