After Suryakumar Yadav and Ishan Kishan earned their maiden call-ups to the Indian national team, vice-captain Rohit Sharma stressed on the importance of playing without any pressure when they take on England in a Twenty20 series.
Kishan and Suryakumar were named in the squad after plundering 516 and 480 runs respectively in the Indian Premier League last season, where the pair played under Rohit for the Mumbai Indians as they clinched their fifth title in November.
"I don't want them to be thinking about anything," Rohit told reporters on Wednesday. "That's how they bring their best performance out.
"Having watched them closely for a few years now, I've realised it's important for them to be part of this wonderful team, a great setup... I just want them to have fun and understand what this team is all about.
"These guys have done really well in the last few years, especially the last year. It's just about carrying that form and putting it out there. It's not going to be that easy here, they will be challenged every now and then."
For England, it's a much-awaited return to the squad for all-rounder Liam Livingstone who had similar success in Australia's Big Bash League where he scored 426 runs for Perth Scorchers.
"For the first time in my career I feel like I belong in this environment and it's good to be back," Livingstone, who last played a T20 international in June 2017, said.
"I was pretty immature before and I'm a much different person now and even more so as a player.
"The Big Bash is such an exciting competition. That's the reason we play these franchise competitions. Playing in the IPL in front of 60,000 people and playing in a Big Bash final -- these are the pressure moments you start to get used to."
All five matches are being held in Ahmedabad with the series starting on Friday.
I was five years old when my parents first signed me up for a mini marathon. They were both keen runners and wanted me to follow in their footsteps. At the time, I hated it. Running felt like punishment — exhausting, uncomfortable, and something I never imagined I’d do by choice.
But one moment changed everything. I was 12, attending a gymnastics competition, and had gone to the car alone to grab my hula hoop. As I walked back, a group of men started shouting at me. They moved closer. I didn’t wait to hear what they had to say — I ran. Fast. My heart was pounding. It was the first time I felt afraid simply for existing in public as a young girl. I never told anyone. But I remember feeling thankful, strangely, that my parents had taught me how to run.
That was my first experience of harassment. Sadly, it wouldn’t be my last.
In school, I was a fast runner. I even won races. But I gave it up — until lockdown. My mum encouraged me to start again. We went for walks, and one day I had to jog to catch up with her. That simple moment reminded me that running didn’t have to be painful. It could be freeing. It could be joyful.
But that joy was short-lived. The more I ran, the more I noticed the dangers. As a south Asian woman, I was reminded that public spaces are not always made for us.
When I ran with my mum or friends, I felt safe. Alone, I felt exposed. On quiet canal paths, I’ve been catcalled — told to “go on, sexy,” or had comments made about my body. I’ve had racist abuse shouted at me from passing cars: “Go back home, p***.” Some men — including from within our own community — have rolled down their windows to yell disgusting things in Punjabi, honk their horns, or make obscene gestures. I’ve been called a “b****” just for running past someone, and told to “get out of the way, b****.” The verbal violence is constant, and always unprovoked.
It’s exhausting. It makes you hyperaware of every step, every corner, every man you see.
Yet, in places like the Isle of Skye, I experienced what running should feel like. People greeted you with smiles. Drivers slowed down and waved. There were no shouts, no stares. Just peace.
Running is supposed to be my outlet. As a full-time carer for my mum, it’s the one thing that helps me manage stress and anxiety. But now, running itself causes stress. I drive 20 to 30 minutes to find a busy park where I might feel safe — and even then, I’m constantly looking over my shoulder.
I've lost count of the number of times I’ve stopped mid-run just because a group of men were approaching. I cross the road. I walk. I pretend to check my phone. It’s not paranoia — it’s self-preservation.
I’ve been hit by a drink thrown from a bus. I’ve been called “sexy legs” for wearing shorts. I’ve had to stop wearing certain clothes, change my routes, avoid specific times of day — all because men can’t keep their comments to themselves.
And I’ve started carrying personal protection. Something no woman should have to do — but many of us do, silently. I truly believe we should be allowed to carry pepper spray. If we’re not being protected by the system, we should be able to protect ourselves.
Even when I’ve gone out with mum for a walk or a run, men driving past whistle and blow their horn. I’ve seen men stare at mum and one even blew a kiss at her; it’s shocking and disturbing to experience.
This is not just my experience. It’s far too common. When I created Asian Women Run, I wanted to build a safe space where south Asian women could run together and feel empowered. But even in our group, women share their fears. Some won’t run outdoors at all because of how unsafe they feel. It’s heart-breaking. Running — a sport that supports mental and physical health — has become inaccessible for so many because of harassment.
Why is it that in countries like Singapore or the UAE, women can run freely, but in the UK — a country that prides itself on equality — we still feel afraid?
This isn’t just about running. It’s about ownership of public space. It’s about safety. It’s about respect. And it’s about change.
We need more than hashtags. We need action — from local councils, from police, from community leaders, and from men. We need more well-lit areas, safer routes, education in schools, and stronger consequences for street harassment. We need cultural change, and it starts by listening to women when we say: this is happening.
I don’t want to give up something I love. I want to keep running. I want to feel the wind on my face without fear. I want to wear what’s comfortable, not what’s “safe.” I want to stop looking over my shoulder.
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(From left) Malcolm Anderson (RHS, head of sustainability) Clare Matterson (RHS director general), Lorraine Bishton (Subaru UK and Ireland, managing director) Andrew Ball (director, Big Fish Landscapes) Mike McMahon and Jewlsy Mathews with the medals
BRITISH Asians are being encouraged to take up gardening by a couple who have won a record five medals at the Royal Horticultural Society’s Hampton Court Palace Garden Festival.
“It’s a contemporary reimagining of a traditional walled garden, highlighting the British and Irish rainforests,” said Jewlsy Mathews, who was born in Britain of parents from Kerala, a southern Indian state known for its lush vegetation.
Mathews, partner in a design studio set up by her Irish husband Mike McMahon, made her debut at the Chelsea Flower Show last year. The balcony and container garden submitted with her husband won a gold medal.
It was one of three gardens “pre-selected” for viewing by King Charles and Queen Camilla.
This year at Hampton Court, their show garden was visited by Sophie, the Duchess of Edinburgh.
Its jali wall is “inspired by some fine examples of India’s exquisite architecture”.
The circular structure inspired by jali screens in India
Speaking after being awarded five medals at Hampton Court, Mathews told Eastern Eye: “This is the first time a garden has ever received all the RHS judges’ awards. It’s a contemporary reimagining of a traditional walled garden, highlighting the British and Irish rainforests. They used to cover 20 per cent of the UK, and now it’s dwindled down to one per cent, so we really wanted to highlight the importance of these landscapes and their beauty.”
She explained their medals tally: “We got a gold for the garden, and then we won the best construction award, the best show garden award, and with that, we won the Tudor Rose award. That’s a prize not given every year. It’s for exceptionally high point scoring by the judges. Our gold was a very high gold rather than borderline gold. The Tudor Rose wasn’t given last year. It’s only given some years, so it’s an infrequent award.”
She added: “Probably the one that means the most to us is we also got the environmental innovation award.”
Last year Mathews explained her family connection with Kerala: “My mum and my dad are both from Kerala. My mum, Lucy Mathews Payyanat, was from Kanjirappally. My dad, Jose Mathews Payyanat, is from Champakulam which is near Alleppey (Alappuzha).” Jewlsy and her husband, have a flat in Ernakulam, near Cochin, in Kerala, which they visit regularly.
Their London apartment has two balconies, where they have created the effect of a small jungle, called a “junglette”, which they sought to reproduce at Chelsea.
The garden at Chelsea was also a tribute to her mother who passed away in September 2023. Mathews and her husband were in Kerala when they heard their submission for Chelsea had been accepted, news they were happy to share with their mother before she passed away.
Sophie, Duchess of Edinburgh, at the garden
Some of the stones used in Hampton Court this year have come from her father’s garden, and “will be returned to him when the festival is over”, said Mathews.
McMahon said that “you would normally have a solid brick wall around your garden with a door through it. Here we used a jali wall, which is common in India. The way the brick is stacked we let light through, which creates dappled light on the forest floor, similar to what you would have in a forest. But then the holes in the brick also act as one big, giant, insect hotel, which promotes nature and biodiversity. The brick wall is incredibly complicated as a structure. That’s why we won the best construction award.
“And at the front, in lieu of having a door, which you would normally have, we have water as the threshold into the garden instead.”
At Chelsea last year, McMahon recalled, “we used jungle type plants. All the plants here (at Hampton Court) are native to either Britain or Ireland. You can see a massive big tree trunk. Its purpose is to guide your eyes upwards, so you start looking at all those plants growing on the trees. And we have lots of ferns growing on top of the garden wall called polypodies.”
Their Hampton Court garden – it’s supported by Subaru UK and Ireland – has incorporated Silver Birch, Scots Pine, Fox Gloves, Devil’s Bit Scabious, and the Common Polybody, a tough evergreen fern with leathery, deep cut fronds.
“This is only the second garden we have designed,” revealed McMahon. “The judges were very, very impressed. I said to them neither of us has any formal training in horticulture. We just read a lot of books on plants.”
Meanwhile, his wife’s message to British Asians, other than to take up gardening, was to treat their garden or a balcony – “whatever outdoor space you have” – as an extra room to the house.
“Sometimes this gets forgotten because people concentrate on the inside of the house,” she said. “Actually, it’s another room which bring you more joy than people give credit for. There are so many barren balconies in cities. As we saw with our garden (at Chelsea) last year, it’s such an opportunity to create extra space.”
She went on: “It’s really a space for contemplation and quiet and reflection, and all the things that make us well minded and healthy. When you walk into such a space, you’re not like, ‘Oh gosh, I’ve got to do the laundry and the housework, all sorts of life clutter. It’s where you can be calm and still.”
They have given advice to people on how they can make their own rainforest garden. They have offered such tips as: incorporate layers like a rainforest; create a moist, humid microclimate; use native species; encourage wildlife; and let nature be the designer.
The couple display their medals
Mathews said: “We have used 13 different kinds of fern.”
She drew attention to the mushrooms that had started to appear in the dark corners of the garden.
The couple say in a formal note: “The design embraces the full vertical potential of the space, with planting structured across forest-like layers: ground, understory, and canopy. Epiphytes grow on and through tree trunks and the perforated jali wall, while a planted trough crowns the top of the wall. Oxalis acetosella and Polypodium vulgare are trained to grow up the sculptural fallen logs, reinforcing the sense of a forest reclaiming its own. Plants emerge from crevices, spill through openings, and root on vertical surfaces— mirroring how nature slowly takes over ruins. This immersive, layered planting celebrates the sculptural variety and form of native ferns, using them as both structural and textural elements throughout the garden .”
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The portrait was created by Stuart Pearson Wright, based on a photograph taken by the artist at Tendulkar’s home in Mumbai 18 years ago. (Photo: PTI)
SACHIN TENDULKAR said "life has truly come full circle" after a portrait of him was unveiled at Lord's on Thursday.
Tendulkar, widely regarded as one of the greatest batsmen, scored 34,357 runs across Tests, one-day internationals and one T20 match for India during his international career from 1989 to 2013.
(Photo credit: PTI)
His total is over 6,000 runs more than the next highest of 28,016 scored by Sri Lanka's Kumar Sangakkara.
In a post on X, Tendulkar recalled his first visit to Lord’s in 1988. "I remember standing near the pavilion, soaking in the history and dreaming quietly," he wrote.
"Today, to have my portrait unveiled at this very place is a feeling that's hard to put into words. Life has truly come full circle. I’m grateful, and filled with wonderful memories."
I first visited Lord’s as a teenager in 1988, and returned in 1989 with the Star Cricket Club team.
I remember standing near the pavilion, soaking in the history and dreaming quietly.
Today, to have my portrait unveiled at this very place is a feeling that’s hard to put into… pic.twitter.com/ZC987eH8oZ — Sachin Tendulkar (@sachin_rt) July 10, 2025
The portrait was created by Stuart Pearson Wright, based on a photograph taken by the artist at Tendulkar’s home in Mumbai 18 years ago. It was unveiled before the first day of the third Test between England and India.
It is the fifth portrait of an Indian player to be added to the collections of Marylebone Cricket Club, which owns Lord's.
(With inputs from AFP)
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Former tennis player and current presenter Annabel Croft
Annabel Croft spotted courtside in statement Gucci trainers during Wimbledon
Paired the footwear with a pleated blue dress by Boss for a sporty yet polished look
The platform sole offered subtle height without compromising on comfort
White trainers remain a key smart-casual trend, suitable for a wide range of outfits
Annabel Croft embraces sporty style at Wimbledon
Former tennis player and current presenter Annabel Croft made a notable appearance at Wimbledon this weekend, combining elegance with comfort through a smart-casual ensemble. Dressed in a pale blue pleated dress by Boss, she completed the look with Gucci platform trainers, blending classic tennis aesthetics with modern fashion.
The knife-pleat design of the dress referenced traditional tennis skirts, while the fitted T-shirt silhouette gave the outfit a distinctly athletic feel. Her trainers featured Gucci’s red and green web stripe, offering a designer twist on the classic white trainer trend.
Statement trainers with added comfort
Annabel’s shoes included a platform sole, providing extra height while maintaining the comfort expected from trainers. This style aligns with the ongoing sports-luxe trend, which combines fashion and function, and shows how white trainers can elevate polished outfits without relying on heels.
White trainers, in particular, have become a wardrobe staple, known for their versatility. Their neutral base makes them ideal for dressing down occasionwear or adding a casual element to otherwise formal outfits.
How to replicate the look
Annabel’s exact pair is the Gucci Ace Sneaker with Web, featuring a sleek white base and the brand’s signature red and green stripes. While her specific version includes a platform sole, Gucci offers several variations:
Gucci Ace Leather Low-Top Trainers: A timeless option with the same colour detailing and classic silhouette.
Gucci Re-Web Supreme Canvas Trainers: A subtle alternative with the brand’s stripe on the tongue and a sportier profile.
For similar looks at more accessible prices, other options include:
Reebok Club C 85: A retro-style low-top trainer with subtle red, white and green accents.
Gola Mark Cox Tennis Trainers: With off-white and green tones, this pair reflects a traditional tennis shoe aesthetic.
Veja Urca Trainers: Sustainable and minimalist, featuring the brand’s signature “V” for a pop of colour.
Fairfax & Favor Alexandra Platform: A more understated take with navy and tan detailing on a crisp white base.
White trainers: a year-round staple
White trainers continue to dominate fashion trends in 2025, especially as a go-to for smart-casual dressing. Their clean look pairs effortlessly with summer dresses, tailored trousers, or casual denim.
Although Croft’s Gucci pair makes a bold statement, the predominantly white design remains understated enough to be worn with a variety of outfits. The key to maintaining the look is regular cleaning and proper storage, as worn-in trainers can undermine their smart appeal.
Whether for a day at the tennis or a relaxed weekend outing, Annabel Croft’s Wimbledon footwear choice reinforces the timeless versatility of white trainers.
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Kendrick Lamar and SZA thrill Birmingham crowd with high-energy Grand National Tour show
Kendrick Lamar and SZA brought their record-breaking Grand National Tour to Birmingham’s Villa Park on Thursday night.
The three-hour set featured solo performances, visual spectacles, and crowd-favourite duets like All the Stars and Gloria.
Kendrick arrived on stage in his signature GNX, delivering fiery performances from To Pimp a Butterfly, DAMN., and his latest album GNX.
SZA stunned with hits from CTRL and SOS, transforming the stage into a fantasy landscape with high-energy vocals and choreography.
Two of the biggest names in rap and R&B, Kendrick Lamar and SZA, brought their much-anticipated Grand National Tour to Birmingham’s Villa Park on Thursday night, turning the historic stadium into a special musical experience. The pair, who previously wowed the world during this year’s Super Bowl halftime show, performed a mix of solo tracks and duets across a three-hour set that left fans exhilarated.
The Grand National Tour, which has already broken records as the highest-grossing co-headline tour in history, continued its momentum in the UK. Following performances in Glasgow, Kendrick and SZA proved once again why they remain at the forefront of global music.
Kendrick Lamar and SZA commands the stage at Villa Park during his explosive opening setInstagram/grandnationaltour
Lamar kicks off with raw energy and lyrical precision
Kendrick Lamar opened the show with Wacced Out Murals, emerging in a black Buick GNX, the same car featured on the cover of his latest album. From the first beat, he commanded the crowd with his sharp delivery and intense presence. Tracks like King Kunta, Element, and DNA sent waves of energy through the crowd, while his Grammy-winning Drake diss Not Like Us received one of the loudest receptions of the night.
Even with rapid-fire verses and complex lyricism, Lamar’s performance never faltered. The audience often struggled to keep pace with his delivery, but the enthusiasm never waned. His storytelling, stage presence, and the layered visuals, many in stark black and white, set a powerful tone.
After Kendrick’s solo set, SZA joined the stage with *30 for 30*, marking the first of many seamless transitions between the two artists. Dressed in flowing ensembles that matched her dreamlike set design, complete with vines, dancers in insect-like costumes, and even a pair of wings for Nobody Gets Me, she took fans through her evolving discography.
From older favourites like Love Galore and Broken Clocks to newer tracks off SOS Deluxe like Scorsese Baby Daddy and Kitchen, SZA showcased her growth as a performer. Her vocals were pitch-perfect, even when altered from the studio versions, and her choreography added a new layer to her emotive style.
The moments where Kendrick and SZA shared the stage proved the most unforgettable. Their rendition of All the Stars, performed on rising platforms against a golden sunset, felt almost cinematic. Fans roared as Kendrick asked, “You feeling the energy?” and SZA followed up with, “You feeling the love?”
Later, the pair closed with Luther and Gloria, the latter acting as a fitting tribute to their mutual respect as artists and collaborators. While some audience members left early to beat the traffic, those who stayed were rewarded with a moving finale.
Logistics, crowd vibes, and the Villa Park experience
Doors opened at 4:30 pm, with support from DJ Mustard warming up the crowd under the July sun. Roads around the venue were closed off, and fans were advised to take public transport or shuttle services due to limited parking. Security was tight, with bag checks and restrictions on items like food, drink, and umbrellas.
Despite some sound quality issues and occasional sightline problems due to the stage layout, the energy in the stadium never dropped. The crowd, a mix of longtime fans and younger newcomers, remained vocal and engaged throughout.