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Varun & Katrina starrer untitled flick to roll in London in December

Varun Dhawan and Katrina Kaif are teaming up for the first time for filmmaker Remo D’souza’s upcoming dance movie, which is being touted as the biggest dance film ever made in Bollywood. The project was announced in March this year, and the latest we hear that it will begin production in December in London.

Before the team kicks off the shoot in December, the cast will train in various international dance forms. “It is a dance film which also features Remo’s ABCD (2013) actors, Prabhu Deva, Punit Pathak, Raghav Juyal and Dharmesh Yelande. The entire cast will be attending workshops in multiple international dance forms for at least a month before the film rolls,” informs a source to an Indian tabloid.


According to reports, the team will begin a start-to-finish schedule of two months in London. After capping off the London schedule, the unit will fly back to India and shoot for ten days in Mumbai.

Producer Bhushan Kumar of T-Series confirms the news. “Yes we are starting in December in London with only about ten days of shoot in India,” he says.

Reportedly, the yet-to-be-titled film will be shot in 4D. Remo is expected to meet some experts in the USA for the same.

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Alexander Morton

A five-decade career across television, film and theatre

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7 roles that defined Alexander Morton beyond 'Monarch of the Glen'

Highlights

  • A five-decade career across television, film and theatre
  • Known for both understated warmth and hard-edged characters
  • A defining presence in Scottish drama from the 1970s onwards
  • Worked across cult cinema, mainstream television and stage

1. Monarch of the Glen

As Golly Mackenzie, Morton became a familiar figure to audiences across the UK. Appearing in all 64 episodes, he brought quiet authority to the role of the loyal ghillie, grounding the series in emotional realism.

2. Take The High Road

His long-running role as Andy Semple revealed a darker register. Over 14 years, Morton shaped one of Scottish television’s most recognisable antagonists, balancing menace with restraint.

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