TALENTED musician Shammi Pithia has made a name for himself on the live circuit with a variety of projects and shown off his versatility.
The composer, producer and multi-instrumentalist will continue that unpredictability by providing original live music for dance production About The Elephant, which is being staged at Purcell Room, Southbank Centre in London on May 6 as part of this year’s Alchemy.
Talented dancers Vidya Patel and Connor Scott combine their magnificent moves with Shammi’s solo music performance in the thought-provoking, yet entertaining show. Eastern Eye caught up with Shammi to talk music, the new production, Alchemy and more...
How do you look back on your musical journey?
The journey has been full of fun, hard work and surprise! I’ve taken some good turns, but also bad ones. Each experience has been unique and enlightening. I’ve met and worked with some pretty incredible people, so ultimately I’m very grateful.
Have you consciously tried to do diverse projects?
Yes! The best way to learn is by experiencing things and working with amazing people, so I try and get myself into positions where I can do this.
Which of your projects is closest to your heart?
Possibly my last album COSMIC. I think it was a real turning point for me professionally and personally. A lot of love went into it, and a lot has happened because of it.
How much are you looking forward to participating at this year’s Alchemy?
Very much! It’s always a pleasure performing at the Southbank, and especially at Alchemy. The audience and vibe are always brilliant.
What can we expect from About The Elephant?
Vidya Patel and Connor Scott are two of the most wonderful dancers coming through British dance, and in this piece they have crafted something truly beautiful.You can expect delicate yet strong movement with some pretty big sounds.
How does this compare to other projects you have worked on?
In this piece, we had no starting point, no structure and no set compositions to work with. We created it from scratch and it went through all the chopping and changing new pieces go through. It was a real labour of love, but worth it.
What is the biggest challenge of performing music at a dance event like this?
Technically, my set-up is challenging and new for me. I’m used to having a few musicians on stage, but on this I’ve gone solo so that’s a lot of weight to carry.
Who are you hoping connects with About The Elephant?
Anyone who loves music and dance! I think there is something in there for everyone.
What can we expect next from you?
I hope to dedicate the second part of this year to a new album.
Who would you love to work with?
Right now, Rakesh Chaurasia.
What inspires you?
Other musicians. There have always been incredible musicians out there, but now they are more accessible. That and science!
If you could learn a new instrument, what would it be?
It would either be a string or bass guitar. String because they are all very emotive, and bass because they are the coolest people on stage.
Why do you love music?
I don’t think I can find all the reasons as it’s kind of like explaining why you love another person. It’s just natural and unconditional.
About the Elephant is performed as part of Alchemy by kathak artist Vidya Patel and contemporary dancer Connor Scott, accompanied by original live music from Shammi Pithia on May 6, 7.45pm at Purcell Room, Southbank Centre in London. Visit www.southbankcentre.co.uk for more information.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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