LEGENDARY crime thriller Shakti will always be remembered for bringing together Bollywood’s biggest two stars Amitabh Bachchan and Dilip Kumar on screen for the only time.
Powered by the tagline, ‘clash of the titans’, the grand movie released on October 1, 1982, and has since gained iconic status. The Ramesh Sippy-directed drama about a dedicated police officer going on a collision course with his criminal son marks its 40th anniversary this week.
To celebrate the occasion, Eastern Eye presents 21 interesting facts connected to the classic, including its connection to a major 1995 Hollywood blockbuster.
1. Shakti was launched in 1977 and took five years to complete. The shoot was stalled because director Sippy wanted to complete his Bachchan-starrer Shaan (1980) first.
2. The story of Shakti was inspired by 1974 Tamil action drama Thangappathakkam. Incidentally, 1982 also saw the release of successful Jeetendra-starrer Farz Aur Kanoon, which was also a remake of the same film.
3. Dilip Kumar wanted the story to be about two brothers rather than a father and son, but the writers convinced him otherwise.
4. The film’s muhurat (launch) saw a scene being shot of Bachchan landing from a helicopter to talk to Dilip Kumar. This scene was not used in the final cut but created a great buzz.
5. Raj Babbar was the original choice for Bachchan’s role, but he was replaced for commercial reasons. Interestingly, Babbar was also removed from Bachchan-starrer Namak Halaal, which also released in 1982.
6. Kumar and Bachchan were earlier expected to star in a movie called Aag Ka Dariya, directed by Yash Chopra, for Shakti producers Mushir-Riaz (it is claimed that Shakti was the same film).
7. Neetu Singh was the original choice for Smita Patil’s character. She left due to the film taking so long to shoot and stepping away from acting after getting married to Rishi Kapoor in 1980.
8. Shakti was Patil’s official foray into mainstream commercial Bollywood. Before this film she was known for acting in arthouse cinema.
9. Rakhee Gulzaar was five years younger than Bachchan when she was cast as his mother in Shakti, and after having portrayed his love interest in multiple films. She was convinced to do the role because it was a chance to work with Dilip Kumar.
10. Shakti had cameos by Ashok Kumar and Anil Kapoor, thus featuring the biggest superstars from four consecutive eras of Bollywood. Incidentally, Ashok Kumar’s Sangram (1950) had a similar storyline.
11. There are striking similarities between Shakti and Hollywood film Heat (1995), which released 13 years later. This includes Heat bringing together two legends for the first time on-screen (Robert De Niro and Al Pacino), the near-identical climax sequence and a hugely impactful dinner scene.
12. Legend has it that during the climax scene, Bachchan missed the cue from the director as he was so in awe of his idol Dilip Kumar.
13. In a 2013 interview, Dilip Kumar said he greatly admired Bachchan when working with him and was impressed at how he added weight to scenes that had minimum or no dialogues. He remembered telling director Sippy that Bachchan was an actor who understood the secret of acting for the camera.
14. A scintillating scene in which a long lecture by Dilip Kumar is cut short by Amitabh Bachchan with a one-liner was edited out of the final cut.
15. Bachchan was supposed to have four pages of dialogues for the death scene of Rakhee, but successfully convinced the director and writers it should be done in pin-drop silence.
16. The film was written without any songs, which was unheard of then. Producers Mushir-Riaz were convinced to have a four-song soundtrack by RD Burman, which helped elevate the movie. A fifth song was recorded but not picturised due to Bachchan’s accident on the sets of Coolie (1983).
17. The movie won Filmfare awards for Best Film, Best Actor (Dilip Kumar), Best Screenplay (Salim-Javed) and Best Sound Design (P Harikishan). It also earned nominations for Best Director (Sippy), Best Actor (Bachchan), Best Actress (Rakhee), and Best Story (Salim-Javed).
18. Bachchan was in hospital when the film released after a near fatal accident on the sets of Coolie (1983). Patil, who also worked opposite him in Namak Halaal in the same year, had a dream about him seriously injuring himself, which she told him about before the horrific incident.
19. Bachchan's wife Jaya considers Shakti, along with Amar Akbar Anthony (1977) and Agneepath (1990), as her husband’s finest work.
20. The film’s producer Mushir Alam was abducted on the eve of the film’s release and a ransom was demanded. Dilip Kumar along with the police made efforts to have him released. Riaz’s production manager turned out to be one of the conspirators.
21. 1982 turned out to be a golden year for both lead stars of Shakti. Dilip Kumar headlined the year’s highest grossing movie Vidhaata, which was an interesting role-reversal, as he played a criminal character going up against his grandson played by Sanjay Dutt. The same year Bachchan gave hits with Namak Halaal, Khud Daar, Satte Pe Satta, Bemisal, and Desh Premee.
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.