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Ekta Kapoor: TV has done more for women empowerment than films

Producer Ekta Kapoor says no matter how much the "intellectuals" look down upon the daily soaps, small screen has done more for women empowerment than movies.

"TV has done way more for women empowerment than any film has. It has created an industry that is by, for and about women. It has put female characters on front. You cannot have a problem if the antagonist and protagonist is a woman," Ekta said.


Her shows like Hum Paanch chronicled five oddball sisters taking up challenges and emerging victorious, followed by the immensely popular Kyunki Saas Bhi Kabhi Bahu Thi, Kahani Ghar Ghar Ki and Kasauti Zindagi Kay which showed women participating in household decisions.

"Marital rape, domestic violence, cancer awareness, older people getting jobs, everything has been dealt with on TV first. Tulsi (popular character from Kyunki Saas Bhi Kabhi Bahu Thi) shot her son for marital rape, we might've done a dramatic spin-off to get attention of people but we put a point out there.

"If you're missing the point, and going after the presentation...Women wearing over the top makeup then you're actually the myopic one," she adds.

Ekta says through her TV shows she has raised several socially relevant topics but people have overlooked them.

"The myopicness is in their mindset. Not once has anyone mentioned that India has done a transgender show on TV and brought issue on a large scale. It's not my show but it's admirable. If you want to have a factual argument, come and talk to me and you will lose," she says.

Ekta says nitpicking on "presentation" of women while missing the core point of a show is problematic and is nonchalant about certain section of the audience who find her content regressive.

"That's only the intelligentsia, the masses put them down very nicely," Ekta says about the criticism.

The film-TV producer says the "intellectuals" are quick to label anything commercial as nonsense and laud an off-beat project.

"Anything accepted by the masses has to be bad. They (intellectuals) sit there and have problem with anything which works. Because it works, it's entertaining, it cannot be good," she says.

The 41-year-old producer has forayed into the online streaming service 'ALT Balaji', which has diverse contents ranging from a recreated version of Devdas with a central female character to a gay love story.

Ekta says, apart from the high of delving into a limited-episode format, telling the stories which otherwise would be difficult to present on TV was "liberating.

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How Southeast Asian storytelling became one of Netflix’s fastest-growing global pillars

Highlights:

  • Netflix says global viewing of Southeast Asian titles rose almost 50% between 2023 and 2024.
  • Premium VOD revenue in the region reached £1.44 billion (₹15,300 crore) last year, with 53.6 million subscriptions.
  • Netflix holds more than half of the region’s total viewing and remains its biggest investor in originals.
  • New rivals, including Max, Viu and Vidio, are forcing sharper competition.
  • Local jobs, training and tourism are increasing as productions expand across the region.

Last year, something shifted in what the world watched. Global viewership of Southeast Asian content on Netflix grew by nearly 50%, and this isn't just a corporate milestone; it’s a signal. Stories from Jakarta, Bangkok, and Manila are no longer regional curiosities. They are now part of the global mainstream.

The numbers tell a clear story. Over 100 Southeast Asian titles have now entered Netflix’s Global Top 10 lists. More than 40 of those broke through in 2024 alone. This surge is part of a bigger boom in the region’s own backyard. The total premium video-on-demand market in Southeast Asia saw viewership hit 440 billion minutes in 2024, with revenues up 14% to £1.44 billion (₹15,300 crore). Netflix commands over half of that viewership and 42% of the revenue. They have a clear lead, but the entire market is rising.

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