Singer Zayn Malik has had a go at the process of nomination for the prestigious Grammy awards after once again not getting nominated in any category.
After his first tweet where he suggested that considerations other than talent and performance played a part in the nomination process, he moderated his stand to talk about the larger issues relating to the whole system of the awards.
“Unless you shake hands and send gifts, there's (sic) no nomination considerations. Next year I'll send you a basket of confectionery,” the former member of One Direction stated in his initial tweet.
Later on, he wrote in another post: “My tweet was not personal or about eligibility but was about the need for inclusion and the lack of transparency of the nomination process and the space that creates and allows favoritism, racism, and networking politics to influence the voting process.”
The reason for the 28-year-old not finding his name among the nominees this year may be entirely due to the basic rules of the awards. Zayn’s latest album – Nobody is Listening – was released only in January this year. This was after the cut-off date for this year’s nominations. The album will be eligible for next year’s awards.
The outburst of Malik has brought the entire process that leads to Grammy nomination into question, if it wasn’t already. Another well-known singer, The Weeknd (real name – Abel Tesfaye) has also levelled serious allegations against the organizers and the jury. He went to the extent of calling them “corrupt.”
The Weeknd has good reason to be unhappy. His hit single – Blinding Lights – has been in the US top-10 for a record 52 weeks. Yet, it hasn’t found a place in any of the 84 categories. Compared to this, Malik’s album hasn’t been in the US top-40 at all.
An even more serious allegation was made last year by Deborah Dugan, the then chief executive of Recording Academy – organisers of the Grammys event. She was put on an administrative leave on charges of misconduct. She hit back by alleging that there are massive irregularities in the voting system as well as a history of sexual misconduct. Dugan even claimed to have evidence of this.
The criticisms by Malik and The Weeknd are unlikely to take the sheen away from the upcoming awards ceremony which takes place on Sunday. But they will add to the weight of discontentment among music fans with the lack of transparency in the system.
Amar Kanwar is getting a huge London show in 2026.
Will host a site-specific, immersive installation.
Feature both new and existing films, transforming the entire building.
A new catalogue will feature unpublished writings and a long interview.
Indian filmmaker and artist Amar Kanwar, a quiet but monumental figure in contemporary art, is getting a major retrospective at Serpentine North. Slated for September 2026 to January 2027, this Serpentine Gallery retrospective won’t be a standard exhibition. It’s being conceived as a complete, site-specific art installation that will turn the gallery into what organisers call a “meditative visual and sonic environment.”
Amar Kanwar’s immersive films and installations will fill Serpentine North next year Instagram/paolamanfredistudio
What can visitors expect from this retrospective?
Don’t walk in expecting to just sit and watch a screen. Kanwar’s work has never been that simple. The plan is to use the entire architecture of Serpentine North, weaving his films into the very fabric of the space.Yeah, the Serpentine's been tracking his work for years. He was in that 'Indian Highway ' show back in 2008. Turns out that was just the start.
What it is about his work that gets under your skin?
He looks at the hard stuff. Violence. Justice. What we’re doing to the land. But he does it with a poet’s eye. That’s his thing. And it’s put him on the map. You see his work at big-league museums like the Tate, the Met. He’s a fixture at major shows like Documenta. You don't get invited back that many times by chance. His work just has that weight. His art isn’t easy viewing; it asks for your patience and focus. The upcoming Serpentine show is being built specifically to pull you into that slow, deep way of looking.
Alongside the films, the Serpentine will publish a significant catalogue. It’s not just a collection of images. It will feature a trove of Kanwar’s previously unpublished writings, giving a deeper look into his process. The book will also contain an extensive interview between the artist and the Serpentine’s artistic director, Hans Ulrich Obrist.
The gallery is betting big on an artist who works quietly, but whose impact resonates for years. As one staffer put it, they’re preparing for an installation that changes how you see, and hear, everything.
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