Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Netflix’s latest Indian original, The Royals, delivers a glossy spectacle of aristocratic opulence, familial chaos and unexpected entrepreneurial rescue. Directed by Priyanka Ghose and Nupur Asthana and produced under the banner of Pritish Nandy Communications, the series is created by Rangita and Ishita Pritish Nandy, with writing by Neha Veena Sharma. While the series dazzles visually and offers moments of wit and warmth, it occasionally falters under the weight of its own grandeur and inconsistent script.
Set in the fictional princely state of Morpur, the series follows Aviraaj Singh (Ishaan Khatter), a new-age polo-playing prince who is more concerned with charm and leisure than tradition and responsibility. When his father, the Maharaja (played by Milind Soman), passes away, Aviraaj and his eccentric royal family discover they are drowning in debt. The family, long accustomed to showcasing heirloom jewels, fine wines and extravagant decor, must face the uncomfortable truth: the legacy of royalty does not guarantee financial stability.
Enter Bhumi Pednekar as Sophia Kanmani Shekhar – or “Aam Kumari” (common princess) – a sharp, ambitious CEO with a plan to turn the rundown royal palace into a luxury heritage B&B. Her character arrives with clarity and drive, offering a dose of modern pragmatism to counterbalance the royal family's outdated traditions and lavish pretence.
What follows is a mix of light-hearted romantic tension, family drama, and a battle of ideologies between old-world nobility and contemporary entrepreneurship. As Sophia and Aviraaj navigate egos, family feuds and the logistics of hospitality, sparks inevitably fly.
Visually, The Royals is a treat. From palatial interiors to carefully curated costumes and ornate artefacts, the production design spares no detail. The cast, equally photogenic, complements the setting well, with Ishaan Khatter and Bhumi Pednekar bringing energy and chemistry to their roles. Pednekar particularly stands out, portraying Sophia with elegance, control and a sense of grounded leadership. Her character steers the storyline with authority and nuance, taking charge in situations that threaten to unravel into chaos.
The Royals | Official Trailer | Ishaan Khatter, Bhumi Pednekar, Zeenat Aman, Nora FatehiNetflix India
The supporting cast includes a mix of familiar and refreshing faces. Zeenat Aman makes a much-anticipated return as the eccentric and fashionably aloof Bhagyashree Devi, adding a vintage charm and glamour to the ensemble. Dino Morea turns up the style quotient, while Vihaan Samat, as Digvijay Singh, brings calm and sensibility to the chaotic royal household. His character plays a pivotal role, being the one to bring Sophia into the fold, recognising the need for innovation in a crumbling legacy.
The series touches on a number of contemporary themes, including gender dynamics, queer identity, and the changing definition of royalty in a modern world. It earns credit for attempting to address these topics, although at times the script lacks the depth or consistency to fully explore them. Some storylines and character arcs feel underdeveloped or overly convenient, and while the tone is mostly light and entertaining, the writing occasionally fails to maintain momentum.
Despite its flaws, The Royals succeeds in presenting a fresh take on royal life, revealing the financial and emotional cracks beneath a seemingly perfect surface. The idea that royalty today is more façade than fortune gives the show an intriguing edge, even if it doesn’t fully commit to dissecting the implications.
The show works best when it leans into its comedic timing and character-driven moments, particularly in the interactions among the family members. The sibling dynamic, especially involving Diggy and Jinnie, adds warmth and relatability amidst the extravagance.
In conclusion, The Royals is a visually stunning, occasionally sharp, and ultimately enjoyable drama that balances satire with soap opera flair. While the writing may not always match its ambition, the performances – especially from Pednekar and Khatter – help elevate the show beyond its narrative gaps. For viewers in search of a light, aesthetically pleasing series with a mix of modern flair and royal nostalgia, The Royals offers an engaging, if uneven, watch.
Saif Ali Khan's hospital trip was a mess, from a sleepy attendant to insisting on a stretcher.
He just ignored everyone telling him to use a wheelchair when it was time to leave.
His own mother, Sharmila Tagore, is still annoyed he did not listen to her.
A chilling detail: his son Jeh was nicked by the knife too during the chaos.
Right, so Saif Ali Khan is talking about the knife attack now. He is actually talking about it. He is filling in the blanks from that night at his Bandra home, the one that ended with him in surgery. And he is explaining that moment he left the hospital, no wheelchair, no ambulance, just walking. It was a conscious choice after the knife attack, his way of saying he was still on his feet.
Saif Ali Khan says he wanted to walk out of hospital to show fans he was fine Instagram/saifalikhanpataudiworld
What exactly went down that night?
He saw the man standing over Jeh’s bed, armed. During the struggle, the assailant’s knife even nicked his young son Jeh. The attacker managed to stab Saif six times before fleeing.
Saif Ali Khan opens up about the night he was stabbed and his shocking hospital decisionInstagram/saifalikhanpataudiworld
Why did Saif Ali Khan deny a wheelchair after the attack?
The hospital scene was weirdly placid and almost sleepy especially the emergency area. He knew the second he walked in, he would require a stretcher. But the attendant on duty just offered a wheelchair. He had to argue, “No, I think I need a stretcher.” The guy was not really getting it. In the end, Saif said he had to snap the guy to attention by stating his name and calling it a medical emergency. That is when everything kicked off.
That initial refusal of aid, bizarrely, set the tone. Later, after a week in hospital and surgery, he was again faced with the wheelchair question for his discharge. “It just did not seem to be necessary.” He could move, though in pain. So why would he pretend otherwise?
Here is the thing: everyone had an opinion. Someone said to take an ambulance, and another insisted on the wheelchair. The media was camped outside, curious and waiting. His own instinct cut through the noise. He figured, why feed the panic? Why have his family, his fans, seeing him wheeled out or driven away in an ambulance?
He decided the right message was the simplest one: just walk out. Show them you are upright and okay. It was a picture message, literally.
Of course, the plan backfired a bit online, with some calling the whole thing fake. His mother, Sharmila Tagore, certainly thought he had made a mistake, telling Twinkle Khanna that if he had just listened to her and used the wheelchair, “there would have been no controversy.” But for Saif, the intention was only to reassure.
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