Top 8 Glastonbury 2025 moments including Olivia & Robert’s duet, Rod & Ronnie’s reunion, Lewis Capaldi’s comeback & more
From emotional returns to political flashpoints and secret sets, Glastonbury 2025 delivered a weekend packed with unforgettable highs and headline-making controversy.
Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Olivia Rodrigo brought out Robert Smith for a surprise goth-pop duet on the Pyramid Stage.
Rod Stewart reunited with Ronnie Wood during a crowd-pleasing Legends Slot performance.
Lewis Capaldi made an emotional surprise return after his 2023 setback.
Political controversy erupted with Kneecap and Bob Vylan’s provocative sets.
Scissor Sisters and Sir Ian McKellen delivered one of the festival’s most unexpected collaborations.
Charli XCX closed out her Brat era by burning her backdrop and owning the Other Stage.
Neil Young gave a stripped-back set with no visuals and all heart.
Pulp’s secret “Patchwork” set was a nostalgic Britpop masterstroke.
Worthy Farm has emptied out. The glitter’s washed off, the tents have collapsed into mud, and 210,000 people are back in the real world trying to make sense of what just happened. The mud might be drying on Worthy Farm, but the noise from Glastonbury 2025? It’s still ringing in our ears.
There were moments this year that made people cry, scream, argue, and lose their minds, sometimes all at once. This wasn’t the year of a single headliner dominating headlines. This was the year of chaotic genius. Of punk chants ringing through political tension. Of unexpected duets that bridged decades. Of artists coming back from silence.
Here’s a rundown of the 8 moments we’ll be talking about long after the fields lie fallow.
1. Lewis Capaldi’s comeback that stopped the festival
Two years ago, his voice cracked under the weight of Tourette's, cutting his set heartbreakingly short. This time? He walked back onto that Pyramid Stage like he owned it. "Worst-kept secret!" he grinned, and then he finished what he started. His voice was stronger, his tics softer, but his heart? Still wide open. When those opening notes of Someone You Loved hit, and 210,000 voices sang it right back to him? He cried. So did everyone else.
2. Olivia Rodrigo and Robert Smith’s goth-pop dream sequence
No one was expecting The Cure frontman to stroll out under the Sunday sunset. But there he was, eyeliner and all, joining Olivia Rodrigo in one of the most generationally surreal collaborations the Pyramid Stage has ever seen. Together, they sang Friday I’m In Love and Just Like Heaven, and something strange happened: thousands of Gen Z and Gen X fans wept together. Rodrigo looked awestruck. Smith smiled. The whole thing was almost eerie and euphoric.
3. Rod Stewart’s rock ‘n’ roll reunion, complete with Lulu and Ronnie Wood
80 years old. Sunday Legends Slot. Rod Stewart didn't just sing the hits. He threw a party. Mick Hucknall joined in. Lulu too. But the real moment? When his old bandmate from The Faces, Ronnie Wood, walked on stage. They blasted through Stay With Me, that classic rock energy surging back. Then, festival founder Michael Eavis appeared, wheeled out by his daughter Emily, smiling at the huge crowd he started. It felt big. Like watching Glastonbury's history come alive right there. It was proof that legacy doesn’t fade, it just gets louder.
Glasto's always had a political pulse, but 2025 felt like a live wire. Belfast rap trio Kneecap used their West Holts set for loud pro-Palestinian chants in Irish, displaying "Israel are war criminals" on screens and targeting Keir Starmer. The BBC cut the live feed, and police are investigating parts of their performance. At Woodsies, punk duo Bob Vylan led the crowd in chanting "Death to the IDF." Festival organisers condemned this specific chant as hate speech and Prime Minister Starmer called it "appalling". Glastonbury 2025 proved, once again, that the festival doesn't mute uncomfortable voices. This is part of its fabric.
All weekend, everyone wondered: who was the mystery act Patchwork? They didn’t announce it. They didn’t need to. On Saturday afternoon, the answer hit the Pyramid Stage. Jarvis Cocker walked out. Pulp slipped into a secret slot under a fake name and blew the roof off with Common People, Disco 2000, and sheer 90s brilliance. It was a brilliant, unannounced 30th-anniversary nod to their legendary 1995 Glastonbury headline rescue. Pure surprise. Pure joy.
Saturday night, the Brat queen stepped onstage and torched her signature green backdrop. Goodbye old era. What followed was pure energy: 360, Von Dutch, Club Classics. Heavy beats, heavy autotune used deliberately. Not everyone liked her stripped-back, guest-free approach, but that wasn't the point. She delivered exactly the intense, focused set she wanted. Critics debated. The crowd didn’t care.
7. Scissor Sisters and Sir Ian McKellen’s surprise walk-on
Midway through Scissor Sisters' headline set at Woodsies, their first Glastonbury show in 15 years, Sir Ian McKellen appeared. He didn't just wave. He recited lyrics from their song Invisible Light and then walked, visibly moved, right through the stunned, cheering crowd. He danced. He cried. People chanted “national treasure.” It was pure camp, pure catharsis.
While some sets screamed for attention, Neil Young whispered. Alone with a guitar and decades of memory, he sang Harvest Moon and Cinnamon Girl like they still hurt. No visuals, no hype. You could hear a pin drop. He refused video screens, forcing the crowd to focus or move closer. At 78, his voice cracked in places, but the songs held firm. Stripped of spectacle, the set stood out purely on the strength of song writing, reminding us sometimes, you don’t need fireworks to set hearts on fire.
Festivalgoers watch British band Wolf Alice perform on the Other Stage on the final day of the Glastonbury festival Getty Images
The ground beneath our feet
2027 feels a lifetime away. However, Glastonbury 2025 didn’t play it safe. It poked at power. It celebrated weirdness. It held space for grief, rage, joy, and rebellion all at once. It was Capaldi finding his voice again in front of a family of thousands. It was Olivia Rodrigo reaching back and Robert Smith reaching forward. It was Rod Stewart proving rock 'n' roll never dies, and Kneecap screaming that some fights aren't over. It was Charli burning it down and McKellen wandering wonderstruck.
It was wild. It was beautiful. It was uncomfortable. It was unforgettable.
On October 8, UK Prime Minister Keir Starmer visited the Yash Raj Films (YRF) studio in Mumbai.
Rani Mukerji welcomed him and hosted a special screening at the studio.
Starting in 2026, YRF will film three major productions in the UK.
The move is projected to create over 3,000 jobs and strengthen cultural and creative ties.
The tour included visits to major UK film organisations such as Pinewood and Elstree Studios.
On Wednesday, Prime Minister Keir Starmer visited the bustling YRF studio in Andheri. Bollywood star Rani Mukerji greeted him warmly as they entered the screening room. The visit, part of Starmer’s India trip, centred around YRF’s future UK projects and a potential collaboration between the British and Indian film industries.
Keir Starmer visits Mumbai studio as Yash Raj Films plans UK projects and English DDLJ musical Reuters
What unfolded at YRF
Rani Mukerji and YRF CEO Akshaye Widhani guided Starmer through the sprawling studios. The Prime Minister attended a special film screening and discussed creative collaborations and co-productions, as well as the UK’s deep connection to YRF, home to many classic shooting locations, including Dilwale Dulhania Le Jayenge.
Special screening held at YRF attended by Keir Starmer, Rani Mukerji, and CEO Akshaye WidhaniReuters
Bollywood returns to Britain
YRF announced three major productions scheduled to be shot in the UK starting in 2026. These projects are expected to create approximately 3,000 jobs, providing opportunities for local talent and crews. Additionally, Widhani revealed that the English musical adaptation of Dilwale Dulhania Le Jayenge, titled Come Fall in Love, will also be produced in the UK.
Starmer observes recording setups and sound stages inside YRF during his India visit Reuters
Cultural and economic impact
Prime Minister Starmer noted that revitalising the film industry brings jobs, investment, and opportunities both in Bollywood and the UK. UK Culture Secretary Lisa Nandy welcomed the initiative, mentioning the positive effects on the creative industries.
The UK Prime Minister Starmer tours YRF studios Reuters
The visit builds on UK-India film collaborations that began with Slumdog Millionaire, which was both a global and economic success.
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