Between taking orders and handing over parcels of sushi and papaya-mango salad to delivery boys, Indian restaurant manager Padam Vibhushan has fruitlessly hunted online and in hospitals for a COVID-19 vaccine slot since he became eligible on May 1.
The 43-year-old is among many in Mumbai who are stuck at the back of the vaccination queue because they do not have a fancy address or a corporate employer to help protect them from a pandemic that has killed some 380,000 Indians.
Life is easier for the residents of sprawling apartment block complexes and staff at major banks and information technology firms who are getting the jab on their premises, amid widening vaccine inequity in India's most populous metropolis.
"As long as I wasn't in the eligible category for the shot, I was not so desperate. But after it opened for my age group, I thought I would get it within a fortnight," Vibhushan told the Thomson Reuters Foundation.
"My restaurant has remained open for delivery through the second wave and I interact with 30 to 40 people every day. I think the vaccine would ease the stress I feel," he said.
"I work about 15 hours, wearing a mask all the time. I just want to breathe," said Vibhushan, who has no one to lobby for a vaccine on his behalf as he lives in a standalone building with few residents and works for a small business.
With the world's second-highest tally of infections, India's federal government has faced criticism for a bungled vaccine roll out that has covered fewer than 5 per cent of an estimated adult population of 950 million.
India began vaccinating frontline workers and over 60s against COVID-19 in January but hit a hurdle in May when all adults became eligible for a jab, amid major supply shortages.
The federal government said it would buy 50 per cent of available stocks from manufacturers each month to vaccinate the elderly and frontline workers for free, and let private hospitals and state governments compete for the other 50%.
But city authorities soon found they were unable to procure enough vaccines and rapidly scaled back their plans - with the financial capital, Mumbai, only offering vaccines for over 45s.
Meanwhile, private hospitals were enlisted by local leaders and civic officials to hold vaccination drives at big apartment complexes, offering jabs to those who could afford to pay about 1,000 to 1,500 rupees ($14 to $21) per dose.
"It took me 30 minutes to get the shot. We couldn't have asked for more," said businessman Jayesh Mantri, 43, who got vaccinated with his wife at a camp for residents of their apartment block.
"I would prefer the second shot the same way," he said, adding that it had been impossible to secure a slot on the government mobile application for vaccination bookings.
'PERSUASION'
In Mumbai, private hospitals accounted for 570,000 of the 620,000 vaccine doses administered to 18- to 44-year-olds, data from the civic body shows, with the remaining 50,000 doses given by the state to priority groups like students studying abroad.
How have vaccination drive organisers been able to procure the sought-after shots when state governments cannot?
"Contacts, persuasion and follow-ups," said Mihir Kotecha, a local legislator who teamed up with private hospitals to host Mumbai's first vaccination camp for Indian central bank staff.
Kotecha said he has been holding other camps in big apartment blocks and soon plans to offer vaccines in smaller units to under 45s who are not eligible for state vaccinations.
"About 90 per cent of the 18- to 44 year-olds in Mulund will be vaccinated by mid-July," said Kotecha, referring to the central Mumbai suburb that he represents.
Supporters of the private vaccine roll out say that it can reach more people faster and reduces pressure on the government.
But critics say the main reason private hospitals have been more successful than states in procuring vaccines is because they pay manufacturers twice as much - 600 rupees a dose.
Outcry over the shortages of vaccines at state facilities, while private hospitals were offering jabs for a fee at dozens of big residential complexes and firms, forced a government u-turn last week.
Prime minister Narendra Modi announced that the federal government would from June 21 take over vaccination procurement from the states and give free vaccines to all adults, delivered via state-run vaccination centres.
Modi said private hospitals will still be allowed to buy 25 per cent of vaccine supplies but could not charge more than 150 rupees over the cost of the dose.
REACHING OUT
Some of Mumbai's more affluent residents are helping those less fortunate. Apartment blocks overlooking the ocean at Nepean Sea Road, one of the city's plushest addresses, recently held a vaccination drive which included nearby slum dwellers.
"Slums don't have access to private medical facilities and they are finding it difficult to get vaccinated," said Mukul Mehra, secretary of the Nepean Sea Road Citizens' Forum.
The forum reserved 3,000 doses for slum dwellers, out of the 8,000 doses it booked with a private hospital, Mehra said.
Restaurant manager Vibhushan said he did not begrudge the wealthy and connected getting the shot first "but it is no solution if only big companies get it and not all labour unions or roadside vendors".
Mumbai officials were hopeful improved supplies will soon allow them to offer jabs to the under 45s.
"We are dividing the 18 to 44 age group into categories to first vaccinate those who come into contact with people," said Suresh Kakani, a commissioner with Mumbai's governing civic body, Brihanmumbai Municipal Corporation.
"We have collected information on taxi, auto rickshaw and bus drivers, vegetable and street vendors. We are targeting them and we are preparing a database to start their vaccination in a staggered manner."
Lauren Sánchez didn’t need a red carpet to mark her pre-wedding celebration, just a close circle of friends and the charm of Paris. Days before tying the knot with Jeff Bezos, the former TV anchor turned aviation entrepreneur spent a laid-back but lavish weekend in the French capital with a dozen women she calls her pillars of strength.
The guest list was anything but ordinary. Kim Kardashian, Kris Jenner, Katy Perry, Eva Longoria, and a few other familiar faces from business, entertainment, and media joined Sánchez for what looked like a celebration of sisterhood rather than a spectacle. Over the course of two days, the group dined at chic spots like Lafayette’s and cruised through the city on a private boat, all while keeping things relatively low-key by celebrity standards.
From clinking espresso martinis to dancing to Earth, Wind & Fire, the vibe was expensive, chill, and relaxed. The celebration wrapped with a surprise vanilla meringue cake and laughter under the Paris sky.
Sánchez shared heartfelt moments on Instagram, calling her friends “the women who’ve lifted me up and shaped my heart.” The photos, mostly in black and white, showed candid rooftop laughs and cosy robe moments, far from the polished party shots one might expect.
Inside Lauren Sánchez’s Paris bachelorette Instagram/laurenwsanchez
Her outfit choices, too, while expensive, leaned into romantic minimalism. A short white Oscar de la Renta dress with 3D florals and a vintage pink Chanel bag added soft glamour to the weekend.
Heartfelt moments and low-key glam defined Sánchez’s pre-wedding celebration in Paris Instagram/laurenwsanchez
Sánchez and Bezos, who went public in 2019, got engaged in 2023 on board his yacht Koru, where he proposed with a rare 20-carat pink diamond worth approximately £15 million (₹160 crore). Their wedding is expected in June on the coast of Venice, Italy, although they’ve been tight-lipped about the specifics. Italian officials have already reassured locals that the ceremony will not disrupt the city.
A candid moment with Sánchez and her closest friendsInstagram/laurenwsanchez
Beyond the headlines and designer outfits, Sánchez’s celebration in Paris was about a woman pausing to honour the relationships that helped her grow, before stepping into a new chapter as Mrs. Bezos.
Ever walked into a cinema, popcorn in hand, all hyped for a big new Hindi release – only to realise, halfway through, that you have seen the exact same story before, just in another language? That weird sense of déjà vu has become all too familiar for Bollywood audiences in recent years, with one remake after another. Many are based on South Indian hits.
From Vikram Vedha to Shehzada, Bholaa to Selfiee, Bollywood seems to be treating South Indian blockbusters like a catalogue to borrow from. But here is the problem – most of them did not work. Not just with critics, but at the box office too. Which raises the obvious question: if the originals were such big hits, why can’t the Hindi versions strike gold?
The numbers do not lie Let us look at the figures.
The Tamil film Vikram Vedha (2017) was made on a budget of £103,695 (₹11 million) and earned £5.66 million (₹600 million). It had strong writing, originality, and standout performances. The 2022 Hindi remake starring Hrithik Roshan and Saif Ali Khan, despite slick production, was a costly misfire.
Bholaa, a remake of Kaithi, leaned too heavily on visual effects and forgot the raw, gritty storytelling that made the original shine. Made for £8.8 million (₹1 billion), it only grossed £9.7 million (₹1.1 billion) worldwide. Compare that with Kaithi, made for £2.2 million (₹250 million), which earned over £9.3 million (₹1.05 billion) – without big stars or CGI. This pattern keeps repeating itself.
Selfiee, based on Malayalam hit Driving Licence, flopped. Shehzada tried to replicate the success of Ala Vaikunthapurramuloo and failed miserably. Sarfira, based on Soorarai Pottru, came and went without impact. Even Baby John (a version of Theri) and Deva (inspired by Mumbai Police) could not turn strong originals into Hindi box office hits.
Ajay Devgn in Bholaa
Star power is not enough These numbers paint a clear picture: the remakes are not connecting. But what about star power? Salman Khan, Akshay Kumar, Shahid Kapoor, Hrithik Roshan, Kartik Aaryan – surely such big names should guarantee success? Unfortunately, it is not that simple anymore.
Audiences are smarter now. Thanks to streaming platforms, dubbed versions and social media buzz, many have already seen the originals – or at least know the storyline. So when the Hindi version arrives, it often feels stale.
Hrithik Roshan in Vikram Vedha
What is missing from the remakes? Successful films rely on many elements – chemistry between the leads, emotional tone, pacing – things you cannot script or transplant.
Take Vinnaithaandi Varuvaayaa. The chemistry between Silambarasan TR and Trisha felt electric, rooted in the film’s deeply emotional story of unrequited love. The Hindi remake Ekk Deewana Tha, with Prateik Babbar and Amy Jackson, lacked that connection.
Okkadu had raw energy, with Mahesh Babu anchoring the emotional weight. Ghilli, its Tamil counterpart, had similar intensity with Vijay’s charismatic presence and high-octane action. But the Hindi version Tevar lacked the same punch and raw emotion.
Similarly, Theri worked because of Vijay’s stardom, Atlee’s direction, and its emotionally driven story. Baby John has not captured that same feeling.
Mahesh Babu in Okkadu
Audiences want originality Here is the real kicker – audiences are not rejecting South Indian cinema. In fact, they are embracing it. Baahubali 2, the Pushpa and KGF franchises, RRR, Kantara – all became massive pan-India hits. The appetite for regional content is real.
What people are rejecting is lazy filmmaking – the idea that simply changing the language, inflating the budget, and casting a big Bollywood name is enough.
What works today is originality. Films like 12th Fail and Article 15 resonated because they told new stories. Even blockbusters like Pathaan and Jawan succeeded by playing to their own strengths – not copying someone else’s.
RRR
A call for change So what should Bollywood do? The answer is simple: focus on originality.
Stop leaning on South Indian remakes. Start backing fresh, innovative stories that speak to today’s diverse audience. The success of South Indian films lies in their ability to connect emotionally, to create real characters and tell untold stories. Bollywood needs to find that magic again.
In the end, remakes may seem like a safe bet – but they are not always the solution. Why settle for déjà vu when you can create something unforgettable?
The audience has evolved. Maybe now, it is time the industry asked itself: has it?X: @GeorgeViews
On Sunday, 25 May, music lovers in Middlesex and beyond will have the rare opportunity to experience an unforgettable evening with the legendary Anup Jalota at the Beck Theatre, Hayes. Known as the “Bhajan Samrat” (Emperor of Bhajans), Anup Jalota is a celebrated Indian singer and musician famed for his soul-stirring bhajans and ghazals that have touched millions worldwide. This culturally rich concert promises to bring the spiritual and poetic essence of Indian devotional music to life, right in the heart of Middlesex.
Whether you are deeply connected to Indian classical and devotional music or simply curious to explore a new musical tradition, this concert offers a perfect blend of spirituality, art, and heartfelt emotion. Held at the well-regarded Beck Theatre on Grange Road, this event is expected to draw a diverse audience eager to witness Anup Jalota’s mesmerizing performance.
Anup Jalota has been a towering figure in Indian music for over four decades. His unique ability to fuse the spiritual with the musical has earned him immense respect and a devoted fanbase not just in India, but internationally. Known for his deep, soothing voice and flawless diction, Jalota’s bhajans invoke a sense of peace and devotion, making them timeless classics.
In addition to bhajans, Anup Jalota is renowned for his ghazal renditions – poetic songs that express love, longing, and life's philosophical musings. His mastery in delivering both these forms of music with emotion and authenticity is unmatched. Audiences attending the Beck Theatre concert can expect to be transported through a variety of moods, from serene devotion to contemplative reflection.
The concert promises to be a carefully curated showcase of some of Anup Jalota’s most beloved bhajans and ghazals, as well as a few surprises for fans. The Beck Theatre, with its excellent acoustics and intimate setting, will provide the perfect atmosphere for a close connection between the artist and his audience.
Attendees can look forward to an evening filled with spiritual melodies and poetic beauty that celebrate Indian heritage and music traditions. It’s an ideal occasion for families, music enthusiasts, and anyone interested in experiencing a slice of India’s rich cultural tapestry.
The Beck Theatre is located at Grange Road, Hayes, Middlesex UB3 2UE. It is easily accessible by public transport and offers ample parking facilities nearby.
Tickets for this much-awaited concert are available on the Beck Theatre’s official website at www.becktheatre.org.uk. Given the popularity of Anup Jalota’s performances, early booking is strongly recommended to avoid disappointment.
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Ananya Panday gets candid about body shaming on Lilly Singh’s podcast
Ananya Panday is no stranger to the spotlight, but she’s also tired of being stuck under a microscope. In a recent chat with Lilly Singh on her podcast Shame Less, the actor spoke honestly about the constant criticism of her body and the double standards women face in the film industry.
Ananya recalled the early days of her career when, at 18, she was mocked for being too thin. Terms like “chicken legs” and “matchstick” were thrown at her regularly. “They said I had no boobs, no butt, like a flat-screen,” she shared. Fast forward a few years, and as her body naturally changed, new rumours popped up, but this time accusing her of undergoing cosmetic surgery. “Now they say I’ve had my butt done. You can never win,” she said.
What hits harder for Ananya is that this scrutiny often comes from other women. “The harshest comments I get are from women. I rarely see this happening to male actors,” she said, pointing out the gender gap in how public figures are judged.
But Ananya doesn’t shy away from taking responsibility either. She admitted that Bollywood films, including some of her own, have pushed unrealistic beauty ideals. “We’ve shown women waking up with perfect hair and makeup. That’s not real life. I’ve been part of that narrative, and I’m trying to be more aware of it now,” she said. Off camera, she tries to keep things real, reminding her followers that what they see on screen isn’t always the truth.
This honesty is, in fact, a shift in Ananya’s journey, from someone who once felt pressured to fit in, to an actor willing to question the norms she’s grown up with. Her recent work also reflects that change. From light-hearted romances to more grounded roles like her turn as a lawyer in Kesari: Chapter 2, Ananya is clearly making deliberate choices.
Women in the public eye are constantly judged, but it’s time to break that cycle. “If I talk about it, maybe one other girl will feel less alone,” she said. That, perhaps, is the quiet power behind her loudest statement yet.
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Remaining matches will be held at six venues, with Chennai, Hyderabad, Kolkata, and Dharamsala removed from the schedule.
The Indian Premier League resumes on Saturday, eight days after it was suspended due to escalating tensions along the India-Pakistan border.
Most foreign players who left the country after the suspension have now returned. The tournament was halted on May 8 during a match between Punjab Kings and Delhi Capitals in Dharamsala, which was stopped after 10.1 overs when rockets landed 80km away. That game will now be played on 24 May in Jaipur.
Remaining matches will be held at six venues, with Chennai, Hyderabad, Kolkata, and Dharamsala removed from the schedule.
The Pakistan Super League also restarts on Saturday. It had considered relocating to the UAE before suspension. Its final is now on 25 May, with matches limited to Rawalpindi and Lahore. Only Multan has lost hosting rights.
Royal Challengers Bengaluru will face Kolkata Knight Riders in the first of 13 remaining IPL league games, followed by playoffs from 29 May and the final on 3 June.
The revised IPL schedule overlaps with England’s ODI series against West Indies starting 29 May. Cricket West Indies released Sherfane Rutherford and Romario Shepherd to remain in India. Some players, including Mitchell Starc and Sam Curran, have opted not to return. Temporary replacements are allowed.