It wouldn't be an exaggeration to say that it was Tabu who paved the way for women-centric films in Hindi cinema, at a time when actresses were struggling to grab roles which did not require them to just look gorgeous and add glamour to a film, roles beyond regular song and dance routines. The two time National Award-winning actress entered the 3rd millennium with a powerful film like Astitva (2000) and followed it up with another path-breaking movie like Chandni Bar (2001). With her stirring performances in these two great films, Tabu proved it to one and all that an actress, too, can carry a film on her shoulder if she gets an author-backed role. After Astitva and Chandni Bar, many female-centric films were made, some of them worked while others didn't. But a lot of the change has already been ushered by then, and the credit, without an ounce of doubt, goes to Tabu.
The actress does not only shine in realistic films but also in comic roles with equal élan. After the huge success of Golmaal Again (2017), Tabu will next be seen in the forthcoming suspense thriller Missing. Also starring Manoj Bajpayee, the movie is slated to release on 6th April. As the film races towards its release date, our Mumbai correspondent, Mohnish Singh, meets the seasoned actress for an interaction.
You have always been very selective about your work. But after the success of Drishyam and Golmaal Again, will you be part of more films?
Depends! Whatever the offer is, if I like it, I’ll do it. If I don’t like it, I won’t do it.
What drew you towards your character in the upcoming film Missing?
It had everything, every emotion possible in a person. And the way Mukul Abhyankar (director) has conceived and drafted the character is amazing. Mukul will be able to tell you more about the character and how he conceived it.
Hindi cinema has changed a lot over the last couple of years. Today, strong women characters are being written for actresses more often than not. Being a pioneer in headlining women-centric films like Kaalapani, Chandni Bar and many more, what do you think about this change?
It’s good. Isn’t it? I don’t know why it has come about, but I do know why I did those films. I was very convinced about playing those characters. I was very convinced about their contribution to my growth as an actor. I was not afraid of playing those layered characters. I am glad that people have become more accepting of strong female characters that are not just nice women, nice girls, who can have layers and, you know, who can have dark shades to them and they don’t have to necessarily fit into miss goodie roles. I think the audience is more accepting now. They have started accepting women who have layers.
After starring in many commercial Bollywood films, was it a conscious decision to pick non-commercial films which had strong women characters?
I was not waiting for such roles but when they came I recognized them. At that time, I was too young to understand these things (commercial and non-commercial cinema), differentiate things. I had come from Hyderabad. I didn’t even have any clue about what is commercial and what is parallel. As a person, what I wanted to do, what I liked to do and what I wanted to establish myself in, I was clear about that though. My convictions about myself were that the kind of work I wanted to do has to be strong. I followed that. And when they (non-commercial roles) came to me, I did not think twice before doing them because I knew those were the platforms I wanted to express myself through. I knew there was something that I wanted to say through those roles. I wanted to express myself in different ways than what I was doing. Having said that, the quintessential commercial space is also fine for me.
I wanted to something more and I got the chance to do that. I wanted to act in a particular way and not in the way everyone expects an actor to act or perform. I did not understand why it was so difficult for people to allow me that or why was it important for women only to be nice. Why can’t she have dark layers? So when they came to me, I felt so glad and I felt so fortunate that the makers came to me with films like Maqbool and Astitva. Those films just grabbed me and I was like, ‘Yeah, I want to be in them’. I wanted to make myself okay doing this. I did not want to create any space by doing such roles.
Weren’t you ever afraid of doing such films as you played very bold roles in them?
No. I wouldn’t have done them had I thought I would be judged. I wanted to do them as I knew I’ll have a great experience as a person and as an actor.
After Golmaal Again, you are again doing a film with Ajay Devgn which is again a romcom. Don’t you think you are going back to the same zone which you belonged to at the beginning of your career?
(Laughs) There is nothing like that. There is nothing like going back and forth. I feel everything is standing in one place. People make their journey around that place. Ultimately, it’s a circle, you just revolve around it.
My intention has always been to keep growing and to have a good experience while I am working.
What do you like to do most?
I like to have good experience with the people I work with.
What do you fear to do on screen?
Action. When they (the makers) come to me and say to jump from the third floor, I get uncomfortable very easily. In spite of that, I have done such stuff in films like Maa Tujhe Salaam and Jaal. I have been injured many times while doing action scenes and got stitches.
Which scene has been the most challenging one in your career so far?
I think my first scene in the film Prem was really very challenging. I was very nervous that day. In that particular scene, I had to descend from hundred steps, wearing a heavy gown, looking beautiful and smiling, and without looking down. I found that scene very stupid. I was thinking how would I do it? So yeah, that scene has really stayed with me as an experience.
In Missing, you are teaming up with Manoj Bajpayee after a huge gap of 18 years. Do you see any change in him?
Yes. Earlier, he was painfully shy. He used to get troubled very easily and I used to trouble him purposely during the shooting of Ghaath and Dil Pe Mat Le Yaar. I used to like watching him getting embarrassed (laughs). But now he is not that much shy. Now he can tolerate me and my bullshit easily.
Nowadays, a lot of emphasis is given to marketing and promotion of a film. Do you believe excessive marketing can make or break a film?
Promotions can create some sort of awareness. But if the film has no merit, promotions cannot do anything.
Humaira Asghar, 32, was found dead in her Karachi apartment nearly three weeks after her death.
Police discovered her body after executing a court order to vacate the flat over unpaid rent.
Authorities ruled out foul play; an autopsy is awaited to determine the cause of death.
The Tamasha Ghar contestant lived alone and was known for her roles in TV and film.
Humaira Asghar, a Pakistani model and reality TV personality known for her appearance on Tamasha Ghar, was found dead in her Karachi apartment, almost three weeks after her reported death. The 32-year-old, who had lived alone for over seven years, was discovered by police following a court order to vacate her residence due to more than a year’s worth of unpaid rent.
Humaira Asghar appeared at several fashion events before her tragic passingInstagram/humairaaliofficial
Police found Humaira’s body after court-ordered flat eviction
On 8 July, authorities arrived at the residence to carry out a court order related to unpaid rent. When no one answered the door, officers broke the lock and entered the flat, only to find Humaira’s body in an advanced state of decomposition.
South Karachi Deputy Inspector General Syed Asad Raza confirmed to local media that the body appeared to be several days old, suggesting she had died at least two to three weeks prior. Dr Summaiya Syed from the forensic team corroborated that the state of the body indicated a “very advanced stage of decomposition.”
No signs of foul play, but cause of death still unknown
While an autopsy is still pending, police have already ruled out murder as the cause of death. Investigators found no signs of forced entry or struggle, indicating that no foul play was involved.
Officials are now waiting for medical reports to determine the exact cause of death. Until then, police have refrained from speculation, urging the public to avoid jumping to conclusions.
Known for her glamour, Humaira was popular on social media and reality TVInstagram/humairaaliofficial
Humaira Asghar’s rise through reality TV and modelling
Humaira gained national recognition after participating in Tamasha Ghar, Pakistan’s version of Big Brother. Introduced to audiences as a pageant winner, she was initially eliminated in week five but re-entered the show shortly after. She was later removed on day 40 for breaking rules alongside another contestant.
Apart from her reality TV fame, Humaira also appeared in the 2015 Pakistani film Jalaibee, in which she played a model, a role that reflected her real-life career. She had been steadily building a presence on social media and in entertainment circles, often praised for her glamorous persona.
Fans mourn the sudden loss of Humaira Asghar after her body was found in her flatInstagram/humairaaliofficial
Industry mourns, spotlight turns to mental health and isolation
News of Humaira’s death has prompted shock and sadness across the entertainment community, with tributes pouring in online. Many fans and fellow artists have also raised concerns about the lack of support systems for people living alone, particularly in high-pressure industries like entertainment.
The tragic discovery has also sparked a broader conversation in Pakistan about mental health, loneliness, and the need for community, especially for those in the public eye who may suffer in silence.
Humaira’s passing coincides with news of American actor Michael Madsen’s death at age 67, compounding the grief felt across the entertainment world. Like Humaira, Madsen was found dead in his home, though his death was believed to be from natural causes.
Pakistani star Humaira Asghar dies alone at 32 as industry mourns and questions followInstagram/humairaaliofficial
Investigations continue as family, fans await answers
Authorities have confirmed that investigations into Humaira Asghar’s death are ongoing, with a full autopsy expected to clarify the circumstances. Meanwhile, friends, family, and followers continue to express their grief, remembering her as a vibrant personality who left far too soon.
As questions around her final days linger, one thing remains clear: Humaira Asghar’s untimely death has left a void in Pakistan’s entertainment industry and a reminder of the unseen struggles behind public lives.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Officially become the highest-grossing lead actor in global box office history
Scarlett Johansson becomes the highest-grossing lead actor at the global box office
Her films have now grossed £10.7 billion worldwide
Johansson achieved the feat with fewer films than Jackson or Downey Jr
Latest success comes from Jurassic World: Rebirth, which earned $318 million in its first six days
Johansson overtakes Jackson and Downey Jr at the box office
Scarlett Johansson has officially become the highest-grossing lead actor in global box office history, following the successful release of Jurassic World: Rebirth. The milestone sees her surpass fellow Marvel actors Samuel L Jackson and Robert Downey Jr, cementing her status as one of the most bankable stars in the world.
According to box office tracker The Numbers, Johansson’s films have now earned £10.7 billion worldwide. Jackson and Downey Jr trail slightly behind, with £10.7 billion and £10.5 billion respectively.
Remarkably, Johansson has achieved this with a relatively lean filmography — just 36 films, compared to Jackson’s 71 and Downey Jr’s 45.
A consistent performer over two decades
Johansson's average gross per film stands at £298 million, placing her ahead of both Jackson ($205.7m / £151m) and Downey Jr ($318.1m / £233.5m). Her breakout role came in 2003’s Lost in Translation, and she has since built a diverse portfolio that includes critically acclaimed performances in Marriage Story, Jojo Rabbit, and multiple roles in the Marvel Cinematic Universe.
She made her screen debut at the age of 10 in the 1994 comedy North, later appearing in Home Alone 3, The Horse Whisperer, and Ghost World during the 1990s.
Lead role in Jurassic World: Rebirth
In her latest film, Johansson stars as Zora Bennett, a mercenary hired by a pharmaceutical representative (played by Rupert Friend) to accompany palaeontologist Dr Henry Loomis (played by Jonathan Bailey) on a mission to retrieve dinosaur DNA. The plot builds on the legacy of the Jurassic Park franchise.
She takes over the lead from Chris Pratt, who led the previous three Jurassic World films as Owen Grady.
Within its first six days in cinemas, Jurassic World: Rebirth has earned £233 million globally, making it the second-highest performing release of 2025 so far, behind only the Chinese animated film Ne Zha 2.
A role years in the making
Johansson has previously spoken about her determination to join the franchise.
“I’ve been trying to get into this franchise in any possible way for over 10 years,” she told ComicBook.com.
“I’ll do anything for it — I’ll die in the first five minutes! I can’t believe it’s finally happened.”
Keep ReadingShow less
The limited-edition release is the first official product
Royal Mint unveils commemorative Iron Maiden coin for band's 50th anniversary
Features mascot Eddie with hidden references to songs, albums and tours
Designed by artist and lifelong fan Albert “Akirant” Quirantes
Coin available in editions starting at £18.50
Iron Maiden honoured with official UK coin
The Royal Mint has released a new collectable coin to commemorate 50 years since the formation of British heavy metal band Iron Maiden.
Designed by artist Albert “Akirant” Quirantes, the coin features the band’s long-time mascot Eddie, who has appeared on every Iron Maiden album cover since 1980. The artwork includes hidden references to the band’s extensive discography, stage imagery, and iconic world tours.
The limited-edition release is the first official product to feature the band’s 50th anniversary logo and follows Eddie’s appearance on a set of Royal Mail stamps in 2023.
“A perfect fusion of metal on metal”
Rod Smallwood, the band’s manager, said:
“Having Eddie on an official UK coin is a continuation of his incredible odyssey since we unearthed him back in 1980.”
Rebecca Morgan of the Royal Mint described the coin as a “perfect fusion of metal on metal” and said it is expected to become a highly sought-after collector’s item.
Design inspired by fan devotion
Quirantes, a lifelong Iron Maiden fan, said working on the coin was one of the most exciting projects of his career.
“I’ve hidden several references within the design that true fans will enjoy discovering,” he said, pointing to subtle nods to classic albums and songs.
The coin is available in various editions, with prices starting at £18.50.
Keep ReadingShow less
The 2025 event made headlines after it was announced that Canadian rapper Drake
Wireless Festival 2025 runs from 11–13 July in Finsbury Park, London
Drake to headline all three nights of the sold-out event
New acts include ODUMODUBLVCK, SahBabii, Darkoo and Uncle Waffles
Up to 150,000 attendees expected across the weekend
Final line-up revealed ahead of 20th anniversary festival
Further acts have been confirmed for the 2025 edition of Wireless Festival, as Finsbury Park prepares to host the three-day music event from Friday 11 July to Sunday 13 July. This year marks the 20th anniversary of the UK’s biggest urban music festival, which has evolved into a major platform for rap, R&B, afrobeats and grime.
The 2025 event made headlines after it was announced that Canadian rapper Drake would headline all three nights — a first for the festival — sparking record-breaking ticket sales. The festival sold out within minutes.
Who's performing this year?
The full line-up now includes a mix of global headliners and emerging talent. Previously announced artists include:
Burna Boy
PARTYNEXTDOOR
Summer Walker
Vybz Kartel
Boy Better Know
Popcaan
Leon Thomas
BigXThaPlug
Lancey Foux
Nemzzz
Spice
Masicka
Newly added names to the roster include Nigerian rapper ODUMODUBLVCK, Atlanta’s SahBabii, and UK-based artists Darkoo and Odeal. Saturday’s Old Spice Stage will be headlined by Fimiguerrero, while Uncle Waffles, a leading figure in the amapiano scene, will close the festival on Sunday.
Also joining the line-up are rising R&B artists SAILORR and Nippa, along with a wave of homegrown UK talent including Chy Cartier, kwn, Len, YT, and Skeete.
New experiences and installations
In addition to live performances, festival goers can engage with Pass the Aux, a music-sharing installation on site. The setup allows attendees to print Polaroid song recommendations, inspired by West African studio photography. The project is a collaboration between the V&A Museum and artist-in-residence Michael Akuagwu.
Festival background and impact
Wireless began in Hyde Park as a rock and pop festival, but since relocating to Finsbury Park in 2019, it has cemented its reputation as a leading celebration of hip-hop, afrobeats, and youth culture.
Despite ongoing opposition from local campaigners, Festival Republic signed a five-year deal with Haringey Council in 2023 to continue hosting Wireless at the site. The council has defended the partnership, noting that the event generates significant income for park maintenance.
Last weekend, the park hosted major rock gigs, and further electronic music events are scheduled in August featuring Honey Dijon, CamelPhat, and ANOTR.
Keep ReadingShow less
This film marks the first cinematic release under the new unified DC Universe banner
First reactions to Superman (2025) praise its action, humour and emotional tone
Directed by James Gunn and starring David Corenswet as Superman
Premiered in Los Angeles ahead of 11 July theatrical release
Fans and critics call it a strong launch for the new DC Studios era
Superman early reviews call it “exciting” and “hopeful”
Following its premiere in Los Angeles on Monday night, the first social media reactions to Superman have begun to emerge — and they are largely positive. Though full reviews will be published closer to the 11 July release date, critics, journalists and early viewers have shared their first impressions online.
— (@)
What fans and critics are saying
“A terrific start for the new DC Studios,” – Erik Davis, Fandango Film journalist Erik Davis praised Superman as a promising launchpad for DC Studios under the leadership of James Gunn and Peter Safran.
“Loaded with exhilarating action set pieces and well-placed humour and levity,” – Perri Nemiroff, Collider Collider’s Perri Nemiroff highlighted the film’s balance of action and character-driven storytelling.
“Superman delivers on heart, humour and heroism. David Corenswet is perfectly cast,” – @TheNerdyCritic on X A fan reaction emphasised the emotional tone of the film, calling it a “Superman story we’ve been waiting for”.
“Hopeful, fun, and visually impressive — Superman is back!” – @FilmFanCentral Another viewer on social media described the reboot as a return to form for the character and the franchise.
— (@)
— (@)
— (@)
Meet the new Superman cast
Superman stars David Corenswet as Clark Kent / Superman and Rachel Brosnahan as Lois Lane. The cast also includes:
Nicholas Hoult as Lex Luthor
Skyler Gisondo as Jimmy Olsen
Isabela Merced as Hawkgirl
Nathan Fillion as Guy Gardner
Anthony Carrigan as Metamorpho
Edi Gathegi as Mister Terrific
Beck Bennett as Steve Lombard
James Gunn’s first film under new DC Studios
Directed by James Gunn, this film marks the first cinematic release under the new unified DC Universe banner, co-led by Gunn and Peter Safran since their appointment in October 2022.
Speaking to The Hollywood Reporter, Gunn said:
“People are looking for heroes right now... Superman is that.”
Safran added earlier this year that Superman is intended to bring clarity and cohesion to the DC brand, following years of fragmented storytelling by different creative teams.
— (@)
— (@)
What’s next for DC Studios?
Superman launches the new DC Universe (DCU), with upcoming projects including:
Lanterns, an HBO Max series focused on Green Lantern
Supergirl: Woman of Tomorrow, set to release in 2026
— (@)
— (@)
Superman releases in cinemas worldwide on 11 July 2025.