While shooting for his new film Goodbye in Rishikesh, legendary Bollywood actor Amitabh Bachchan along with director Vikas Bahl, actress Elli Avram, as well as the rest of the cast and crew of the production joined for a special meeting with HH Pujya Swami Chidanand Saraswatiji, Pujya Sadhvi Bhagawati Saraswatiji and performed the world-renowned Parmarth Ganga aarti.
During the evening session, Pujya Swamiji shared, "No doubt Amitabhji is a living legend in the Indian film industry, but he is also deeply dedicated to his country and has made his nation and its people proud. Amitabhji has inspired generations and will continue to inspire generations to come with his incredible gift and excellence in his craft. Amitabhji hails from the banks of Mother Ganga, from Prayagraj, and to many is still endeared as Chora Ganga Kinare Wale. And today, in the Yoga Capital of the World, on the holy banks of Maa Ganga in Rishikesh it is so apt to welcome him home."
Amitabh Bachchan with Swamiji Chidanand Saraswatiji in Rishikesh
Lauding his lifetime of achievements, Pujya Swamiji added, "As the son of legendary Shri Harivansh Rai Bachchanji, celebrated poet, who has also lived an exemplary life, he has joined his family's rich history and legacy in their important role in making India and Indian culture proud!"
Speaking on the occasion and welcoming the actor, Pujya Sadhvi Bhagawatiji shared, "This sacred land is so deeply transformative. Whether you come here simply as a pilgrim or as a personality like Amitabh Bachchanji, the sacred soil has the power to touch and transform us. I am so glad to welcome Amitabhji to his Himalayan home and so glad to have many of the scenes from his next film shot here in Rishikesh. I am sure the mere darshan of this sacred pilgrimage will inspire countless many."
Amitabh Bachchan receiving a sacred Rudraksha sapling by Swamiji Chidanand Saraswatiji in Rishikesh.
Mr Bachchan received a sacred Rudraksha sapling, an Angvastra, and was given a beautiful garland by Pujya Swamiji and Sadhvi Bhagawatiji during the Aarti, honoured for his work and his divine example. He also met with Pujya Swamiji and Sadhvi Bhagawatiji to perform the sacred water blessing ceremony and was offered a beautiful Lord Shiva Murti as his gift to take back with him.
With the completion of filming for Goodbye in Rishikesh and at the Ashram, Pujya Swamiji recognized the importance of Uttarakhand in India's powerful film industry, sharing, "So many films have been shot in Uttarakhand. Our Uttarakhand is the best destination for films. It's the Best Spiritual Destination, the Best Wildlife Destination, the Best Adventure Destination. And the holy valleys of the Himalayas and the holy banks of Maa Gangaji are the best destinations themselves. Uttarakhand is now becoming one of the most favorite destinations in the world. And in order to keep our beloved state as the best destination in the world, we have to keep this state green and clean, and we must keep the culture and rites alive in the mountains."
Amitabh Bachchan will next be seen in Runway 34, set to release on April 29, 2022.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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