'Rocky aur Rani' review: Story with recycled ideas is more style than substance
The story essentially revolves around two mismatched individuals from different backgrounds, who fall in love with each other
By Anjali MehtaAug 01, 2023
THIS is the type of movie that might have worked really well in the 1990s when romance was dominating Hindi cinema and many contemporary story troupes in the genre had not been done yet.
But in 2023, Rocky Aur Rani Kii Prem Kahaani comes across as more style than actual substance and seems to have ideas that have been recycled.
The story essentially revolves around two mismatched individuals from different backgrounds, who fall in love with each other. They decide to live with each other’s family to gain some sort of acceptance for their union. There is also a sub-plot of getting two elderly people reconnected after many decades apart.
From the flashy dance numbers to the various story troupes of mismatched lovers trying to reunite individuals and disappr fore in Bollywood. Even the song numbers, acting styles and overcooked sets give you a sense of déjà vu in a film that desperately tries to offer something new, without much success. Those who enjoy formula driven love stories will find plenty to like, but even their patience will be tested in this overly long film. What ultimately saves Rocky Aur Rani Kii Prem Kahaani from being a complete letdown is some decent musical numbers and solid turns from the lead cast.
Ranveer Singh and Alia Bhatt generate plenty of chemistry onscreen. There are also winning performances from Bollywood legends Jaya Bachchan, Shabana Azmi and in particular Dharmendra, who is just a joy to watch onscreen. There are a few interesting life lessons as well.
Ultimately, this movie is a sign that Karan Johar as a filmmaker has failed to evolve from the days of delivering superhits such as Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham (2001), with a movie that has stapled together lots of seen before ideas into a paper-thin plot.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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