Skip to content
Search

Latest Stories

Deepika is unbreakable in her new movie Chhapaak

by ASJAD NAZIR

LOOK back through the history of Indian cinema and there have been landmark movies that have expanded the horizons of the industry.


Powerful new drama Chhapaak looks set to be added to that illustrious list of commercial Hindi films because it not only presents the Bollywood heroine in a new way, but also tackles a massively important issue in a manner that will impact society. It is a story never told before by the industry.

At the centre of the Meghna Gulzar-directed drama is popular star Deepika Padukone, who takes on the role of an unbreakable woman, who rises up again after a horrific acid attack.

The inspiring story is based on the life of acid attack survivor Laxmi Agarwal, who went from a life-changing event to becoming a motivating figure who helped trigger important social change.

It was clear the emotionally demanding subject matter had affected Deepika, when Eastern Eye caught up with her to discuss Chhapaak. The current queen of Hindi cinema humbly gave emotional, heartfelt responses talking about a movie that clearly means so much to her.

With your performances, you not only empower women, but also the film industry. Has that been a conscious decision to choose these types of roles?

I would say a little bit of a yes and a no. It is not an absolute conscious decision because it is not often you come across scripts like this (Chhapaak). But at the same time, I do like being part of films that can create some sort of impact, although it is not always possible. I do look out for subjects and stories that can influence people’s lives. I also like challenging the system a bit.

What do you mean?

I am someone who, for example, doesn’t like taking a no for an answer. I don’t like not trying. I would rather try something unique, new or different and not succeed, than not trying at all. Not trying and not pushing myself, I get restless, so I constantly need to keep pushing the envelope for myself. Chhapaak is like nothing I have ever seen in commercial Hindi cinema.

What did you like in particular about this project?

That it’s about the human spirit, while throwing light on the increase in acid violence, and that as a nation this is something we need to be aware of. We need to educate ourselves, create that awareness and all of those things. At the same time, it is much more about the undying human spirit. And I think that for me really was why I wanted to tell the story.

It’s a universal story…

Yes! Asjad, you are in the UK, where acid attacks have been on the rise in the recent years. Of course, the reasons why they happen (in India) are slightly different from those in the UK. But the fact remains that acid violence is not just an issue in India, but globally too. It is something that needs to be addressed in an urgent and serious manner. Beyond that, the takeaway for me really was Laxmi; the film rests on her, but also the different girls I had the privilege to meet. Their spirit is something we need to see and experience.

As an actor how do you prepare for a role like this that hasn’t been done before in such a high-profile Indian film?

To be honest, some of it is a physical transformation. That really is the easier part. The more challenging aspect is the emotional bit. That is something you are never really entirely prepared for, no matter how much time you give it; study the character, I’ve seen material on her, I met her several times, studied her videos, looked at her interviews, seen pictures and understood her body language. You do all those things. Then the prosthetics itself. We spent so much time figuring that out and that was a process in itself. But beyond that what I felt was more important was the emotion that needed to come through. That is not something you can measure or plan, or prepare. I think you have just got to be honest in that moment. Either it happens or it doesn’t. That scene in the trailer of you looking in the mirror and screaming affected me deeply for days.

How much did this role affect you?

It has. I have always said this that films and characters do affect you. They never entirely leave your system, but this has affected me like none other, and I feel that is why it has been an emotional journey for me. I think I have been breaking down really easily, which hasn’t happened to me because of a film in a while. I appreciate that people see that. I have been breaking down a lot in public of late and a lot of that has to do with the fact it has just been so traumatic and emotionally it has been such a rollercoaster, that I feel like a lot of it is probably just coming out now. But that is the price of being an actor.

How much did it help you to have a strong female filmmaker like Meghna Gulzar as a director?

It helped me immensely, Asjad. I feel like while the subject, story and narrative are one thing, to have the right director showcase it and tell the movie are equally important. And for me while 50 per cent of it is the story in itself, the other 50 per cent was the fact that Meghna Gulzar was going to be telling the story. The marriage of both is extremely important. Sometimes you come across lovely, interesting subjects, but you don’t necessarily have faith in the director. It has to be a marriage of both things. It took me all of two minutes to say yes to this film.

I don’t think I have seen a trailer in my 20-year career that has received such an emotional response as Chhapaak. How much does that mean to you?

Yes. Even I haven’t come across in my entire career something as powerful as this, and it is heartening. It certainly feels like we are on the right path, but we still have a long to go and still have the movie to release. We appreciate it, we feel immense gratitude, but at the same time there is still a long journey ahead because eventually it is the film that has to live up to all of this that we have created.

You are so successful and at the top, but how do you feel before a movie releases today?

Of course, you get nervous and excited. It is all these different emotions. There are the nerves, excitement, anxiety, and you don’t sleep as much because you are constantly thinking about looking at your phone, to see if you have missed anything or have forgotten something. Or you suddenly have a thought and want to share it with everyone. So there is a lot of anxiety, especially with a movie like this. It is not one of those films you can just promote blindly and do in your sleep.

You have shown a lot of emotions in your interviews and are doing it now.

Yes, every interview I am doing is an emotional moment for me, to have to think about those scenes, character, film and moments. Every interaction and interview I do, there is a lot that goes into it, so it has been demanding. It has been a lot of anxiety in a good way. Looking forward to it, but at the same time you are nervous. You want to quickly fast track to the day the film is released to see how people actually receive it. There are so many thoughts and emotions going through my head at this point.

You have conquered cinema in the past decade, what is the plan for the next?

(Laughs) No, I don’t think I have conquered anything. I have learned a lot. It has been an exciting journey. But if I am not constantly pushing the boundaries, I get restless. There is so much more to do. There is so much more I want to do and say though my movies.

Finally, I want to say I am incredibly proud of you for doing such an important film like Chhapaak.

Thank you, it means a lot. It really does.

Chhapaak is in cinemas now

More For You

DDLJ director Aditya Chopra earns UK Stage Debut Awards nod for 'Come Fall in Love'

Aditya Chopra (right) with his father, Yash Chopra

YRF

DDLJ director Aditya Chopra earns UK Stage Debut Awards nod for 'Come Fall in Love'

BOLLYWOOD filmmaker Aditya Chopra was last Thursday (21) named among the nominees of the UK Stage Debut Awards for his Come Fall in LoveThe DDLJ Musical, performed at Manchester’s Opera House earlier this year.

Chopra delivered a blockbuster in 1995 with Dilwale Dulhania Le Jayenge, popular as DDLJ, with Kajol and Shah Rukh Khan in the lead roles. It was adapted to a theatrical production and had its UK premiere in May.

Keep ReadingShow less
viral qawwali group UK tour

The group have introduced fresh orchestral elements and added instruments to expand their live sound

Qawwal Group

Shahbaz Fayyaz Qawwal Group brings viral energy and rich heritage to UK tour

Highlights:

  • The Shahbaz Fayyaz Qawwal Group return to the UK with a nationwide tour after viral success online.
  • The ensemble of brothers blend centuries-old qawwali traditions with fresh improvisations that connect with young audiences.
  • From Pakistan to the USA and UK, their performances have won acclaim for their electrifying energy and spiritual depth.
  • Fans can expect new instruments, reimagined classics, and the same message of love and harmony at this year’s shows.

From viral sensation to global stages

When a performance goes viral, it can change an artist’s career overnight. For the Shahbaz Fayyaz Qawwal Group, their stirring renditions of Bhar Do Jholi and B Kafara propelled them from local fame in Pakistan to global recognition, amassing millions of views across platforms. What set them apart was not just the power of their voices, but the way their music resonated with younger listeners who were hearing qawwali with fresh ears.

That viral momentum soon carried them beyond borders, leading to major performances in the United States and the UK. “It wasn’t just one track,” the group explained. “We revived older gems like Kali Kali Zulfon and Dil Pukare Aaja in our own style, and those went viral again, showing that qawwali still speaks across generations.”

Keep ReadingShow less
Annie Jagannadham

Born in 1864 in Visakhapatnam, Annie began medical studies at Madras Medical College, one of the few institutions in India then open to women.

Royal College of Physicians of Edinburgh

How Dr Annie Jagannadham broke barriers in medicine

DR ANNIE WARDLAW JAGANNADHAM was the first Indian woman to gain a medical degree at a British university and have her name added to the UK medical register in 1890.

Her story has been revisited by the General Medical Council (GMC) as part of South Asian Heritage Month. Tista Chakravarty-Gannon, from the GMC Outreach team, explored her life with support from GMC archivist Courtney Brucato.

Keep ReadingShow less
Tarek Amin

A visual dialogue between flesh and spirit

Manzu Islam

Tarek Amin's 'Echoes of Existence' showcases bodies caught in time and reaching for escape

Manzu Islam

Highlights:

  • Woodcut prints that explore the fragile threshold between body, time, and transcendence
  • Inspired by Baul mystics like Lalon Shai and Shah Abdul Karim, as well as sculptural forms from Michelangelo to Rodin
  • Figures emerge from black holes and womb-like voids — trapped in time yet reaching for freedom
  • A visual dialogue between flesh and spirit, rootedness and flight
  • A bold continuation of South Asian metaphysical traditions in contemporary form
  • Paradox becomes the path: muscular bodies dream of escape through light, memory, and love
  • Expressionist in tone, haunting in imagery — a theatre of becoming


I imagine Tarek Amin (Ruhul Amin Tarek) has a singular vision as his hands work on his craft, his measuring eyes, the membranes of his fingers. They are mostly woodcut prints on the threshold of becoming, from darkened holes. A human figure dangling in space, yet not without gravitational pull, the backwards tilt of the head is like a modern-day high jumper in the fall position, the muscles and ribcage straining to keep the body's mass afloat. A clock is ticking away in the background of a darkened rectangle. Is it the black hole, the womb, or the nothingness from which the first murmurings of being, its tentative emergence into light, can be heard?

Keep ReadingShow less
INSET 2 Tony Jayawardena Winston Churchill Michael Sheen Nye Bevan in Nye at the National Theatre c Johan Persson 15153
Jayawardena as Churchill
Johan Persson

Tony Jayawardena’s Churchill: A bold performance that challenges history and representation

WHAT is it like for an Asian actor to be cast in the litmus test role of the great wartime leader and India hater, Sir Winston Churchill?

“I always start with the script,” Tony Jayawardena told Eastern Eye, just before going on stage to play Churchill in an evening performance of Nye at the National Theatre.

Keep ReadingShow less