A Bollywood movie about a family accepting their daughter as gay was hailed on Friday for pushing the boundaries of cinema in socially conservative India.
It comes after the country's Supreme Court scrapped a colonial-era ban on homosexuality in September, sparking wild celebrations amongst India's LGBT community.
Ek Ladki Ko Dekha Toh Aisa Laga (How I Felt When I Saw A Girl) is being lauded as the first mainstream Indian film to show parents dealing with their daughter being in a same-sex relationship.
"I can't believe what I saw," prominent LGBT activist Harish Iyer wrote on Twitter.
"While people were waiting to find the right time and day and age for making a film like this, @VVCFilms actually went ahead and made it," he added.
The Hindi-language drama, which was released nationwide on Friday, sees veteran actor Anil Kapoor star alongside his daughter Sonam Kapoor.
Kapoor, 62, plays the role of a father in a family that is eagerly trying to get his daughter Sweety -- played by Sonam Kapoor -- married.
She is in love with a woman though and the movie centres on her grappling with how to tell her family while fearing they won't accept the relationship.
"Looks like such a beautiful and heartfelt film... more power for pushing boundaries," filmmaker Karan Johar posted on Twitter.
"Such a difficult subject handled with so much dignity n restraint... wishing All the very best to its cast n crew!! Its an important film first of its kind..." tweeted director Farah Khan.
Mumbai-based Bollywood doesn't have a good track record when it comes to portraying homosexuality.
Many movies over the years have even mocked gay characters, sometimes making them the target of jokes.
But several films have dealt with the subject sensitively, such as Kapoor and Sons and Aligarh.
Fire was widely considered to be the first mainstream Hindi movie to feature a gay relationship.
- Cinemas attacked -
The film centred on two women in unhappy marriages who have a sexual relationship. When the movie was released in India in 1998 Hindu extremists attacked cinemas showing it.
Shelly Chopra Dhar, the director of Ek Ladki Ko Dekha Toh Aisa Lag, told said she hoped her movie would help fight prejudice.
"We do hope that this (film) breaks paradigms for many people and we realise that the dignity of all human beings is exactly the same and (that) love is love," she said.
The movie received a mixed response amongst critics, however. A Scroll.in review praised its "bold theme" but said it was "undercut by its timidity".
Shubhra Gupta, writing in the Indian Express newspaper, lauded "a progressive film" but questioned why it showed women being free "only after getting male approval and help".
Promoters kept the nature of the movie's romance under wraps for fear of putting off some audiences, but did release a few hints including the official hashtag #SetLoveFree.
The trailer released last month gave little away -- it could have been any Bollywood romance for the most part -- but did include a short clip of Sonam Kapoor's character holding hands with a woman.
On Friday, adverts taken out in newspapers hinted more at what was to come with the headline: "Today is the day of acceptance".
The actors themselves remained tight-lipped ahead of the film hitting screens, with Sonam Kapoor saying: "It's about family and acceptance, for who the person is, for their dreams, caste, religion or sexuality, is so important".
Everyone is saying it: Diane Keaton is gone. They will list her Oscars and her famous films. Honestly, the real Diane Keaton? She was a wild mash-up of quirks and charm; totally stubborn, totally magnetic, just all over the map in the best way. Off camera, she basically wrote the handbook on being unapologetically yourself. No filter, no apologies. And honestly? She could make you laugh until you forgot what was bothering you. Very few people could do that. That is something special.
Diane Keaton never followed the rules and that’s why Hollywood will miss her forever Getty Images
Remembering the parts of her that stuck with us
1. Annie Hall — the role that reshaped comedy
Not just a funny film. Annie Hall changed how women in comedies could be messy, smart, and real. Her Oscar felt like validation for everyone who had ever been both awkward and brilliant in the same breath.
2. The nudity clause she would not touch
Even as an unknown in the Broadway cast of Hair, she had a line. They offered extra cash to do the famous nude scene. She turned it down. Principle over pay, right from the start.
3. The Christmas single nobody saw coming
3.At 78, she released a song. First Christmas. Not for a movie. Not a joke. Just a sudden, late-life urge to put a song out into the world.
4. The wardrobe — menswear that became signature
Keaton made ties and waistcoats a kind of armour. She was photographed in hats and wide trousers for decades. Style was not a costume for her; it was character. People still imitate that look, and that is saying something.
5. Comedy with bite — First Wives Club and more
She could be gentle one moment and sharp the next. In The First Wives Club, she carried the ensemble effortlessly, landing jokes while letting you feel the heartbreak beneath. Friends who worked with her spoke about her warmth and how raw she stayed about life.
6. A filmmaker and photographer, not just an actor
She directed, she photographed doors and empty shops, she wrote. She loved the weird corners of life. That curiosity kept her working and kept her interesting.
7. Motherhood, chosen late and chosen fiercely
She adopted Dexter and Duke and spoke about motherhood being humbling. She was not pressured by conventional timelines. She made her own map.
8. The last practical act
Months before she died, she listed her Los Angeles home. A quiet, practical move. No drama. It feels now like a final piece of business, a woman tidying her own affairs with clear-eyed calm.
9. The sudden end — close circle, private last months
Friends say her health declined suddenly and privately in recent months. She kept a small circle towards the end and was funny right up until the end, a friend told reporters.
10. Tributes that say it plain — “trail of fairy dust”
Stars poured out words: Goldie Hawn, Bette Midler, Ben Stiller, Jane Fonda, all struck by how singular she was. They kept mentioning the same thing: original, kind, funny, utterly herself.
Diane Keaton’s legacy in film comedy and fashion left a mark no one else could touchGetty Images
So, that is the list.
We will watch her films again, of course. We will notice the hats, laugh at the delivery, and be surprised by the sudden stab of feeling in a small, silent scene. But more than that, there is a tiny, stubborn thing she did: she made permission. Permission to be odd, to age, to keep making mistakes and still stand centre screen. That is the part of her that outlives the headlines. That is the stuff that does not fade when the credits roll.
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