After finishing the month-long schedule in Serbia, Tiger Shroff and Shraddha Kapoor have started shooting for the third schedule of their much-awaited film Baaghi 3. As the title aptly suggests, Baaghi 3 is the third instalment of the super successful action franchise Baaghi (2016), headlined by Tiger Shroff.
The team has kick-started the last schedule of the movie in Jaipur. In the ongoing eight-day long schedule, director Ahmed Khan will shoot several important sequences on the streets. Since Tiger Shroff is shooting on live locations, his fans keep thronging around in droves.
“One day, the shoot had to be delayed by two hours as a large crowd had gathered around the location to see Tiger. In the next few days, he will be shooting for a high-octane action sequence in the desert. He has already shot for other major action sequences in Serbia, including at places like Pancevo, Pozarevac and Kovin. Tiger and Shraddha will also be shooting for a peppy dance number during this schedule. She will be there for three days,” a source close to the development informs a tabloid.
As per the source, Ankita Lokhande, who plays the elder sister of Shraddha Kapoor, and Riteish Deshmukh will also be part of the ongoing schedule in the Pink City. “Ankita will also be a part of this schedule. There is an emotional sequence between Tiger and Riteish on the cards. Meanwhile, Ahmed has begun work on the post-production simultaneously,” the source says in conclusion.
Produced by well-known filmmaker Sajid Nadiadwala under the banner of Nadiadwala Grandson Entertainment, Baaghi 3 is scheduled to arrive in cinemas on 6th March, 2020. Fox Star Studios will distribute the film.
Rising from the vibrant music scene of Mumbai, Indian-Nepalese singer-songwriter Janisht Joshi is quickly carving out a distinctive space for himself with his emotive voice, thoughtful lyrics and genre-blending style. Once known for soulful covers, Joshi now commands attention with original compositions that reflect a wide spectrum of influences – from John Mayer’s intimate storytelling and The Strokes’ raw edge to the timeless romance of classic Bollywood greats such as Guru Dutt and Raj Kapoor.
Writing in both Hindi and English, he bridges cultures and eras with a sound that feels fresh yet familiar. His latest track Kaanton Ka Taj, a haunting collaboration with Ramil Ganjoo, explores beauty, pain and resilience.
The exciting young talent spoke to Eastern Eye about his artistic journey, creative process, latest single, personal playlist, inspirations and future plans.
Janisht Joshi
What first connected you to music? There was always music playing around the house – mostly my parents’ taste – Elton John’s top hits, old Hindi film songs, Jagjit Singh’s Marasim. It seeped in. The idea of writing and performing came later. I watched Rockstar by Imtiaz Ali when I was 10 and realised that guitars are awesome. After a lot of pleading, my parents finally bought me one. I taught myself chords and wrote a lot of terrible songs. I still do.
How do you reflect on your music journey so far? I am only seven songs old. There is a lot lined up for the second half of this year – a full-length album, a couple of collaborative EPs and a bunch of singles and collaborations. It is exciting. There is nothing else I would rather do.
Which of your songs is closest to your heart? I hate them all equally, but if I had to choose, it would be Nahi. Some songs you write and outgrow, because you get older and become a better version of yourself. I do not think that will happen with Nahi. My cynical worldview of any kind of human relationship feels permanent.
Janisht Joshi on music, meaning and making space for emotion
How would you describe your unique brand of music? Oh damn! That is difficult. I do not know how unique my music is. I just try to have fun and write honestly. If something sounds good and I do not hate myself while making it, that is a good day of work.
You have done some interesting collaborations, but how do you decide who to work with? I can only collaborate with someone if I can also sit across from them and enjoy a beverage. All my collaborators are self-aware, kind and funny people. I am very grateful for them. If someone is an insufferable, self-aggrandising know-it-all, I will not write with them. Life is too short to suffer that category of fools.
Tell us about your new single. It is called Kaanton Ka Taj. I made it with Ramil Ganjoo, a dear friend and fellow introvert, navigating social situations like a deer in headlights. The song came out of one of our usual conversations – the films of Guru Dutt, music industry gossip, existential dread. It is about feeling alone even when surrounded by people, simply because of our cynicism and lack of faith in the magic of human connection.
How important is it for you to have lyrically strong songs? Not super! I like having something to say, but I do not break my head over it. Most of the time, the lyrics just show up. I try not to overthink it – if it feels honest, I leave it in.
What is the music master plan going forward? No grand blueprint. Just write, perform, repeat. I want to build a large body of work – mindfully, deliberately. I have met some brilliant people this past year, and I plan to write a lot of music with them. The immediate goals are to release my full-length solo album Talkhiyaan and a couple of collaborative EPs.
What music dominates your own personal playlist? I know this is the most non-answer ever, but I really do listen to everything. A lot of The Strokes, Radiohead, Nirvana. A lot of newer rock acts – Bleachers, Arctic Monkeys, The Killers – the full spectrum of male manipulator music. RD Burman, worship him. Music from the films of Raj Kapoor, Guru Dutt and Hrishikesh Mukherjee. Obscure indie bands I know nothing about. AR Rahman across all languages. And every single song ever picturised on Shah Rukh Khan. That is non-negotiable! Also, a lot of Indian indie friends, peers and strangers making insane music across genres.
Janisht Joshi
If you could master something new in music, what would it be? Honestly, I know embarrassingly little about music theory or production. I should probably take lessons in everything. But right now, I really want to learn drums. It seems like the kind of thing that might help with my constant antsiness.
Who is your own music hero? I have too many heroes across genres, but if I must pick one, it is Julian Casablancas. Everything he has done – The Strokes, The Voidz, solo work, even the weird one-off stuff – feels like it is coming from a place of not caring at all and caring too much at the same time. Also, he made mumbling into an art form, which gives me hope because I am not a master enunciator.
What inspires you creatively? Everything, really. I am an obsessive reader, so books. Also, films, cities, strangers, my beautiful friends. The places I travel to and the people I meet – especially those I will never see again. And, of course, my deep-rooted need for attention. That always helps.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Charli XCX finishing her make-up look with a swipe of Puffer Gloss.
Forget subtle. Charli XCX didn’t just wear Valentino’s Puffer Gloss. She almost weaponised it. During her chaotic Brat era, she turned a lip product into a cultural badge. This isn’t about a perfect pout. It’s about a tiny tube that became the emblem of her Brat era, bringing together instant plump, mirror shine and some real-life grit. Here’s how a lip gloss went from backstage essential to cultural phenomenon.
A formula built for extremes
This wasn't some dainty dab-on-and-forget-it situation. The Puffer Gloss was built for warfare, specifically, the warfare of a desert festival and a non-stop pop star.
Peppermint and peptides gave a noticeable tingle (a "moderate sting") for instant plump.
Hyaluronic acid and ceramides kept lips hydrated under desert sun or stage lights.
Non-gritty holographic glitter caught light without feeling cheap.
It worked. On stage, in heat, for hours. No melting, no disappearing act.
When Charli hit the main stage, her makeup artist layered Puffer Gloss in “In My Glowing Era” over a sheer matte base. As she sang, she reapplied live, smudged edges and all, turning touch-ups into ritual. The crowd went wild, and within hours the shade sold out at Sephora. Suddenly, everyone wanted a ticket to the “brat summer” beauty party.
What makes Charli’s Puffer Gloss story so compelling is that she refused to hide. Her whole vibe – "chaotic chic" – was its DNA. Eye bags? “Chic.” Smudged liner? “Party-ready.” Her lips weren’t photoshopped pouts. In fact, they were real, raw and ridiculously glossy. She didn't just wear Moonlight Crush (her favourite deep grape shimmer); she compared its sparkle to the feeling of her song "party 4 u”: transformative, emotional, a little bit feral.
Fast forward to the Met Gala, and Charli’s gloss took on a new mood. This time she chose “Warm It Up,” a rosy-brown shade that played against her gothic-tailored suit. Charli carried the damn gloss in her tiny purse. Paparazzi caught her with it. This wasn't just stage gear anymore; this was red-carpet essential, luxury with Brat attitude. It whispered, "Yeah, I need this everywhere."
The aftermath: From sold-out tube to generational totem
The "Charli effect" wasn't hype; it was carnage. Sephora? Ravaged. Nordstrom? Scrambling. But it went deeper than sales. Beauty editors, once side-eyeing plumpers, raved about its "balance of torture and triumph." It became shorthand for the entire Brat aesthetic: maximalist, nostalgic, unapologetically you. TikTok edits mashed gloss close-ups with "360" beats. Memes parodying "Puffer Gloss face" exploded. That slight tingle? Reframed as "pain for beauty" rebellion against boring wellness. It stopped being makeup. It became a generation's sticky, shiny, slightly-stinging flag.
Charli didn’t reinvent lip gloss, but she reminded everyone what it can do when it’s part of something bigger. This gloss screamed because Charli made it human. She took it from the lab to the mosh pit to the Met steps, smudging it, reapplying it, living in it. It survived desert heat, complemented gothic tailoring, and still looked like a damn party in your bathroom mirror at 3 a.m. With Puffer Gloss, she didn’t sell a product. She sold a feeling: loud, messy, confident.
Keep ReadingShow less
Shubhanshu Shukla pictured during the Axiom-4 launch from NASA Kennedy Space Center
Group Captain Shubhanshu Shukla becomes the second Indian in space and the first on a commercial mission.
Chose Yun Hi Chala Chal Rahi from Swades for his launch playlist.
Lift-off occurred from NASA’s Kennedy Space Center aboard SpaceX Falcon 9.
Shukla shared a heartfelt message in Hindi after entering orbit.
India’s newest astronaut, Group Captain Shubhanshu Shukla, gave his historic spaceflight a desi soundtrack. The fighter pilot, who launched into orbit as part of Axiom Space’s Ax-4 mission, chose Yun Hi Chala Chal Rahi from the Shah Rukh Khan film Swades for his official launch day playlist, a personal pick that struck an emotional chord with many.
Shukla became the second Indian to fly to space after Rakesh Sharma and the first to do so via a private mission, lifting off aboard the SpaceX Falcon 9 from NASA’s Kennedy Space Center in Florida.
— (@)
SRK's Swades track adds emotional punch to space journey
The track, composed by AR Rahman with lyrics by Javed Akhtar, is known for its uplifting message about perseverance and self-discovery. In Swades, Shah Rukh Khan plays a NASA scientist who returns to rural India, a journey mirrored symbolically in Shukla’s own.
SpaceX shared the launch day playlists of all four astronauts on X. Shukla’s Indian pick stood out among other selections like Imagine Dragons’ Thunder by Commander Peggy Whitson, Poland’s Slawosz Uznański’s Supermoce, and Hungary’s Tibor Kapu’s Búvóhely.
Crew members of Axiom Mission 4 preparing for lift-off aboard the SpaceX Falcon 9Getty Images
After the successful launch, Shukla addressed the nation in Hindi, calling it a “kamaal ki ride,” and spoke of the pride he felt wearing the Tricolour. “This journey is not just mine,” he said. “It’s the beginning of India’s human spaceflight programme.”
Axiom-4 launch triggers national celebration and school pride
Back in Lucknow, Shukla’s alma mater, City Montessori School, hosted a live watch party called ‘Vyomotsav’, attended by his family and hundreds of students. The school recreated a mini space centre experience complete with space exhibits and a simulated mission control.
Shubhanshu Shukla greeted Indians from space calling it a kamaal ki rideGetty Images
The Ax-4 crew is set to spend around two weeks aboard the International Space Station conducting research, outreach, and commercial activities. This is Axiom’s fourth private astronaut mission and includes astronauts from India, Poland, and Hungary, all flying to the ISS for the first time.
Keep ReadingShow less
PinkPantheress drops out of Glastonbury’s Thursday lineup as Roza Terenzi steps in for late night set
PinkPantheress cancels her Thursday night slot at Glastonbury’s Levels stage.
Electronic act Roza Terenzi will now perform from 10:30 pm to midnight.
Organisers confirmed cancellation was not due to crowd concerns.
PinkPantheress still scheduled for Friday’s Woodsies stage set at 7:30 pm.
PinkPantheress has withdrawn from her Thursday night appearance at Glastonbury Festival just days before the event kicks off. The British pop star was set to perform a 30-minute set on the Silver Hayes Levels stage, but organisers have now confirmed a schedule reshuffle with Roza Terenzi taking over the late-night slot.
Glastonbury schedule shuffled as PinkPantheress exits early slot
Festival organisers announced that PinkPantheress, whose real name is Victoria Beverley Walker, will no longer perform her planned 11 pm set on the Levels stage this Thursday. Roza Terenzi has been confirmed as her replacement, performing a longer set from 10:30 pm to midnight, between DJ slots from Confidence Man and Marie Davidson.
Despite fan speculation that overcrowding concerns prompted the change, Glastonbury clarified that the decision had nothing to do with capacity or safety. “The artist was simply no longer able to make this performance,” a spokesperson stated, assuring attendees that PinkPantheress will still take the Woodsies stage on Friday evening at 7:30 pm.
An escape artist performs during the first day of the Glastonbury festival at Worthy Farm Getty Images
Online, fans responded with a mix of disappointment and relief. “Was going to be dangerously rammed,” one user posted on Reddit, pointing to the risk of packing a major act into a smaller venue.
Rising star still set for Friday show after sudden switch
PinkPantheress shot to fame via TikTok and has since built a strong following with her nostalgic yet fresh sound, putting together 2000s R&B samples with bedroom pop aesthetics. She’s earned three Brit Award nominations and landed in the UK top 10 charts for both singles and albums.
While this isn’t the first time the 24-year-old artist has pulled out of performances: she cancelled her 2024 tour dates citing health reasons, her Friday Glastonbury show remains unchanged.
With Glastonbury set to kick off on 26 June, the final schedule is still being pieced together, and festival-goers are now keeping an eye out for more surprise changes and hidden acts.
Keep ReadingShow less
Keerthy Suresh expands to Bollywood with Baby John, eyes pan-India presence
Keerthy Suresh debuted in Bollywood with Baby John alongside Varun Dhawan
Won the National Award for her portrayal of Savitri in Mahanati
Working with major stars like Rajinikanth, Vijay, and Dhanush
Fronting bold female-centric films like Revolver Rita
Making her Hindi OTT debut with YRF’s Akka
Fresh off her Hindi film debut in Baby John opposite Varun Dhawan, Keerthy Suresh is making her presence felt beyond the southern film industries. The National Award-winning actor, who has long been a familiar face in Tamil, Telugu, and Malayalam cinema, is now entering Bollywood and OTT spaces with calculated moves.
1. National recognition at just 26
Keerthy Suresh’s breakthrough came with Mahanati (2018), where she portrayed Telugu cinema legend Savitri. Her performance earned her the National Film Award for Best Actress, making her one of the youngest winners in recent times. The role, praised for its depth and restraint, established her as a serious performer with pan-Indian appeal.
Keerthy Suresh made her Hindi film debut in Baby John opposite Varun DhawanInstagram/keerthysureshofficial
2. She’s held her own alongside the biggest names
In an industry still dominated by male-led blockbusters, Keerthy has managed to carve her space. She’s worked with top stars like Rajinikanth (Annaatthe), Vijay (Sarkar, Bairavaa), Dhanush (Vaathi/Sir), and Mohanlal (Geethaanjali). Her ability to stand out even in mass entertainers shows both her star power and screen presence.
The Mahanati star is now stepping into pan-India roles across film and OTTInstagram/keerthysureshofficial
3. Bollywood debut with Atlee’s Baby John
Following in the footsteps of Nayanthara, who starred opposite Shah Rukh Khan in Jawan, Keerthy made her Hindi film debut in Baby John, produced by Atlee. Paired with Varun Dhawan in this high-budget action film, she made her official entry into Bollywood with a project that ensures visibility beyond the southern audience.
From Tamil and Telugu hits to Hindi cinema — Keerthy Suresh’s range continues to growInstagram/keerthysureshofficial
4. She’s fronting genre-bending female-led films
In Revolver Rita, Keerthy plays the lead in a quirky action-comedy that’s already drawing attention for its unconventional tone. As more female stars demand roles beyond the love interest or sidekick, Keerthy is taking the lead—quite literally—in shaping what female-driven commercial cinema can look like.
National Award winner Keerthy Suresh is among the few South stars making a crossover on her own termsInstagram/keerthysureshofficial
5. Expanding reach with OTT and Hindi projects
Keerthy is set to headline Akka, an upcoming Hindi-language web series produced by YRF Entertainment. It marks her OTT debut and a strategic step toward a pan-India presence. There’s also talk of her being cast opposite Rajkummar Rao in a new Hindi film (budgeted at £5 million [₹50 crore]), which, if confirmed, will further cement her transition into the national spotlight.
Keerthy Suresh’s slow and steady rise to pan-India fameInstagram/keerthysureshofficial
With her pan-India projects across theatrical and streaming platforms, Keerthy Suresh is emerging as the next big name to watch—one that doesn’t rely on hype but builds steadily through range and conviction.