POPULAR ACTOR BARUN SOBTI TALKS ABOUT HIS NEW MURDER MYSTERY MOVIE HALAHAL
by ASJAD NAZIR
HE MAY have had a rollercoaster career since finding TV superstardom with smash-hit serial Iss Pyaar Ko Kya Naam Doon eight years ago, but Barun Sobti has always delivered memorable performances.
The talented star has mixed up web serials, TV dramas and films with challenging roles that have shown off his impressive range as an actor. His latest project is crime movie Halahal, which is inspired by true events and sees him play an unpredictable police officer, helping a distraught father find the truth behind his daughter’s death. The thriller and human drama rolled into one, available on Eros Now, is another impressive chapter in the actor’s career.
Eastern Eye caught up with Barun Sobti to talk about his new film Halahal, acting and future hopes.
How have you coped with the whole lockdown situation?
I am actually a private person, so staying indoors was not a big problem; also, I have a one-year, three-month-old daughter now, and it was a great incentive for me to spend time with her. The only thing is terrible things are happening around the world and that is one thing you have to cope with, but then what can you do.
What attracts you to a project?
Whenever I choose a project, it is only on one criteria and that is the script. Sometimes things are exciting on a synopsis, premise or some gimmick. So, they sound exciting at that time, but eventually it all boils down to the script. My criteria is that when I get a script in my hand and it’s compelling enough for me to finish in one go, that means it’s worth doing.
What did you like about your new film Halahal in particular?
Apart from the fact it was a gripping read, both the primary characters had interesting psychologies behind their actions. There was a reason why they were behaving in a certain way. That to me was intriguing and challenging to portray. So these two things convinced me to do this project.
You play a police officer in Halahal, but it is hard to tell if he is a good or bad guy from the trailer. What is he?
I can’t put a finger on it, to be honest with you. What I would say is that he is a colourful cop.
You have a mighty impressive moustache in Halahal. How did you decide the look of your character?
It took a while to grow that moustache actually. The producer, Zeishan (Quadri), said he wanted me to sport a moustache, but at the same time, I get growth on my face that goes out of control after a while. So I told him I won’t shave for this amount of time, and when we land on the set you can model the look. We tried a few things and this look was the right fit for a character like Yusuf. It wasn’t about what looks good on me. It’s a look fit for a cop in this story.
Is it fair to say this is one of the most unpredictable characters you have played and how did you approach it?
Yes Asjad, I would say that. I, as a human being, am pretty much aware of my surroundings and actually catch up very fast. So that is one thing I don’t exercise in real life because it can offend people. But, as a person, I am aware of what is happening, like where a joke can be cracked and Zeishan knows that. So we figured that we would inculcate this thing with my character.
Tell us more…
Usually, we don’t go beyond professions when we are figuring people out. More than the cop, we had to figure out what kind of human being he was. Like I said, we had to figure out why he was doing what he was. Why he has reached this place in his life right now. So that was a longer debate more than the mannerisms.
How much of the film is a human drama and how much is it a police procedural thriller?
A connection only comes when you can relate to the character you are watching and stop seeing the actors performing it, so of course, it is equally a human drama and how it’s narrated as well. It is the journey of two people who have never met before and that happens all the time. It’s the story of two people who are stuck in an event, which is much larger than them. My favourite moment in the trailer is when you go to arrest a car full of people alone and they run away.
What is your own favourite scene from the film?
I actually like that one. I will give you a little about the writing genius of Zeishan connected to that. I actually didn’t have that line in the script you see in the trailer, ‘police have surrounded you from all sides’. That was not there in the script. Because I was a solo guy, it sounds funny. That line was added after I said to Zeishan this scene can be potentially funny, give me one line that will make people laugh. He just gave me that line.
How does acting in a film compare to a web series or TV?
It is just the same, except the pressure of churning out more footage is not there. Apart from that, it is exactly the same.
What do you enjoy watching as an audience member?
I love watching documentaries actually. It is the age of very good content right now with respect to documentaries. I also love watching crime dramas. It is getting very intense in the world; so I like watching lighter stuff as well. You have always been unpredictable.
What is the plan going forward and do you have a dream role?
I am going to keep following my instincts, which has worked pretty well so far. In terms of dream roles, I don’t have anything in mind, to be honest with you. I don’t think like that, as I am not a firm believer in manifestations. I am sure the way my career is shaping up now – figuring out the abilities I have – much more difficult and interesting characters are yet to come. But, no, I don’t have a dream role.
Who is your own hero?
(Thinks) I think my mom and dad. They have brought me up pretty well, and as I am growing, I realise whatever little things they have taught me, when I was young, went on to form who I am. So yes, my parents.
Today, as an actor what inspires you?
I am a pretty well motivated guy to be honest with you, so I am not looking out for inspiration, but what really excites me as an actor is a good script.
Stardom hasn’t changed you, what keeps you so grounded?
It is my family! They know how to put me in my place.
Apart from family, what are your big passions away from work?
I love reading books. Reading transports me to new places and gives me that creative drive. So, I like that. I also love playing football and cricket, but there is not a lot of those happening these days. I like anything that gets your brain going, so I love doing crosswords, puzzles and stuff like that.
Why do you love being an actor?
I think a lot of people become actors to be popular and well accepted, but I think they are the wrong reasons. I think an individual should become an actor if they are interested in psychologies, and I am very much interested in understanding that and portraying it. So that is what excites me about being an actor.
Why should we watch Halahal?
There is not an answer that I can give which will make it compelling enough for you to watch it. It is your decision, but let me say that it will be a very interesting watch.
Finally, would you give a message for your fans?
I think at the stage that I am in my career, I really value those who have stuck with me and kept believing in me. I am extremely proud to be churning out content like this because I proved to everyone that you guys were not wrong.
As the Toronto International Film Festival (TIFF) 2025 draws near, a wave of independently made films is already dominating conversations among critics, programmers, and distributors. These are not your typical star-studded blockbusters. In fact, they’re character-driven, stylistically bold, and often politically or emotionally charged stories. Many have already premiered at Cannes or Sundance, while a few are TIFF-bound discoveries. One Indian film, in particular, is catching the attention of international curators with its quiet force.
Here’s a look at 10 indie titles being talked about before the TIFF line-up is even announced.
Kristen Stewart steps behind the camera for her first feature, adapting Lidia Yuknavitch’s emotionally intense memoir. The story centres on a young woman navigating trauma, sexuality, and swimming, all told through a non-linear, stream-of-consciousness narrative. Imogen Poots plays the lead, and the film’s visual style has already drawn comparisons to Derek Cianfrance. It premiered out of competition at Cannes 2025 and is generating serious interest from indie distributors.
Lynne Ramsay’s return after an eight-year hiatus is being hailed as one of the most anticipated auteur-driven works of the year. Jennifer Lawrence stars in this adaptation of Ariana Harwicz’s novel about a woman struggling with postpartum psychosis. The script is by Alice Birch, and early responses from Cannes suggest this is Ramsay at her most unrelenting. A24 and Apple reportedly battled over rights, hinting at serious awards potential.
After Beau Is Afraid, Ari Aster switches tone again with this “modern Western,” featuring Joaquin Phoenix and Pedro Pascal. The film debuted at Sundance 2025 and won the Grand Jury Prize, making it a serious contender for further festival attention. The story follows two estranged brothers forced to reunite in a post-capitalist landscape. It’s moody, slow-burning, and already being called one of Aster’s most emotionally mature works.
Solondz is back with a genre twist. Dangerous Animals takes on his trademark bleak humour with a surreal, body-horror narrative that drew comparisons to Julia Ducournau’s Titane during early Cannes market talks. It follows a child star turned recluse who becomes the subject of a bizarre suburban experiment. Programmers expect this one to land in TIFF’s Midnight Madness section due to its provocative tone and overall risk-taking structure.
Celine Song’s follow-up to Past Lives is a sharp, darkly comic look at art, commerce and class. Starring Dakota Johnson and Pedro Pascal, Materialists premiered at Cannes 2025, where its razor-sharp satire of luxury culture and beauty standards won Best Screenplay. Industry insiders say its strong aesthetic and festival reaction make it a top Vanguard or Discovery pick for TIFF 2025.
A quiet surprise from India, Sabar Bonda is the first Marathi-language feature to screen in Sundance’s World Cinema Dramatic section. Directed by queer filmmaker Rohan Kanawade, it explores the relationship between a young boy and his teacher in a rural village, subtly exploring themes of gender, caste, and queerness. With TIFF’s history of championing regional Indian cinema, especially post-All We Imagine As Light, this is one of the most likely South Asian entries to break through.
Linklater’s latest film is a love letter to French cinema, both stylistically and thematically. Nouvelle Vague is set in 1960s Paris and follows a young American student who becomes entangled in a world of cinephiles, protests, and fleeting romance. It's less a plot-driven film and more an ode to a particular cinematic moment. Industry insiders say it’s tailor-made for TIFF’s cinephile crowd, possibly as part of a Cinema Makers tribute.
Wes Anderson returns with a twist on the heist genre. The Phoenician Scheme features an ensemble cast trapped in a fictional desert state during a crumbling political regime. It was screened privately during Cannes Village and quickly became one of the most talked-about titles among buyers. TIFF might host its North American premiere, offering a major red carpet moment while still fitting its indie tone due to Anderson’s distinct auteur status.
Scarlett Johansson’s first feature as a solo director was selected for Cannes Jury Screening and was met with strong praise. The story follows a reclusive former stage actor navigating grief and late-life reinvention in New York City. It’s intimate and character-focused, with a restrained visual style that allows its performances to shine. TIFF’s interest in debut directors makes this a strong candidate for a Platform slot.
Trier reunites with Renate Reinsve for Sentimental Value, a film that builds on the emotional resonance of The Worst Person in the World. The narrative centres around a family dealing with the return of a long-absent parent, told with Trier’s signature emotional clarity and subtle humour. It received warm reviews at Cannes and could emerge as one of TIFF’s most acclaimed European entries.
Why this matters?
Unlike blockbuster-heavy seasons, TIFF 2025 is shaping up to be a filmmaker’s festival. From deeply personal stories to hybrid genre experiments, this year's buzzed-about indie titles reflect a shift toward narrative risk and regional specificity. And with the inclusion of Sabar Bonda, there’s a clear sign that Indian independent cinema is no longer confined to the margins. It’s earning its seat at the global table.
TIFF 2025 runs from 4–14 September, with the official lineup dropping later this summer. Until then, these are the names to watch.
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Mythri Movie Makers eye massive collaboration with SRK for their next big ventureGetty Images
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Shah Rukh Khan may become India’s highest-paid actor with this upcoming filmGetty Images
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Indian fans gear up for Enrique Iglesias’ comeback performance after 13 yearsGetty Images
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Enrique Iglesias confirms Mumbai concert with career-spanning setlistGetty Images
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