Iqbal has brought international qawwali acts to British stages for decades, dating back to Rahat Fateh Ali Khan’s debut UK tour
Abid Iqbal
By Asjad NazirOct 12, 2024
SOLD-OUT concerts across the world demonstrate the enduring popularity of qawwali music. This timeless genre continues to cross creative horizons and keeps contemporary music fans connected to a centuries-old culture.
With October 13 marking the celebrated birth anniversary of the genre’s greatest exponent, Ustad Nusrat Fateh Ali Khan, qawwali music will be at the forefront this month.
One of the UK’s leading promoters of qawwali and its various sub-genres is Birmingham-based Abid Iqbal from Say Arts. He has brought international qawwali acts to British stages for decades, dating back to Rahat Fateh Ali Khan’s debut UK tour. His latest discovery, the Chahat Mahmood Ali Qawwali group, has delivered high-profile UK shows since last summer and established themselves as world-class performers. Later this month, the group will be part of a diverse lineup at the Musicport Festival in Whitby.
Eastern Eye caught up with the renowned British Asian music hero to discuss his journey, exciting new qawwali act, and the enduring popularity of Sufi music.
What do you most love about live music?
Live music possesses a physical quality. It resonates in the soul and engages the brain. You can feel the instruments and vocals reverberate through your body. It creates beautiful memories and brings diverse audiences together, creating moments that can’t be experienced with recorded music.
How do you reflect on your journey as a leading UK live music promoter and manager?
It’s a blessing. I stay focused by treating each day and event as if it were my first. I have reached this point without any shortcuts, working with incredible artists and creating wonderful memories for audiences along the way. There is so much more left to do.
You have brought many great acts to the UK. What do you look for in artists?
There is so much talent overseas, with hundreds of artists waiting to be polished and launched. Apart from talent, I focus on the character, honesty, and humility of the artist. Are they loyal to the art? Do they have a good reputation? Would UK audiences appreciate them?
You first brought Rahat Fateh Ali Khan to the UK. What are your memories of that?
When I worked with Rahat, he wasn’t the star he is today. He still jokes about how strict I was with him in those early days. We could all see how successful he would become during that debut tour. It feels good that I was there at the beginning with him.
What did you like about your latest discovery, the Chahat Mahmood Ali group?
The group is led by a father and son. The father, Mahmood Ali, has toured with my company, Say Arts, for 21 years. The naturally gifted lead singer, Chahat, was three months old when I first brought his father to the UK. The other group members are experts in their craft, including clapping, chorus, harmonium, tabla, and vocals. They have worked with top qawwali artists and toured the world. So, it was like bringing together a dream team led by the brilliant young singer Chahat.
What has it been like working with the group since last year?
Extremely rewarding. We have performed at nearly 200 events in the UK since last year. The demand has been high, and audiences, including leading dignitaries like the London mayor, have loved them.
What has been your most memorable moment as a collective?
All the shows have been memorable. Performing in Trafalgar Square for the London mayor, at the prestigious Southbank Centre, and for Mayor Rokhsana Fiaz in Newham were particularly special. Chahat becoming a student of Rahat Fateh Ali Khan during his 2023 tour was wonderful.
What was it like performing in Trafalgar Square?
The Greater London Authority were very professional. The organisers said it was the best qawwali group they have had in 19 years and wanted us back again. It was a wonderful audience of 20,000 people. Mayor of London Sadiq Khan loved the performance and met the group afterwards, which meant so much.
How highly do you rate lead singer Chahat Ali?
He is a versatile singer, only 21, who can perform qawwali, Bollywood, and Punjabi songs. No other qawwali singer has hit big international stages at such a young age and with so much maturity. He is a great learner and respects the elders in his group. He can maintain a strong vocal performance for three hours. I rate him very highly and believe he will become a huge global star.
Why do you think Sufi music is enjoying such popularity?
The lyrics have meaningful messages from the Sufis, passed from generation to generation. Icons like Nusrat Fateh Ali Khan and Rahat Fateh Ali Khan have kept this 700-yearold genre connected to worldwide audiences. As a live experience, there is nothing like it. Even if you don’t understand the lyrics, it still affects you. Social media is also playing a role in its popularity.
How much do you like that qawwali music has always connected with non-Asian audiences?
The pioneering collaboration between Muhammad Ayyub MBE of Oriental Star Agencies, Ustad Nusrat Fateh Ali Khan, Peter Gabriel’s Real World Record Label, and WOMAD festival opened the door to qawwali crossing over. Today, multicultural audiences worldwide appreciate it. On October 27 (my birthday), we will perform at MusicPort, which is a predominantly white music festival that has been going for 24 years in Whitby.
What inspires you?
Nusrat Fateh Ali Khan and the way he left a lasting legacy. It is timeless and magical, just like qawwali.
DIAGEO INDIA has bought a controlling stake in craft gin maker NAO Spirits for £11.1 million as the drinks giant looks to cash in on the growing demand for premium Indian-made spirits.
The acquisition through Diageo's investment division will see NAO Spirits become part of the British multinational's Indian operations. NAO Spirits produces high-end gin brands including Greater Than and Hapusa, which have gained popularity among Indian consumers seeking locally-made premium drinks.
Founded in 2017 by Anand Virmani, NAO Spirits began with the goal of creating world-class gin using Indian ingredients. The company started operations in a small distillery in Goa with ambitious plans to put Indian craft spirits on the global map.
Greater Than holds the distinction of being India's first craft gin, made using nine botanical ingredients sourced from India and other countries. Meanwhile, Hapusa stands out as one of the few craft gins worldwide that uses foraged Himalayan juniper berries along with other unique regional botanicals.
The company expanded beyond gin last year by launching PIPA, an aged spiced rum made from jaggery spirit and matured in specially imported wooden casks for twelve months. This move marked NAO Spirits' entry into India's rum market and international markets.
Anand Virmani
Praveen Someshwar, managing director and chief executive of Diageo India, said the purchase represents an important move in exploring future growth opportunities in Indian craft spirits. "We believe it is the right time to scale up NAO Spirits using Diageo's expertise, unlocking new avenues for distribution and production," he said.
The deal comes as India experiences a boom in craft gin producers, with NAO Spirits establishing itself as a market leader in the category. Indian consumers are increasingly willing to try new products and seek authentic, locally-produced brands for casual drinking occasions.
Diageo India believes NAO Spirits' products are perfectly positioned to meet these changing consumer preferences. The acquisition will complement Diageo's existing premium gin portfolio, which includes international brands like Tanqueray.
Under the new ownership structure, Virmani will remain as chief executive and continue running the business day-to-day. He expressed enthusiasm about joining the Diageo family and said the investment validates the potential for Indian craft spirits.
"As India's first craft spirits brand, born in a small Goan distillery, this acquisition by Diageo India is a powerful validation of what we've always believed - that India can create great craft spirits," Virmani said. He added that the investment will help the company grow further with support from Diageo India's experienced leadership team, distribution networks, and production facilities, combined with NAO's innovative approach and consumer understanding.
The purchase reflects Diageo's broader strategy to strengthen its presence in India's rapidly growing spirits market. Last year, the company launched its Godawan Artisanal Indian Single Malt whisky in the UK market, demonstrating its commitment to promoting Indian-made premium spirits internationally.
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The launch aligns with Microsoft’s recent announcements
Meta Quest 3S Xbox Edition available now in the UK and US
Features Xbox-style black design with green trim
Includes Xbox Wireless Controller, Touch Plus controllers, and Elite Strap
Priced at $400 (approx. £320) with limited availability
Includes 3-month access to Meta Horizon+ and Xbox Game Pass Ultimate
Meta Quest 3S Xbox Edition now available
The Meta Quest 3S Xbox Edition has officially launched in the UK and US. Priced at $400 (around £320), this limited-edition virtual reality headset offers a bundle tailored for Xbox and VR enthusiasts alike. Meta confirmed its release on 24 June, following earlier reports.
Availability is restricted to Meta’s website and Best Buy in the US, and Argos and EE in the UK. Quantities are described as “extremely limited”.
Designed for Xbox fans
The Meta Quest 3S Xbox Edition features a black aesthetic with Xbox’s signature green trim. It includes a matching Xbox Wireless Controller, Meta’s Touch Plus controllers, and an Elite Strap for added comfort during extended gameplay.
The headset supports additional devices, including the Xbox Elite Wireless Controller Series 2, the Xbox Adaptive Controller, and compatible third-party gamepads such as the Backbone Pro.
Cloud gaming and subscription access
With 128GB of storage, the Meta Quest 3S Xbox Edition also includes three months of access to Meta Horizon+ and Xbox Game Pass Ultimate. The latter allows users to stream games via cloud on the Xbox app, including titles outside the Game Pass catalogue.
Xbox cloud gaming support has been available on Quest headsets since late 2023, and this release further deepens Microsoft’s ambition to expand gaming access across platforms.
Exclusive to UK and US markets
For now, the Meta Quest 3S Xbox Edition is only available in the UK and US, with no international release confirmed. The launch aligns with Microsoft’s recent announcements, including Xbox-branded ASUS ROG Ally handheld PCs due later this year.
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Keerthy Suresh expands to Bollywood with Baby John, eyes pan-India presence
Keerthy Suresh debuted in Bollywood with Baby John alongside Varun Dhawan
Won the National Award for her portrayal of Savitri in Mahanati
Working with major stars like Rajinikanth, Vijay, and Dhanush
Fronting bold female-centric films like Revolver Rita
Making her Hindi OTT debut with YRF’s Akka
Fresh off her Hindi film debut in Baby John opposite Varun Dhawan, Keerthy Suresh is making her presence felt beyond the southern film industries. The National Award-winning actor, who has long been a familiar face in Tamil, Telugu, and Malayalam cinema, is now entering Bollywood and OTT spaces with calculated moves.
1. National recognition at just 26
Keerthy Suresh’s breakthrough came with Mahanati (2018), where she portrayed Telugu cinema legend Savitri. Her performance earned her the National Film Award for Best Actress, making her one of the youngest winners in recent times. The role, praised for its depth and restraint, established her as a serious performer with pan-Indian appeal.
Keerthy Suresh made her Hindi film debut in Baby John opposite Varun DhawanInstagram/keerthysureshofficial
2. She’s held her own alongside the biggest names
In an industry still dominated by male-led blockbusters, Keerthy has managed to carve her space. She’s worked with top stars like Rajinikanth (Annaatthe), Vijay (Sarkar, Bairavaa), Dhanush (Vaathi/Sir), and Mohanlal (Geethaanjali). Her ability to stand out even in mass entertainers shows both her star power and screen presence.
The Mahanati star is now stepping into pan-India roles across film and OTTInstagram/keerthysureshofficial
3. Bollywood debut with Atlee’s Baby John
Following in the footsteps of Nayanthara, who starred opposite Shah Rukh Khan in Jawan, Keerthy made her Hindi film debut in Baby John, produced by Atlee. Paired with Varun Dhawan in this high-budget action film, she made her official entry into Bollywood with a project that ensures visibility beyond the southern audience.
From Tamil and Telugu hits to Hindi cinema — Keerthy Suresh’s range continues to growInstagram/keerthysureshofficial
4. She’s fronting genre-bending female-led films
In Revolver Rita, Keerthy plays the lead in a quirky action-comedy that’s already drawing attention for its unconventional tone. As more female stars demand roles beyond the love interest or sidekick, Keerthy is taking the lead—quite literally—in shaping what female-driven commercial cinema can look like.
National Award winner Keerthy Suresh is among the few South stars making a crossover on her own termsInstagram/keerthysureshofficial
5. Expanding reach with OTT and Hindi projects
Keerthy is set to headline Akka, an upcoming Hindi-language web series produced by YRF Entertainment. It marks her OTT debut and a strategic step toward a pan-India presence. There’s also talk of her being cast opposite Rajkummar Rao in a new Hindi film (budgeted at £5 million [₹50 crore]), which, if confirmed, will further cement her transition into the national spotlight.
Keerthy Suresh’s slow and steady rise to pan-India fameInstagram/keerthysureshofficial
With her pan-India projects across theatrical and streaming platforms, Keerthy Suresh is emerging as the next big name to watch—one that doesn’t rely on hype but builds steadily through range and conviction.
Saaniya Abbas is going to hell – and she is taking us with her.
Well, not literally. But in Hellarious, her blisteringly bold stand-up debut at this year’s Edinburgh Festival Fringe, the Dubai-based comedian dives headfirst into the kind of topics that might make more cautious comics sweat. These include divorce, cultural taboos, internet fame, and the eternal question of whether your mother was right about that fiery afterlife.
In a groundbreaking moment for the UAE comedy scene, Saaniya becomes the first local stand-up to present a full solo hour at the Fringe – bringing her signature mix of sharp storytelling, cheeky irreverence, and personal confession to the world’s biggest stage. From a convent school in New Delhi to going viral post-divorce, her life has been filled with contradictions – and punchlines.
Eastern Eye caught up with Saaniya ahead of her history-making run to talk comedy, chaos, her new show, being fearless on stage, and crafting jokes in a colonoscopy waiting room.
Saaniya Abbasgetty images
What first connected you to comedy?
After a painful post-pandemic divorce, I randomly signed up for a comedy workshop (mostly to break up the daily routine of staring at my wall). I started writing jokes about everything I was going through. Watching that pain turn into laughter was easily the best high I have ever had. After that, I was hooked. Now, the worse life gets, the better the material.
Did you ever imagine becoming so popular?
I was a Harry Potter-obsessed nerd in school with thick glasses that covered most of my face. I was bullied relentlessly. It has always been hard for me to make friends, as I am socially awkward. So no, I never imagined being associated with the word ‘popular’.
How do you reflect on your action-packed comedy journey?
From the outside, it probably looks more glamorous than it really is. In truth, it has been a constant juggle – balancing a full-time job, stand-up, and content creation. It feels like I am working three jobs at once. On top of that, I am managing relationships and a dog who needs to poop at the worst possible times. It is a lot! A lot of hard work, late nights, and sacrifices. The grind is the hard part. But the moment I step on stage, everything else melts away. That is when it all makes sense.
Saaniya Abbasgetty images
How much are you looking forward to the Edinburgh Fringe?
I spent four days at the Fringe last year just to get a feel for it. It was the wildest, most overwhelming four days of my life – in the best way possible! I left knowing I had to be part of it. I have been manifesting this moment ever since.
Tell us about your show.
Hellarious is the culmination of the past four years of my life. It began as a tight 10 minutes of divorce jokes, and then I built the story around it – backwards and forwards. Who was I before it all? Why does that make what happened even funnier? What came after? It explores how the identity I was born into shaped my story, and how that story is now shaping the identity I want to create. It is a cathartic confession filled with tongue-in-cheek observations, cultural chaos, and some good old-fashioned oversharing.
Does being at such a huge festival with countless shows put pressure on you?
It is the no-breaks part that is intimidating. I have toured all over the UK before, but I always had some lovely rest days in between to catch my breath. The Fringe is a whole different beast: daily shows for a month, no days off. What if I get sick? I am basically overdosing on vitamins at this point, trying to build an immune system that can survive both the Scottish weather and my own anxiety.
How would you describe your brand of comedy?
My comedy is deeply personal. It is my story. Most of my jokes are so specific to my experience that nobody else can tell them. It is narrative-driven, with cheeky observations, and if you listen carefully, there is a quiet point simmering underneath it all. I want people to laugh, yes, but I also want them to see me. To realise they are part of my story too.
Is it fair to say that you are a fearless comedian?
The word ‘fearless’ is subjective. I am scared of unpredictable things – like tripping over a mic cord or confronting a heckler only to realise it is my ex-boyfriend’s mum from Year 7. Anything can happen. But when it comes to saying what I want on stage, I am not afraid. I trust my voice, and I trust my jokes. That said, I live in the Middle East, so there are things I cannot say. I may be brave, but I am not an idiot. I do not want to go to jail or get deported. But at the Fringe? Oh, those jokes are absolutely coming out.
But do you ever get nervous before going on stage?
No, I feel excited.
Do you know if a joke will work beforehand or only after you have performed it live?
A joke can feel hilarious in my head, kill in conversation, and then absolutely flop on stage. On the flip side, I have pitched jokes to friends who gave me the blankest expressions imaginable. But something in my gut says, ‘No, this will land.’ And more often than not, I am right. It is an instinct you develop – like a muscle, one awkward silence at a time.
Saaniya Abbasgetty images
Have you ever felt like you are revealing too much about yourself on stage?
Such a great question! When you do personal, narrative-style comedy, everything in your life starts to feel like fair game, especially when you are pulling from pain. But then one day, you try a new joke on stage and something just feels off. Maybe it is too soon. Maybe it is never going to be funny. You only find out by doing it. It is all trial and error. Everything in my show is something I have sat with, processed, and chosen to share. I will not say it if I am not ready to own it.
Has being funny ever got you out of trouble?
Not yet. Believe me, I have tried. Sadly, the cops at Dubai airport did not share my sense of humour. But hey, that story made a great bit. So, silver lining!
Who is your own comedy hero?
I adore Ricky Gervais. I think he is just so funny and real. He does not give a sh*t. I hope I am like him when I am old.
Where is the strangest place you have come up with a joke?
In the waiting room, right before my first colonoscopy.
What do you not find funny as a comedian?
I think some people are quite mean on stage. There is a big difference between being cheeky and just being cruel. I do not like that energy. It feels bitter and lazy, and it is not for me.
What inspires you creatively?
I am an art director by profession, so I have always lived in the world of art, design, books, music, and poetry. I grew up immersed in all of it, and those influences still fuel me. When it comes to comedy, I do not just see it as joke-telling. I see it as a performance. There is rhythm, wordplay, aesthetic, and even a bit of quiet poetry woven through the chaos.
Why should we all come to your Edinburgh Fringe show?
Because if all goes to plan, I will make you laugh. Or at the very least, smile. Maybe even cry a little. You will definitely leave feeling less alone. Also, I spent an absurd amount of money on these posters, so honestly, I really need you to come.
Members of Indian Army's engineering arm prepare to remove the wreckage of an Air India aircraft which crashed during take-off from an airport in Ahmedabad, India June 14, 2025. (Photo by BASIT ZARGAR/Middle east images/AFP via Getty Images)
RETIRED Air Force officer Dinesh K. has seen a surge in demand for his $500 (£397) therapy course to help people overcome their fear of flying since Air India flight 171 crashed moments after take-off from Ahmedabad two weeks ago.
Dinesh uses a combination of flight simulation and counselling at his Cockpit Vista centre for "fear of flying solutions" in Bengaluru, the only one in India. The centre has received more than 100 enquiries since the disaster, compared to a previous average of about ten a month.
"Fear of flying is typically to do with things happening on an aeroplane - the sounds, motion, vibrations ... exposure therapy is the only solution," Dinesh, 55, said during a tour of the facility where he demonstrated how cockpit controls relate to movements that often worry passengers.
The centre has a simulator for a Boeing and Cessna plane to help people experience how landings and takeoffs appear from the cockpit and understand that not every vibration or sound during a flight signals danger.
WhatsApp messages Dinesh received, and shared with Reuters, showed individuals complaining about "losing confidence" after the crash while others said it was "too hard on the brain".
A chilling 59-second CCTV clip showing the crash of the Boeing 787-8 Dreamliner, which killed 260 people, has been widely shared on social media and TV channels since the June 12 accident, which aviation and mental health experts said had led to an unusually high number of counselling requests.
Some travellers are becoming more choosy in selecting their airline and aircraft - Boeing or Airbus - while others are so anxious they are taking more drastic steps by rescheduling or cancelling their air travel plans altogether.
"I am filtering on the basis of not having to fly a Boeing ... I'm bloody terrified currently, and I don't want to get back on a flight," said London-based Indian marketing consultant Nidhi Bhatia, 25, who flew to Mumbai in an Air India Boeing 777 plane a day before the Ahmedabad crash.
Unlike India, Western countries have many more formal setups to help people tackle their fear of flying, in its most intense form known as aerophobia, as fatal crashes often spike worries among travellers across the world.
Days after an American Airlines plane collided with a helicopter in Washington, killing more than 60 people, a survey of 1,000 US consumers by research firm Prodege found 55 per cent of travellers had higher anxiety, while 38 per cent had reconsidered or cancelled travel plans.
Google Trends data shows searches for the term "flying fear" in India hit "peak popularity" a day after the Air India crash, and the phrase was still being widely searched.
Flying is typically seen as a safe mode of transport, and crashes during takeoff are especially rare. The International Civil Aviation Organization said there were 1.87 accidents per million departures in 2023, its most recent annual air safety report.
Of the nine hull loss accidents without fatalities recorded in 2024, only two occurred on take off, according to Airbus' website.
The airport CCTV recording from Ahmedabad shows the Air India plane rose to a height of 650 feet (198.12 m) after it took off, but suddenly lost altitude, crashing in a fireball into a nearby building -- all within 60 seconds.
The disturbing footage was a key cause of the panic among Indian travellers, five mental health experts said.
People were seeking help because they had developed insomnia or become obsessed with flight updates, they said.
Others were scared of letting their loved ones travel on planes, complaining of "debilitating anxiety" for their relatives in transit "to an extent where they have been unable to focus on their daily chores" because they are constantly checking messages to see if they have landed, said psychologist Pankti Gohel.
In Bengaluru, the £397 Cockpit Vista course is spread over 14 hours and led by Dinesh, who oversaw ground operations during the undeclared 1999 Kargil war between India and Pakistan and retired as an Air Force wing commander in 2014. He also offers to accompany worried clients on the first flights they take after completing the course.
Since the crash, many travellers fear travelling with Air India and are seeking alternative airlines, according to Jaya Tours, a mid-sized booking agency in Mumbai.
The Indian Association of Tour Operators, which represents more than 1,600 agents, said overall flight bookings dropped by 15-20 per cent soon after the Air India crash, while 30-40 per cent of booked tickets were also cancelled.
"We are getting very unusual questions about aircraft type. Earlier passengers didn't really care about what kind of aircraft it is," said the group's president, Ravi Gosain. "People don't want to hear about Dreamliners."