This British artist is a vocalist, musician, and founder of Dewsbury-based arts organisation, Manasamitra
By Eastern EyeAug 17, 2024
ACCLAIMED British artist Supriya Nagarajan recently added to her list of impressive achievements by being awarded the British Empire Medal (BEM) for services to music, in the King’s birthday honours list 2024.
The talented vocalist, musician, and founder of Dewsbury-based arts organisation, Manasamitra, is proud to be honoured. She said: “Through Manasamitra, I am honoured to be able to connect with so many people through arts, helping them to express themselves, experience different cultures, and transport people into a mindful space. Music and the arts have allowed me to follow my passion and help others to do the same.”
Eastern Eye got the sought-after Carnatic vocalistand composer, who supports more than 40 artists locally and nationally, to select her 10 most memorable musical moments.
Singing at the Royal Albert Hall: As a young child, I often listened to the gramophone record of iconic south Indian singer MS Subbulakshmi, singing live at the Royal Albert Hall in 1982. It had a profound impact on me. So, me being able to bring (music project) LullabySonic Cradle to the venue in 2021, was a life-defining event and one that will remain with me.
Composing music for the Iceland Symphony Orchestra: Who would have thought that Carnatic music would form part of the repertoire for the national orchestra of Iceland? Taking the Lullaby project to schools across Reykjavik, and then composing two lullabies with the Iceland Symphony Orchestra, and performing at the iconic Harpa (concert hall) to a full house was wonderful. Not even the snow outside could keep the warmth of the evening away.
Royal honour: Receiving the British Empire Medal was an emotional moment for me. My musical journey was initiated by my mother and then supported by my husband. This felt like a high point in my musical journey. The credit goes to each and every person, who has helped me along the way. It’s something I will forever cherish.
Being part of Planet Summer: Climate change is really close to my current and future work. I created Meltwater about a day in the life of a halving glacier. To perform the piece as part of Planet Summer season at Purcell Room, Southbank Centre in London was a special moment.
Singing in the forest space
Composing Sita, Princess of Mithila during the pandemic: The lockdown was harsh on the music industry, but I took the opportunity to go back to my roots and explore the epic Ramayana in detail. I wanted to deconstruct the life of Sita and created a 60 minute story-telling musical that looked at the epic from her point of view. This work is ongoing and connects various aspects of my life. I am keen to explore it further.
Composing Sita, Princess of Mithila during the pandemic: The lockdown was harsh on the music industry, but I took the opportunity to go back to my roots and explore the epic Ramayana in detail. I wanted to deconstruct the life of Sita and created a 60 minute story-telling musical that looked at the epic from her point of view. This work is ongoing and connects various aspects of my life. I am keen to explore it further.
The cover image of the album Posse of Fireflies
Bright album: Collaborating with my favourite musician friends to release the album, Posse of Fireflies was special. This was a throwback to the many train journeys made across India as a child and watching the fireflies come to life in the night skies. It’s a project I am proud of.
Perfect blend:The Sound Of Tea project was a tribute to both my favourite drink and a nod to my synaesthesia. I wanted to explore tea through sound. If we could smell, taste and see our cup of tea, how would it sound? I composed to Oolong, Darjeeling and Assam. The completely immersive show premiered at Kings Place theatre in London a week before lockdown.
Nagarajan singing at the Jaipur Literature Festival
Singing at the Jaipur Literature Festival in Diggi Palace: The city of Jaipur is full of history and character, reminiscent of the bygone days of Maharajas. Singing to an audience of over 300 people in the morning sun at the Diggi Palace as part of the Zee Jaipur Lit-Fest was memorable.
Blaze of glory: Last but not the least, my absolute favourite musical moment is sitting on a balcony, perched high in the hills on the Gold Coast in Australia, as part of a sabbatical last winter and watching a magnificent lightning show unfold. Dark skies, stunning electric blue lightning streaks and distant thunder inspired my new musical composition Blaze.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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