Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A NEW survey has revealed that nearly half of Londoners think Sadiq Khan is doing a bad job as Mayor, reported MailOnline.
According to a YouGov poll, 48 per cent of the respondents said Khan is performing badly, while more than a quarter of those surveyed said he was doing 'very badly.'
This is Khan's worst approval rating for the first time since taking office in 2016.
Meanwhile, just 38 per cent of respondents said they think he is doing 'well', representing a seven per cent drop since the last survey in March 2021.
The figures show Khan is less popular in outer London, where 51 per cent of residents believe he is doing badly - dropping to 43 per cent in inner London.
The MailOnline report said that now Khan has a net approval rating of minus ten.
According to YouGov, Khan, 51, has entered negative territory for the first time. It added that in key issues such as crime, housing and transport, Khan is performing badly than well.
Khan performed well in ratings in his first year as Mayor in May 2017, when 61 per cent of Londoners believed he was doing a good job.
As part of the Mayor's 'streetspace' initiative, he introduced several hundred miles of temporary cycle lanes during the pandemic. It was ruled 'unlawful' by a judge last year.
The lanes sparked criticism from motorists for increasing congestion, and one on Kensington High Street was removed following a local outcry.
So-called Low Traffic Neighbourhoods (LTNs), which see pavements widened, roads closed off and cycle lanes introduced, have also been heavily criticised, the MailOnline report added.
Besides, Khan was last week accused of a 'money-making' plot to force motorists to 'pay per mile' to drive in the captial, to force those who use petrol or diesel cars to switch to public transport, walking, cycling or electric vehicles.
"Almost a year into his second term as Mayor of London, and for the first time since YouGov started asking in 2017, more Londoners think Sadiq Khan is doing badly than well. While he is retaining support amongst 2019 Labour voters, his scores have declined notably among them over the past year," Abigail Axe-Browne, research manager at YouGov, was quoted as saying by MailOnline.
"Perhaps more damaging for the Mayor is the fact 2019 Labour voters also tend to disapprove of his handling of housing and crime."
Knife crime remains an issue in London with 30 teenagers losing their lives to the scourge in 2021.
The poll, conducted between January 7 and 10, has revealed that Khan is much more popular among 18-24 year olds, with only 37 per cent of people in the category believing him to be performing badly.
He is most disliked by over 65s, with 56 per cent of such residents saying he is doing a bad job.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.