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Shahid Kapoor nods a no to Dear Comrade remake?

Shahid Kapoor is presently basking in the earth-shattering success of his latest film Kabir Singh (2019). Also starring Kiara Advani in an important role, Kabir Singh has emerged as the biggest blockbuster of the year, leaving behind several biggies like Bharat (2019), Total Dhamaal (2019) and Uri: The Surgical Strike (2019) far behind in terms on lifetime box-office revenue.

As we all know that Kabir Singh is an official remake of the cult Telugu film Arjun Reddy (2017), starring Vijay Deverakonda and Shalini Pandey in principal roles. After the huge success of the Hindi remake, Shahid Kapoor was recently approached to star in the official remake of yet another Telugu film Dear Comrade whose remake rights have been acquired by Karan Johar’s Dharma Productions.

Since the news emerged that Johar is producing the Hindi remake of Dear Comrade, rumours about its potential cast have been doing the rounds. Earlier, some media outlets reported that Ishaan Khatter and Janhvi Kapoor had come onboard to headline the remake. Then Shahid Kapoor’s name was linked to the project. However, if latest reports are to be believed, Kapoor has turned down the offer.

Talking about the massive success of Kabir Singh, which has entered the coveted ₹ 200 crore club, Shahid Kapoor recently said, “I kind of feel like I don’t belong here. I feel like a newcomer. I need to figure out this new room, and this new club that I have entered. Even though I have been here for 15-16 years, it is not my comfort zone. I need to get my head around it.”

Well, it will be really interesting to see whom Karan Johar casts now for the remake of Dear Comrade after Shahid Kapoor declining to come onboard to headline the film. Any suggestions?

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'Michael': Why Michael Jackson biopic ends by 1988 and skips his life's most controversial chapter

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  • Michael ends its story before the first public allegations against Jackson
  • The structure effectively frames Jackson’s life as a closed success arc
  • Critics are divided over whether the film is tribute or selective storytelling
  • Jaafar Jackson’s performance as his uncle is widely praised
  • Debate grows over how biopics shape public memory through structure, not just content

A story that stops at a deliberate point

The new Michael Jackson biopic Michael is drawing attention not only for what it shows, but for the exact moment it chooses to end.

The film charts Jackson’s journey from child star with the Jackson 5 to global solo dominance. However, it concludes before the first widely reported sexual abuse allegations in the 1990s, effectively drawing a line under his story at the height of his commercial success.

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