Special to celebrate 40 years of a classic headlined by bollywood’s two greatest stars
By DHARMESH PATELSep 30, 2022
LEGENDARY crime thriller Shakti will always be remembered for bringing together Bollywood’s biggest two stars Amitabh Bachchan and Dilip Kumar on screen for the only time.
Powered by the tagline, ‘clash of the titans’, the grand movie released on October 1, 1982, and has since gained iconic status. The Ramesh Sippy-directed drama about a dedicated police officer going on a collision course with his criminal son marks its 40th anniversary this week.
To celebrate the occasion, Eastern Eye presents 21 interesting facts connected to the classic, including its connection to a major 1995 Hollywood blockbuster.
1. Shakti was launched in 1977 and took five years to complete. The shoot was stalled because director Sippy wanted to complete his Bachchan-starrer Shaan (1980) first.
2. The story of Shakti was inspired by 1974 Tamil action drama Thangappathakkam. Incidentally, 1982 also saw the release of successful Jeetendra-starrer Farz Aur Kanoon, which was also a remake of the same film.
3. Dilip Kumar wanted the story to be about two brothers rather than a father and son, but the writers convinced him otherwise.
4. The film’s muhurat (launch) saw a scene being shot of Bachchan landing from a helicopter to talk to Dilip Kumar. This scene was not used in the final cut but created a great buzz.
5. Raj Babbar was the original choice for Bachchan’s role, but he was replaced for commercial reasons. Interestingly, Babbar was also removed from Bachchan-starrer Namak Halaal, which also released in 1982.
6. Kumar and Bachchan were earlier expected to star in a movie called Aag Ka Dariya, directed by Yash Chopra, for Shakti producers Mushir-Riaz (it is claimed that Shakti was the same film).
7. Neetu Singh was the original choice for Smita Patil’s character. She left due to the film taking so long to shoot and stepping away from acting after getting married to Rishi Kapoor in 1980.
8. Shakti was Patil’s official foray into mainstream commercial Bollywood. Before this film she was known for acting in arthouse cinema.
9. Rakhee Gulzaar was five years younger than Bachchan when she was cast as his mother in Shakti, and after having portrayed his love interest in multiple films. She was convinced to do the role because it was a chance to work with Dilip Kumar.
10. Shakti had cameos by Ashok Kumar and Anil Kapoor, thus featuring the biggest superstars from four consecutive eras of Bollywood. Incidentally, Ashok Kumar’s Sangram (1950) had a similar storyline.
11. There are striking similarities between Shakti and Hollywood film Heat (1995), which released 13 years later. This includes Heat bringing together two legends for the first time on-screen (Robert De Niro and Al Pacino), the near-identical climax sequence and a hugely impactful dinner scene.
12. Legend has it that during the climax scene, Bachchan missed the cue from the director as he was so in awe of his idol Dilip Kumar.
13. In a 2013 interview, Dilip Kumar said he greatly admired Bachchan when working with him and was impressed at how he added weight to scenes that had minimum or no dialogues. He remembered telling director Sippy that Bachchan was an actor who understood the secret of acting for the camera.
14. A scintillating scene in which a long lecture by Dilip Kumar is cut short by Amitabh Bachchan with a one-liner was edited out of the final cut.
15. Bachchan was supposed to have four pages of dialogues for the death scene of Rakhee, but successfully convinced the director and writers it should be done in pin-drop silence.
16. The film was written without any songs, which was unheard of then. Producers Mushir-Riaz were convinced to have a four-song soundtrack by RD Burman, which helped elevate the movie. A fifth song was recorded but not picturised due to Bachchan’s accident on the sets of Coolie (1983).
17. The movie won Filmfare awards for Best Film, Best Actor (Dilip Kumar), Best Screenplay (Salim-Javed) and Best Sound Design (P Harikishan). It also earned nominations for Best Director (Sippy), Best Actor (Bachchan), Best Actress (Rakhee), and Best Story (Salim-Javed).
18. Bachchan was in hospital when the film released after a near fatal accident on the sets of Coolie (1983). Patil, who also worked opposite him in Namak Halaal in the same year, had a dream about him seriously injuring himself, which she told him about before the horrific incident.
19. Bachchan's wife Jaya considers Shakti, along with Amar Akbar Anthony (1977) and Agneepath (1990), as her husband’s finest work.
20. The film’s producer Mushir Alam was abducted on the eve of the film’s release and a ransom was demanded. Dilip Kumar along with the police made efforts to have him released. Riaz’s production manager turned out to be one of the conspirators.
21. 1982 turned out to be a golden year for both lead stars of Shakti. Dilip Kumar headlined the year’s highest grossing movie Vidhaata, which was an interesting role-reversal, as he played a criminal character going up against his grandson played by Sanjay Dutt. The same year Bachchan gave hits with Namak Halaal, Khud Daar, Satte Pe Satta, Bemisal, and Desh Premee.
Amar Kanwar is getting a huge London show in 2026.
Will host a site-specific, immersive installation.
Feature both new and existing films, transforming the entire building.
A new catalogue will feature unpublished writings and a long interview.
Indian filmmaker and artist Amar Kanwar, a quiet but monumental figure in contemporary art, is getting a major retrospective at Serpentine North. Slated for September 2026 to January 2027, this Serpentine Gallery retrospective won’t be a standard exhibition. It’s being conceived as a complete, site-specific art installation that will turn the gallery into what organisers call a “meditative visual and sonic environment.”
Amar Kanwar’s immersive films and installations will fill Serpentine North next year Instagram/paolamanfredistudio
What can visitors expect from this retrospective?
Don’t walk in expecting to just sit and watch a screen. Kanwar’s work has never been that simple. The plan is to use the entire architecture of Serpentine North, weaving his films into the very fabric of the space.Yeah, the Serpentine's been tracking his work for years. He was in that 'Indian Highway ' show back in 2008. Turns out that was just the start.
What it is about his work that gets under your skin?
He looks at the hard stuff. Violence. Justice. What we’re doing to the land. But he does it with a poet’s eye. That’s his thing. And it’s put him on the map. You see his work at big-league museums like the Tate, the Met. He’s a fixture at major shows like Documenta. You don't get invited back that many times by chance. His work just has that weight. His art isn’t easy viewing; it asks for your patience and focus. The upcoming Serpentine show is being built specifically to pull you into that slow, deep way of looking.
Alongside the films, the Serpentine will publish a significant catalogue. It’s not just a collection of images. It will feature a trove of Kanwar’s previously unpublished writings, giving a deeper look into his process. The book will also contain an extensive interview between the artist and the Serpentine’s artistic director, Hans Ulrich Obrist.
The gallery is betting big on an artist who works quietly, but whose impact resonates for years. As one staffer put it, they’re preparing for an installation that changes how you see, and hear, everything.
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