After a bitter divorce, the custody of their daughter is given to the mother (played by Tabu) and the father (Kamal Hassan) really misses his little girl. He, then, decides to dress up as a woman and take up the job of the nanny at his ex-wife's house just so he can spend some time with his girl.
2] Daddy
This is the story of a girl who grows up with her grandparents and starts getting mysterious phone calls from a man who only says 'I love you'. She eventually finds out about her alcoholic father who has spent his life away from his daughter. She helps him recover from his addiction and we see a beautiful bond emerge between the two.
3] Khamoshi: The Musical
The bonding between a deaf father (Nana Patekar) and his young daughter (Manisha Koirala) was beautifully depicted in this film that marked director Sanjay Leela Bansali’s feature length debut.
4] Kuch Kuch Hota Hai
Little Anjali and her dad Rahul's bond is just unforgettable. How she just tries her level best to make her Daddy live a happy life in spite of not having a mother to take care of her.
5] Daawat-E-Ishq
The film revolves around a father daughter duo that cons grooms and swindles all the money they can lay their hands on. The duo, Anupam Kher as Abdul Qadir and Parineeti Chopra as Gulrez, tricks rich prospects into marriage only to flee with all the money and jewellery later.
6] Piku
With Deepika Padukone and Amitabh Bachchan playing the father-daughter duo in the film, this one will leave you with a bittersweet smile. She plans her entire day around his schedule, he's completely dependent on her. Yet, they argue, fight and agree to disagree. This film portrays the father-daughter relationship with all its imperfections.
7] Dangal
Dangal sets to highlight that fathers are the people who are best at recognizing even the hidden talents within their children. This movie affirms the notion that fathers always want the best for us, however the elder daughter realizes it too late. The bond between the two daughters and father will make you want to hug your dad for all that he does for you.
8] Bhoomi
Omung Kumar's film, Bhoomi, presents the protective dashing dad who would do anything for his daughter's sake. The film is touted to be a revenge drama and features Sanjay Dutt and Aditi Rao Hydari in the role of a father and a daughter.
The singer’s twelfth studio album is set for release on 3 October.
Its cover art features Swift adorned in lavish jewels, including a standout pink sapphire ring.
Swift described the project as capturing the "behind the scenes" drama of her Eras Tour.
A collaboration with Sabrina Carpenter features on the title track.
Taylor Swift has fully embraced the spectacle with her upcoming record, The Life Of A Showgirl. The album, announced during a much-discussed appearance on the New Heights podcast, promises to peel back the curtain on the glamour and grind of her recent tour. Framed as a deeply personal project, it aims to glamourise the intense reality of life on the road. The stunning cover art, shot by Mert and Marcus, immediately sets the tone for this lavish new era.
Taylor Swift stuns in dazzling jewels on The Life Of A Showgirl album cover Instagram/taylorswift
What is the theme behind The Life Of A Showgirl?
Truthfully, it’s less about a character and more about a state of being. Swift has explained that the songs were written during the European leg of the Eras Tour, a period she describes as both physically exhausting and creatively electric. The idea was to capture what happens when the stadium lights go down: the drama, the joy, the sheer over-the-top nature of it all. She wanted to bottle that feeling of living in a whirlwind, hence the showgirl metaphor.
It’s about the performance, sure, but also the person underneath the feathers and sequins. The choice of a vibrant orange as a central colour for the album’s aesthetic apparently reflects the "exuberant and vibrant" energy she was experiencing.
How much did the jewellery on the album cover cost?
Alright, let’s talk about the bling because it’s impossible to ignore. The focus has landed heavily on a particular ring Swift wears in one of the promotional images. That’s a 35-carat pink sapphire set in rose gold with a carat of diamonds, courtesy of the fine jewellery brand Kallati. The price tag? A cool £20,290 (approx. ₹2,411,832).
But that’s just one piece. On the main cover, she’s reportedly wearing a Zydo Italy diamond bracelet with a total carat weight of over 19. The earrings in another shot are from the same maker, coming in at over 18 carats. It’s a long way from cowboy boots and sundresses, that’s for sure, and the overall effect is pure, unapologetic decadence.
This is the big question, isn’t it? The showgirl theme suggests something theatrical, maybe even a swing towards big band or jazz-infused pop. The production credits offer a solid clue: she’s back with Max Martin and Shellback, the powerhouse duo behind massive hits from 1989 and Reputation.
Swift herself called the creative process a collaborative effort where everyone was bringing their best ideas, adding pressure because she cares about the record so much. The only confirmed feature is Sabrina Carpenter on the title track, The Life Of A Showgirl. With twelve tracks announced (and rumours of a secret thirteenth), the sound will likely be as grand and multifaceted as the concept itself.
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Pawan Kalyan delivers a high-voltage performance in OG that thrills his fans
Fans celebrate Pawan Kalyan’s powerful screen presence and action sequences.
Director Sujeeth receives praise for crafting a mass feast that plays to the star’s strengths.
Emraan Hashmi makes a stylish, if somewhat underutilised, Telugu debut as the main antagonist.
A section of the audience finds the storyline predictable, leading to a divided response.
The first verdict on Pawan Kalyan's OG is in, and social media is absolutely swamped with reactions. The paid previews started on Wednesday, and people were immediately firing off tweets and posts, some totally loving it, others not so much. The general buzz? It looks like director Sujeeth has truly managed to unlock a side of the Power Star that his fans have been desperate to see. And at the heart of it all is this gritty face-off with Emraan Hashmi's character, Omi Bhau.
Pawan Kalyan delivers a high-voltage performance in OG that thrills his fans Instagram/sujeethsign
What is the story of OG?
So what's the story everyone's talking about? Basically, Pawan Kalyan is Ojas Gambheera, a gangster who drops off the map for ten whole years. Then, out of nowhere, he shows up in Mumbai again. His mission? To take out this other big-shot gangster, Omi Bhau. It's that simple; a classic revenge tale set in the underworld. The plot is not trying to reinvent the wheel; it's just a solid stage for some huge fights and big character moments. And honestly, seeing Kalyan back on screen now that he's a sitting politician just makes the whole thing feel even bigger for his fans.
The general sentiment from supporters is that Sujeeth has successfully packaged the star’s signature swag and attitude into a cinematic experience that feels both familiar and freshly electrifying.
Emraan Hashmi’s entry into Telugu films as the villain Omi Bhau has certainly made an impression. Reviews describe him as "deadly" and "stylish," bringing a credible menace to his scenes opposite Kalyan. However, a common thread among some viewers is a feeling that his potential was perhaps not fully realised. While effective in the role, there’s a sense that the character could have been explored further, with a few noting that his talent was somewhat "wasted" in a script that prioritises its hero above all else.
— (@)
Is the film a complete hit or does it have weaknesses?
The reception to OG is not entirely unanimous. Let's be honest, it's not all universal praise. If you scroll through the reactions, you will find a fair number of people who came away pretty disappointed. Their main gripe? The story itself. A lot of folks called it routine, saying you can see the twists coming a mile away. For them, the second half especially could not keep up the energy from a cracking first half and interval. It kind of fizzles. What does that tell you? Well, that OG knows exactly who it's for. If you're a hardcore Pawan Kalyan fan, you're probably having the time of your life. The plot might be simple, but the spectacle of your favourite star is more than enough.
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Mo Chara celebrates outside Woolwich Crown Court after terror charge dismissal
Liam Óg Ó hAnnaidh, known as Mo Chara, had a charge of displaying a Hezbollah emblem thrown out at Woolwich Crown Court.
Chief Magistrate Paul Goldspring ruled the prosecution was brought forward unlawfully due to a missed deadline.
The Kneecap member and his supporters claimed the case was a politically motivated attempt to silence pro-Palestinian voices.
Northern Ireland’s First Minister Michelle O’Neill welcomed the decision, criticising the initial charges.
In a significant legal development, a terror-related charge against Kneecap rapper Mo Chara has been dismissed. The ruling at Woolwich Crown Court centred on a procedural misstep by prosecutors, who filed the charge one day outside the legal time limit. This outcome brings a close, for now, to a case that had become a flashpoint in debates about artistic expression and political speech. The incident stems from a London concert where the Irish-language hip-hop artist waved a flag.
Mo Chara celebrates outside Woolwich Crown Court after terror charge dismissal Instagram/kneecap32
What was the terror charge against Kneecap's Mo Chara?
The charge was specific. Liam Óg Ó hAnnaidh, who performs as Mo Chara, was accused of displaying an article in a public place that could arouse reasonable suspicion that he was a supporter of a proscribed organisation. This related to an event last year where he waved a Hezbollah flag during a Kneecap gig in the city. Hezbollah is entirely banned in the UK as a terrorist group. The charge against the Kneecap member was a serious one, carrying a potential prison sentence of up to six months along with a fine. The prosecution itself was not contested on the facts of the event, but rather on the technicality of its timing.
The case collapsed purely on a legal technicality. The prosecution acknowledged they had submitted the charge against Ó hAnnaidh one day after the statutory six-month time limit for summary-only offences had expired. Chief Magistrate Paul Goldspring agreed with the defence's assessment that this error rendered the proceedings "unlawfully instituted" and therefore "null." Essentially, the court lost the authority to hear the case because the prosecutors missed their deadline. The court did not judge the merits of the charge or the motivations underlying the act, according to this technical dismissal.
What was the response of Mo Chara's fans after the dismissal?
Outside the court, Ó hAnnaidh didn’t hold back, calling the entire case a political move designed to muzzle the band. "We will not be silent," he told the crowd, linking the situation directly to Irish history and the war in Gaza. Support came from the very top, with Northern Ireland’s First Minister Michelle O’Neill weighing in directly. She called the charges a "calculated attempt to silence those who stand up and speak out against the Israeli genocide in Gaza." For Kneecap and their fans, this wasn’t about getting off on a technicality. It felt like a win; a confirmation that their protest, however controversial, wouldn’t be easily silenced.
What does this mean for Kneecap's future and controversies?
This court result does little to distance Kneecap from the controversies that have followed them. The Belfast trio, known for their provocative mix of Irish-language rap and staunch republican politics, has previously been banned from performing in Canada and Hungary. Their support for the Palestinian cause has been a consistent feature of their public statements.
Mo Chara addresses supporters after charge linked to Hezbollah emblem is droppedInstagram/kneecap32
While this particular legal threat has receded, the band remains a lightning rod for criticism. The Crown Prosecution Service has noted it is reviewing the decision, leaving a small window open for a potential appeal. For a group with a self-titled biopic that recently gained acclaim at Sundance, the headlines surrounding this court case only solidify their reputation as agitators, ensuring their platform, and the debates that come with it, will remain firmly in the public eye.
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Stranger Things season five casts every character in deadly showdown promising shocking twists
Creators the Duffer Brothers confirm the fifth season is the most ambitious in terms of scale and action.
Millie Bobby Brown says the entire cast is thrust into the heart of the conflict with no one on the sidelines.
The final chapter will be split into three parts, concluding with a New Year's Eve finale.
Filming wrapped recently after a lengthy production process delayed by industry strikes.
The final countdown for the town of Hawkins has officially begun. Netflix has released a new behind-the-scenes look at the fifth and concluding season of Stranger Things, and the message from the cast and creators is unmistakable: they are pulling out all the stops for this last ride, calling it the most significant chapter yet. This final season news confirms the show will go out with a bang, promising to tie up the storylines that have fascinated audiences for nearly a decade.
Stranger Things season five casts every character in deadly showdown promising shocking twists Instagram/strangerthingstv
What can fans expect from the final season's scale?
Straight from the source, the scale is being talked about in grand terms. Ross Duffer didn't mince words, calling it the "biggest season we’ve ever had in terms of action, visual effects, [and] story." That’s a big statement considering the epic battles and CGI-heavy sequences of previous years.
It feels like the natural escalation, doesn't it? The threat has bled into the real world, so the response has to be equally massive. Millie Bobby Brown hinted at this shift, noting, "It’s more of an adventure and more of a mission." It looks like the days of kids on bikes investigating local mysteries are long gone; this is a full-scale war.
After so many years, the emotional payoff is just as crucial as the spectacle. The central theme emerging is unity. The core group, the "Party," has been fractured across different states and even dimensions in recent seasons. The Duffers have stated that ultimately, audiences want to see these characters together one last time.
Finn Wolfhard mentioned the stakes have never been higher, which suggests every character is in genuine peril. The teaser implies a collective effort to finally defeat Vecna, but the cost of that victory remains the big question. It's about bringing everything full circle, providing a conclusion that feels earned for characters we've watched grow up on screen.
Netflix is repeating the split-season model, but with a twist. Instead of two volumes, the finale will be released in three chunks. The first four episodes arrive on November 26th. Then, episodes five to seven will drop on Christmas Day. The series finale, the eighth episode, is scheduled for New Year's Eve.
It's a clever bit of scheduling, making the real-world holiday season align with the end of this pop culture phenomenon. The title for the finale episode has also been revealed as The Rightside Up, a direct reference to the show’s core mythology and a strong hint at the story’s ultimate goal.
In typical Duffer Brothers fashion, they've already started managing expectations. One of the biggest rumours circulating was about extreme episode runtimes, with some fans speculating the finale could be three hours long. Matt Duffer recently shot this down, telling Variety that every runtime posted online is "inaccurate."
He did, however, concede that episodes four and eight are "like movies," so while not three hours, they will certainly be substantial. This is more like a reminder that while the scale is huge, the storytelling pace might still surprise us. They’re focusing on concluding the narrative tightly, not just filling time.
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Multiplexes caught in clash between Kantara Chapter 1 and Sunny Sanskari Ki Tulsi Kumari
Distributors for Kantara Chapter 1 have requested a near-total screen allocation in multi-screen theatres.
Exhibitors are pushing back, calling the demands unreasonable given the appeal of both films.
The clash is set for the lucrative October 2 holiday period.
Varun Dhawan has stated he believes there is room for both movies to succeed.
The upcoming box office clash between Rishab Shetty’s Kantara Chapter 1 and Varun Dhawan’s Sunny Sanskari Ki Tulsi Kumari is heating up behind the scenes. With both films slated for an October 2 release, a tussle over screen allocation has begun. Reports indicate the Kannada epic’s distributors are making aggressive demands for shows, leaving theatre owners in a difficult position. This screen allocation battle looks to have high stakes for both productions on one of the year’s most valuable holiday dates.
Multiplexes caught in clash between Kantara Chapter 1 and Sunny Sanskari Ki Tulsi Kumari Instagram/hombalefilms/dharmamovies
What are the specific screen demands for Kantara Chapter 1?
According to a trade report, the distributors for Kantara Chapter 1 have laid out a detailed and ambitious plan for its screen allocation. They are apparently asking for all shows in single-screen and two-screen cinemas. More surprisingly, the demand extends to 18 shows in three-screen multiplexes, which would make it every single showing.
For larger multiplexes with up to ten screens, the requested numbers climb to a massive 54 shows. They are even gunning for full IMAX control, which would boot out Demon Slayer entirely. It is a proper power play, no doubt about it. When you look at the Kantara Chapter 1 box office clash, this kind of ask is rare, especially with another major film like Sunny Sanskari Ki Tulsi Kumari in the mix.
Unsurprisingly, theatre owners are not exactly thrilled. One exhibitor, speaking anonymously, expressed clear reservations. They recognised the high expectation for Kantara Chapter 1, but pointed out that Sunny Sanskari Ki Tulsi Kumari had its own significant draw as a family-friendly entertainer. The exhibitor made a simple point: both films are important and they hope for a more balanced solution rather than being forced into an all-or-nothing decision.
What has Varun Dhawan said about the box office clash?
Varun Dhawan has taken a noticeably diplomatic and optimistic stance. At a recent event, he addressed the clash head-on. He acknowledged the power of the Kantara brand, admitting he loved the first film himself. However, he emphasised the different nature of his own project, describing Sunny Sanskari Ki Tulsi Kumari as a light-hearted mood-lifter.
Dhawan pointed to the expanded holiday business on October 2, which combines Dussehra and Gandhi Jayanti, suggesting the market is large enough for both. He estimated the potential Hindi-language business alone could be around £6.6 million (₹70 crore), implying there is plenty to go around.
Could this showdown change how release clashes are handled?
This situation feels like a test case. It is common for big films to jostle for position, but such a comprehensive demand for screen dominance in multi-screen complexes is less usual. The end result of this standoff between distributors and exhibitors could set a new precedent. If the Kantara team succeeds, it could lead to similar strategies in future major conflicts. If exhibitors retain their ground and negotiate a compromise, it might boost their capacity to create a diverse slate for their customers. The resolution, or lack thereof, will be closely watched by the entire industry.