Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Netflix’s latest Indian original, The Royals, delivers a glossy spectacle of aristocratic opulence, familial chaos and unexpected entrepreneurial rescue. Directed by Priyanka Ghose and Nupur Asthana and produced under the banner of Pritish Nandy Communications, the series is created by Rangita and Ishita Pritish Nandy, with writing by Neha Veena Sharma. While the series dazzles visually and offers moments of wit and warmth, it occasionally falters under the weight of its own grandeur and inconsistent script.
Set in the fictional princely state of Morpur, the series follows Aviraaj Singh (Ishaan Khatter), a new-age polo-playing prince who is more concerned with charm and leisure than tradition and responsibility. When his father, the Maharaja (played by Milind Soman), passes away, Aviraaj and his eccentric royal family discover they are drowning in debt. The family, long accustomed to showcasing heirloom jewels, fine wines and extravagant decor, must face the uncomfortable truth: the legacy of royalty does not guarantee financial stability.
Enter Bhumi Pednekar as Sophia Kanmani Shekhar – or “Aam Kumari” (common princess) – a sharp, ambitious CEO with a plan to turn the rundown royal palace into a luxury heritage B&B. Her character arrives with clarity and drive, offering a dose of modern pragmatism to counterbalance the royal family's outdated traditions and lavish pretence.
What follows is a mix of light-hearted romantic tension, family drama, and a battle of ideologies between old-world nobility and contemporary entrepreneurship. As Sophia and Aviraaj navigate egos, family feuds and the logistics of hospitality, sparks inevitably fly.
Visually, The Royals is a treat. From palatial interiors to carefully curated costumes and ornate artefacts, the production design spares no detail. The cast, equally photogenic, complements the setting well, with Ishaan Khatter and Bhumi Pednekar bringing energy and chemistry to their roles. Pednekar particularly stands out, portraying Sophia with elegance, control and a sense of grounded leadership. Her character steers the storyline with authority and nuance, taking charge in situations that threaten to unravel into chaos.
The Royals | Official Trailer | Ishaan Khatter, Bhumi Pednekar, Zeenat Aman, Nora FatehiNetflix India
The supporting cast includes a mix of familiar and refreshing faces. Zeenat Aman makes a much-anticipated return as the eccentric and fashionably aloof Bhagyashree Devi, adding a vintage charm and glamour to the ensemble. Dino Morea turns up the style quotient, while Vihaan Samat, as Digvijay Singh, brings calm and sensibility to the chaotic royal household. His character plays a pivotal role, being the one to bring Sophia into the fold, recognising the need for innovation in a crumbling legacy.
The series touches on a number of contemporary themes, including gender dynamics, queer identity, and the changing definition of royalty in a modern world. It earns credit for attempting to address these topics, although at times the script lacks the depth or consistency to fully explore them. Some storylines and character arcs feel underdeveloped or overly convenient, and while the tone is mostly light and entertaining, the writing occasionally fails to maintain momentum.
Despite its flaws, The Royals succeeds in presenting a fresh take on royal life, revealing the financial and emotional cracks beneath a seemingly perfect surface. The idea that royalty today is more façade than fortune gives the show an intriguing edge, even if it doesn’t fully commit to dissecting the implications.
The show works best when it leans into its comedic timing and character-driven moments, particularly in the interactions among the family members. The sibling dynamic, especially involving Diggy and Jinnie, adds warmth and relatability amidst the extravagance.
In conclusion, The Royals is a visually stunning, occasionally sharp, and ultimately enjoyable drama that balances satire with soap opera flair. While the writing may not always match its ambition, the performances – especially from Pednekar and Khatter – help elevate the show beyond its narrative gaps. For viewers in search of a light, aesthetically pleasing series with a mix of modern flair and royal nostalgia, The Royals offers an engaging, if uneven, watch.
South Asian Film Nights will launch on 30 August at THE SOURCE in Stratford, East London.
The monthly screenings will begin with Zindagi Na Milegi Dobara, followed by classics like Devdas and English Vinglish.
Each evening also features short films from emerging London-based South Asian filmmakers.
Tickets priced at £5 (₹500) will be available soon via THE SOURCE website and Eventbrite.
South Asian cinema is set to find a new cultural home in East London as South Asian Film Nights launches at THE SOURCE in Stratford. Beginning on Saturday 30 August, the monthly series will bring together classic Bollywood blockbusters and contemporary South Asian gems, creating a consistent platform for both audiences and emerging filmmakers.
Organised in partnership between Newham Council and the University of East London, the initiative aims to celebrate storytelling from the subcontinent and its diaspora, offering affordable screenings for the borough’s diverse communities.
South Asian Film Nights bring Bollywood classics and new voices to Stratford
What is South Asian Film Nights?
The programme will run on the last Saturday of every month, with a special pre-holiday screening on 20 December. Unlike one-off festivals, South Asian Film Nights is designed as a regular fixture, turning THE SOURCE into a hub for cinema lovers in East London.
“Newham is a borough shaped by South Asian life, culture and creativity,” said Kritee Gower, Executive Director of THE SOURCE. “Through South Asian Film Nights, we want to create a consistent space where stories from across the subcontinent and its diasporas can be shared, celebrated and reimagined together.”
The launch line-up mixes celebrated Bollywood hits with stories of self-discovery and resilience. Each evening starts at 6:30pm with short films by London-based South Asian filmmakers, followed by the feature at 7:00pm.
30 August – Zindagi Na Milegi Dobara (12+) – A feel-good road movie about friendship and courage.
27 September – Devdas (PG) – Sanjay Leela Bhansali’s grand tale of doomed love.
25 October – English Vinglish (PG) – A heartfelt story of self-worth and confidence.
29 November – Tanu Weds Manu (PG) – A quirky romantic comedy full of chaos and charm.
20 December – Dil Dhadakne Do (PG) – A cruise-ship drama exploring family dysfunction and renewal.
Located in Stratford, THE SOURCE offers excellent transport links through the Elizabeth Line, Jubilee Line, Overground, and National Rail, making it accessible for audiences across East and Greater London. Tickets are priced at £5 (₹500) plus a small booking fee, ensuring affordability while creating a community-driven cinema experience.
Refreshments will also be available at THE SOURCE Café, turning each screening into a social as well as cultural gathering for attendees.
THE SOURCE Stratford becomes home to monthly South Asian cinema screeningsInstagram/thesourcestratford
A cultural space for South Asian storytelling
What makes this series different is its community-first approach. Rather than being a one-time celebration, South Asian Film Nights is designed to be sustainable, ongoing and welcoming.
“Cinema reflects who we are and sometimes, who we could be,” added Gower. “We’re not just screening films; we’re creating a cultural space where identity, imagination and community meet.”
With its mix of nostalgic classics and emerging voices, South Asian Film Nights promises to become a cultural anchor for East London’s South Asian diaspora and wider cinema enthusiasts.
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Aryan Khan makes his directorial debut with Netflix series The Ba***ds of Bollywood
Netflix drops first glimpse of The Ba**ds of Bollywood, Aryan Khan’s debut as director.
Teaser flips Shah Rukh Khan’s signature romance narrative into satire and action.
Cast includes Bobby Deol, Lakshya, Sahher Bambba, Mona Singh, and Manoj Pahwa.
Backed by Red Chillies Entertainment, the series is set for release in 2025.
Netflix has unveiled the first teaser of ‘The Ba***ds of Bollywood’, the much-talked-about directorial debut of Aryan Khan. The series, produced by Red Chillies Entertainment, has already sparked buzz for its sharp, witty, and unconventional tone.
Aryan, son of superstar Shah Rukh Khan, makes his creative debut not as an actor but from behind the camera. In the teaser, he sets the stage with a striking voiceover: “Bollywood – jisse aapne saalon se pyaar bhi kiya aur vaar bhi kiya, main bhi wohi karunga, bohot saara pyaar… aur thoda sa vaar.” The line encapsulates the series’ theme, part tribute, part critique of the Hindi film industry.
The Ba***ds of Bollywood teaser signals a generational shift in Hindi cinemaYoutube Screengrab/Netflix India
What is ‘The Ba***ds of Bollywood’ about?
The show is described as a satirical take on Bollywood, bringing in romance, drama, and action with self-aware humour. The teaser opens with a familiar violin tune reminiscent of Mohabbatein, before introducing lead pair Lakshya and Sahher Bambba in a dreamy setup. But the mood quickly shifts to stylised action sequences, signalling that this is not a conventional love story.
Aryan’s narrative tone may remind audiences of Shah Rukh Khan, but his treatment shows a clear generational shift. The series positions itself as both an insider’s love letter and a cheeky critique of Hindi cinema’s biggest clichés.
Aryan Khan flips Shah Rukh Khan’s romance legacy into bold satireYoutube Screengrab/Netflix India
Who is in the cast of Aryan Khan’s debut series?
The Ba**ds of Bollywood features a strong ensemble cast. Bobby Deol plays a pivotal role, alongside Lakshya, Sahher Bambba, Manoj Pahwa, Mona Singh, Manish Chaudhari, Raghav Juyal, Anya Singh, Vijayant Kohli, and Gautami Kapoor.
Industry reports suggest that cameos from Ranbir Kapoor, Salman Khan, and Karan Johar also feature in the show, adding to its star power. The combination of established actors and fresh faces hints at a mix of nostalgia and novelty, much like Aryan’s own vision for the series.
Netflix unveils first glimpse of Aryan Khan’s The Ba***ds of BollywoodYoutube Screengrab/Netflix India
When will ‘The Ba***ds of Bollywood’ release on Netflix?
While Netflix has not announced an exact release date, the series is scheduled to stream globally in 2025. The project was first introduced earlier this year during Netflix’s “Next on India” showcase, where Shah Rukh Khan himself unveiled the title. Since then, speculation around Aryan’s debut has steadily grown, and the newly released teaser confirms that the project is nearing completion.
Produced by Gauri Khan under Red Chillies Entertainment, the show has Aryan Khan as creator and director, with Bilal Siddiqi and Manav Chauhan serving as co-creators and writers. Bonnie Jain and Akshat Verma are on board as executive producers.
Bobby Deol and Lakshya feature in Aryan Khan’s first Netflix projectYoutube Screengrab/Netflix India
Why Aryan Khan’s debut matters for Bollywood and streaming
Aryan Khan’s entry into direction is, in fact, an important generational moment for Bollywood. Unlike many star kids who choose acting as their first step, Aryan has opted for storytelling from behind the camera.
The show’s title itself; The Ba**ds of Bollywood, signals irreverence and a willingness to question the industry’s norms. With Netflix’s global platform, Aryan’s series could attract audiences beyond India, especially among younger viewers who consume Bollywood as both nostalgia and meme-worthy entertainment.
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Fahadh Faasil says no to Alejandro González Iñárritu film over unpaid accent training
Fahadh Faasil confirmed he was in talks with The Revenant director Alejandro González Iñárritu for an international project.
The actor said the filmmaker had concerns about his accent and suggested a four-month stay in the US for training.
Faasil declined as the production was unwilling to cover the cost, adding he “didn’t feel the fire” to pursue it.
He emphasised that his creative journey is rooted in Malayalam cinema and he prefers to evolve within it.
Malayalam star Fahadh Faasil, fresh off the success of Maareesan, has opened up about an unusual chapter in his career: an offer to work with Academy Award-winning director Alejandro González Iñárritu. Known for films like Birdman and The Revenant, the Mexican filmmaker had considered Faasil for a role in his upcoming Hollywood project.
In a recent interview with Cue Studio, the actor revealed that discussions reached the stage of a video call with Iñárritu. However, the collaboration fell through when the director raised concerns about Faasil’s English accent. The production suggested that Faasil spend several months in the United States to work on speech training, an arrangement that required him to relocate at his own expense.
“They wanted me to stay in the US for three or four months to perfect the accent,” Faasil explained. “But they weren’t ready to pay for that. That’s why I skipped it. Otherwise, I would have gone running. The commercial aspects of it wouldn’t have worked out. I didn’t feel that kind of fire for it.”
Fahadh Faasil says no to Alejandro González Iñárritu film over unpaid accent training Instagram/CueStudio
Was it rejection or a realisation?
Addressing whether the episode was a rejection, Faasil said he does not see it that way. “I spoke to him on a video call. It might be during that conversation that he also realised, ‘Oh, this isn’t the guy I’m looking for.’ These things happen. I’ve lost many films at such stages,” he admitted.
The actor stressed that missing out on a Hollywood project has not dampened his confidence. Instead, he sees it as part of the natural course of his career.
What stands out from his comments is how firmly Faasil anchors his artistic journey in Malayalam cinema. “All the magic in my life happened here in Malayalam. Even in the future, if any new changes were to happen, I want them to come from Malayalam. I don’t think I will leave Kerala for that. If a project emerges that redefines me in some way, I want it to be in Malayalam,” he said.
It is clear that for Faasil, global recognition is not about leaving his roots behind but about the quality of work produced at home. His outlook, in fact, reflects a broader shift where Malayalam cinema has gained worldwide acclaim for its strong storytelling and performances.
While Faasil did not name the project, reports suggest it may be Iñárritu’s untitled film starring Tom Cruise, slated for release in October 2026. The movie also features Sandra Hüller, John Goodman, Jesse Plemons, Riz Ahmed, and Sophie Wilde. Billed as a high-stakes drama about the “most powerful man in the world” racing against time to save humanity, it is among the most anticipated Hollywood releases.
Had Faasil been part of the cast, it would have marked a rare crossover for a Malayalam star into mainstream global cinema.
Fahadh Faasil says he wants to retire as a cab driver in Spain Instagram/fahad_nazrin
Fahadh Faasil’s upcoming projects
On the home front, Faasil is preparing for the release of Odum Kuthira Chadum Kuthira, a comedy directed by Althaf Salim. The film, scheduled to hit theatres on 29 August, stars Kalyani Priyadarshan, Lal, Revathi Pillai, Vinay Forrt, and Anuraj OB.
The actor continues to be one of the most versatile names in Indian cinema, with acclaimed performances in 22 Female Kottayam, Maheshinte Prathikaaram, Aavesham, and Joji. Even without Hollywood credits, his body of work is celebrated both in India and abroad.
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Ducky Bhai arrested in Lahore over gambling app promotions
Popular Pakistani YouTuber Ducky Bhai, real name Saad ur Rehman, arrested at Lahore airport.
Accused of promoting illegal gambling apps including Binomo, 1xBet, Bet 365, and B9 Game.
Court granted National Cyber Crime Investigation Agency (NCCIA) a two-day remand for further probe.
FIR cites fraud, electronic forgery, spamming, and cheating charges under PECA and Pakistan Penal Code.
Pakistani YouTuber Ducky Bhai, whose real name is Saad ur Rehman, was arrested on Sunday morning at Allama Iqbal International Airport in Lahore while allegedly attempting to leave the country. The arrest was carried out by the National Cyber Crime Investigation Agency (NCCIA), which accused him of promoting unregistered gambling and betting applications through his online platforms.
The 27-year-old content creator was later presented before a judicial magistrate, who approved a two-day physical remand and directed the agency to submit a complete investigation report by Tuesday, 19 August 2025.
YouTuber Saad ur Rehman taken into custody for online betting linksYoutube Screengrabs/PakistaniDiary
Why was Ducky Bhai arrested?
According to the First Information Report, the case was registered by the state via NCCIA Lahore under sections 13 (Electronic Forgery), 14 (Electronic Fraud), 25 (Spamming), and 26 (Spoofing) of the Prevention of Electronic Crimes Act (PECA) 2016, as well as sections 420 (Cheating) and 294-B (Offering prize in connection with trade) of the Pakistan Penal Code.
The FIR alleged that Rehman promoted several betting platforms, including Binomo, 1xBet, Bet 365, and B9 Game, through his YouTube channel and social media accounts. Authorities claimed that these promotions encouraged the public to invest their money in gambling apps that were not registered in Pakistan.
The complaint said many users lost money after being misled into believing they could earn quick profits. It further alleged that Binomo and other apps failed to deliver promised returns, with investigators calling it a “fraudulent scheme.”
Ducky Bhai escorted to court in Lahore after his arrest over gambling app promotionsYoutube Screengrabs/PakistaniDiary
Evidence presented in court
Officials stated that the inquiry began on 13 June 2025 following a tip-off that social media influencers were involved in promoting illegal betting apps. The NCCIA’s complaint included 27 video links from Ducky Bhai’s channel, some of which have since been deleted.
During his arrest at the airport, Rehman’s mobile phone was seized. Investigators claimed they recovered WhatsApp chats and payment records linked to Binomo promotions. Preliminary findings also suggested that he had been working as a “country manager” for Binomo, allegedly receiving payments without proper authorisation from Pakistan’s State Bank or Federal Board of Revenue (FBR).
The NCCIA maintained that the promotions were not just misleading but also financially damaging for thousands of followers who trusted the influencer.
Ducky Bhai accused of promoting Binomo and other gambling appsYoutube Screengrabs/PakistaniDiary
What happens next?
The Lahore court’s approval of a two-day physical remand allows the cybercrime agency more time to gather evidence. The agency is expected to submit a detailed report on 19 August 2025. Well-known lawyer Zain Ali Qureshi represented Rehman during the hearing.
This is not the first time the YouTuber has faced legal scrutiny. Earlier this year, he was booked for reckless driving on the motorway and was granted protective bail by the Lahore High Court.
If found guilty under PECA and the Pakistan Penal Code, the charges could carry serious financial penalties and prison terms.
YouTuber Ducky Bhai faces investigation for illegal gambling appsYoutube Screengrabs/PakistaniDiary
Wider crackdown on gambling app promotions
The arrest is part of Pakistan’s broader clampdown on illegal gambling and betting schemes being advertised by influencers. Authorities have warned that promoting unregistered apps violates national cybercrime laws and leaves unsuspecting citizens vulnerable to fraud.
Officials have indicated that other social media influencers and YouTubers could also face investigation if found to be involved in similar promotions.
Crackdown on gambling apps intensifies across PakistaniStock
With Ducky Bhai being one of Pakistan’s most-followed YouTubers, his arrest has sparked debate online about influencer accountability and the risks of monetising content through questionable endorsements.
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Pierce Brosnan and Helen Mirren share their views on the future of James Bond
Pierce Brosnan, who played 007 in four films, says the next James Bond “has to be a man”.
Dame Helen Mirren agrees, stating Bond “just doesn’t work” as a female character.
Both actors previously criticised the franchise for sexism but now believe a male lead keeps Bond’s identity intact.
Speculation continues over who will replace Daniel Craig, with Aaron Taylor-Johnson and Callum Turner among frontrunners.
The future of James Bond continues to dominate film debates as former 007 star Pierce Brosnan and Oscar-winning actress Dame Helen Mirren both argued that the next incarnation of the spy must remain male. Their comments are a clear shift from earlier years, when Brosnan had suggested it was time to hand the role to a woman.
Speaking to Saga magazine, Brosnan, who fronted the franchise in four films between 1995 and 2002, said he is eager to see “a new man” take on the part after Daniel Craig’s exit in No Time to Die. “Oh, I think it has to be a man,” said the 72-year-old Irish actor. “I’m so excited to see the next man come on the stage and to see a whole new exuberance and life for this character.”
Mirren, his co-star in the upcoming film adaptation of Richard Osman’s The Thursday Murder Club, echoed the view. “I’m such a feminist, but James Bond has to be a guy. You can’t have a woman. It just doesn’t work. James Bond has to be James Bond, otherwise it becomes something else,” said the 80-year-old star.
Pierce Brosnan and Dame Helen Mirren attend the "MobLand" Global PremiereGetty Images
Why Pierce Brosnan changed his mind on a female Bond
Brosnan once championed the idea of a woman stepping into 007’s tuxedo. In a 2019 interview with The Hollywood Reporter, he called it “exhilarating” and urged producers to “put a woman up there.” His reversal comes as Amazon-MGM, which now controls the franchise, prepares to relaunch Bond with director Denis Villeneuve at the helm.
Despite his change of stance, Brosnan insisted his affection for the franchise remains. “I adore the world of James Bond. It’s been very good to me. It’s the gift that keeps giving. And I’m just a member of the audience now, sitting back, saying: ‘Show us what you’re going to do.''
Pierce Brosnan reignite the female Bond debate ahead of franchise rebootGetty Images
Helen Mirren’s feminist take on Bond and sexism in the franchise
Mirren has long spoken about gender in the Bond universe. In earlier interviews, she criticised the “profound sexism” baked into Ian Fleming’s stories and the films that followed. She argued that real-life female spies, from the French Resistance to the British Secret Service, showed remarkable bravery and deserved recognition on screen.
Yet Mirren now maintains that Bond’s cultural identity is inseparable from being male. “So many women have worked in that world. Is it more realistic to show them? Absolutely. But Bond is fantasy, not realism,” she said, stressing that her stance does not weaken her feminist convictions.
Helen Mirren joins Brosnan in backing a male successor for the 007 roleGetty Images
Who will be the next James Bond?
Since Daniel Craig’s departure in 2021, speculation about his successor has been relentless. Aaron Taylor-Johnson, known for Bullet Train is widely regarded as the frontrunner. Masters of the Air actor Callum Turner and Saltburn star Jacob Elordi are also rumoured contenders.
Other names circulating include Henry Cavill, Regé-Jean Page, James Norton, Theo James, and Paul Mescal. While no official casting has been confirmed, producers Barbara Broccoli and Michael G. Wilson have hinted that the announcement will define the franchise for the next decade.
Tom Holland Jacob Elordi and Harris Dickinson top James Bond shortlist as Amazon eyes younger 007 Getty Images
What’s next for the James Bond franchise?
The upcoming film will be scripted by Peaky Blinders creator Steven Knight and directed by Denis Villeneuve. Amazon MGM Studios has promised a “fresh” take on the character while honouring Bond’s six-decade legacy.
Jeff Bezos\u2019 post on next James Bond shakes the internet after Amazon\u2019s takeover of franchise Instagram/007
Whether the producers stick with tradition or surprise audiences with an unexpected choice, Brosnan and Mirren’s comments reinforce the argument that 007’s identity remains rooted in masculinity, at least for now. Until the official reveal, the debate over whether Bond could ever be reimagined as a woman is likely to continue fuelling headlines as much as the spy’s next mission.