Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Roy Ayers, the iconic jazz-funk musician best known for his timeless hit Everybody Loves the Sunshine, has passed away at the age of 84. His family shared the news on his official Facebook page, revealing that he died on March 4, 2025, in New York City after battling a long illness. The statement described Ayers as a “legendary vibraphonist, composer, and producer” who lived a full and inspiring life. They requested privacy during this difficult time and promised a celebration of his life would follow.
Born on September 10, 1940, in Los Angeles, Ayers grew up in a household filled with music. His mother, Ruby, was a piano teacher, and his father, Roy Sr., played the trombone. Ayers’ musical journey began early, learning piano as a child before discovering the vibraphone. His passion for the vibraphone was sparked by jazz legend Lionel Hampton, who gifted him a pair of mallets after a performance when Ayers was just five years old.
Roy Ayers in his element, forever mesmerising fans across generations Getty Images
Ayers’ career took off in the 1960s when he released his debut album, West Coast Vibes, in 1963. He later formed the band Roy Ayers Ubiquity, blending jazz, funk, and soul to create a sound that connected across generations. His 1976 album *Everybody Loves the Sunshine* became an iconic hit, with the title track capturing the themes of summer and joy. The song’s mellow, sun-soaked vibes made it a global anthem, and it remains one of the most sampled tracks in music history, influencing artists like Mary J. Blige, Common, and Pharrell Williams.
A moment of musical brilliance - Maestro at work Getty Images
Beyond his music, Ayers was a trailblazer in the neo-soul and acid jazz movements. He composed the soundtrack for the 1973 blaxploitation film Coffy, starring Pam Grier, and collaborated with legends like Herbie Mann, Fela Kuti, and Erykah Badu. He had the potential to merge genres and made him a sought-after collaborator and a mentor to many in the R&B and hip-hop communities.
Roy Ayers in a candid moment reflecting on a lifetime dedicated to music Getty Images
Ayers’ legacy is not just in his music but in the warmth and positivity he brought to the world. As he once said, “Everybody loves the sunshine,” and his music continues to shine brightly, touching new generations. He is survived by his wife, Argerie, and their children, Mtume and Ayana Ayers. His family’s message was simple: Roy Ayers lived a beautiful life, and his light will never fade.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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