Renowned filmmaker Shekhar Kapur, whose filmography includes such memorable films as Masoom (1983), Mr India (1987), Bandit Queen (1997), Elizabeth (1998), and Elizabeth: The Golden Age (2007), on Tuesday said India has to use cinema as a soft power if it has to win the “minds and hearts of the future generations” globally.
The 76-year-old filmmaker said that India and China are two nations that can cultivate their soft power to become “major influencers in the world.”
“There was a time during my youth when I aspired to become like Americans. This was only due to the influence of American media. Now it is our turn; Asia is rising and India and China are two nations that can cultivate their soft power to become major influencers in the world. China is already making all-out efforts to achieve that,” the director said.
Kapur was speaking at the inauguration of a national seminar, titled ‘Indian Cinema and Soft Power’, held at Raj Bhavan in Mumbai. The seminar was organised by the Indian Council for Cultural Relations (lCCR) and also saw the presence of Maharashtra Governor Bhagat Singh Koshyari and ICCR President Vinay Sahasrabuddhe.
Kapur stressed the need for technological upgradation and said the industry must find newer ways to tell stories.
“If India has to use cinema as soft power, we have to win the minds and hearts of the future generations around the world… We need to think of telling our stories through popular media like gaming using the latest technologies. I would like to see games featuring Indian characters in Indian costumes,” he added.
Meanwhile, Kapur is looking forward to the release of his next directorial venture What’s Love Got to Do With It? Expected to be a cross-cultural rom-com about love and marriage, set between London and South Asia, the British film stars Lily James, Emma Thompson, Sajal Ali, Shazad Latif, Rob Brydon, and Shabana Azmi among others.
He is also onboard to direct the series adaptation of author Amish Tripathi’s critically-acclaimed book series Shiva Trilogy.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.