ROBBIE FOWLER has parted ways as head coach of East Bengal by mutual consent after being in charge for less than a year of the Indian Super League club.
The former Liverpool and England forward was appointed on a two-year contract by the club last October, with East Bengal making a ninth-placed finish and won three of their 20 matches in the league.
A club statement said: "SC East Bengal can confirm that the club has agreed with Robbie Fowler to a mutual termination of the head coach's contract.
"Alongside his assistant Tony Grant, he took charge of the team in a very challenging period of transition and managed to overcome significant odds to bring the fans some moments of joy in the club's first-ever season in the Indian Super League."
Meanwhile, East Bengal have confirmed former Real Madrid Castilla coach Manuel Diaz as Fowler's replacement.
Before joining East Bengal, 46-year-old Fowler had been in charge of Australian side Brisbane Roar.
THE UK government is considering a potential rescue plan for Speciality Steel UK (SSUK), part of the Liberty Steel Group, if its parent company collapses after an insolvency hearing next week.
Business secretary Jonathan Reynolds is reportedly exploring options, including taking full control of the business, which employs 1,450 people at Rotherham and Sheffield, The Guardian reported. This follows the government’s intervention in British Steel’s Scunthorpe plant.
A government spokesperson said: “We continue to closely monitor developments around Liberty Steel, including any public hearings, which are a matter for the company. It is for Liberty to manage commercial decisions on the future of its companies, and we hope it succeeds with its plans to continue on a sustainable basis.”
Liberty Steel, which has not produced steel at Rotherham for a year, has continued paying staff. The company has lost £340m over four years, The Guardian reported.
Sanjeev Gupta, whose GFG Alliance faced financial strain after Greensill Capital’s collapse, is seeking investment in SSUK. Talks with a major investor are ongoing, according to union Community.
The GMB union said it supports government intervention. A Liberty Steel spokesperson said SSUK remains valuable and is aligned with demand in sectors like aerospace and defence.
The group remains under investigation by the Serious Fraud Office since 2021.
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Poster of the upcoming Superman film releasing on July 11
James Gunn’s Superman reimagines the hero as a symbol of the immigrant experience.
Former Superman actor Dean Cain and conservative commentators criticise the film as "too woke."
Cain argues that Hollywood is rewriting classic characters to fit modern political agendas.
Gunn defends his interpretation, saying the story champions kindness and inclusion.
James Gunn’s highly anticipated Superman has already been caught in a political storm. The director’s depiction of the Man of Steel as a metaphor for the immigrant experience has drawn criticism from right-wing voices, who accuse Hollywood of turning the iconic superhero into a tool for political messaging.
New ‘Superman’ movie sparks backlash for portraying hero as immigrant symbol Instagram/superman/reald3d
Gunn calls Superman ‘The story of America’
In a recent interview, Gunn described Superman as an immigrant who “came from other places and populated the country,” framing the nearly century-old comic book hero as a symbol of the American melting pot. The new film, he added, is about “basic human kindness”, a value he believes is being lost in today’s culture. For Gunn, this fresh take is less about politics and more about restoring a sense of empathy.
Director James Gunn attends the red carpet for the Superman movie premiereGetty Images
Dean Cain says Superman is becoming too political
Dean Cain, who portrayed Superman in the ’90s TV series Lois & Clark, sees things differently. In a video interview, Cain accused Hollywood of going too far with “woke” reinterpretations of legacy characters. While acknowledging Superman’s extraterrestrial roots, he warned that reshaping classic icons to reflect modern ideologies risks diluting their core values.
“The ‘American way’ is immigrant friendly, tremendously so,” Cain said, “but there are rules.” He cautioned against celebrating immigration without acknowledging its complexities, arguing that unlimited inclusion could lead to societal collapse.
Dean Cain accused Hollywood of going too far with “woke” reinterpretationsGetty Images
Right-wing backlash gains momentum
Cain isn’t alone in his criticism. Fox News host Jesse Watters mockingly suggested that the new Superman now stands for “truth, justice, and your preferred pronouns,” while other conservative voices took issue with the film’s social messaging. Some have gone as far as to claim the hero’s cape should bear gang symbols if he’s being used to push a political narrative.
The reaction highlights how even fictional characters can become lightning rods in America’s ongoing culture wars. Immigration, especially, remains a divisive topic, intensified by recent enforcement policies and rising anti-immigrant rhetoric under Donald Trump’s influence.
While critics decry the film as ideological, those involved in Superman are standing firm. Nathan Fillion, who plays Green Lantern in the movie, downplayed the outrage, saying, “It’s just a movie.”
Sean Gunn, the director’s brother and a cast member in the film, offered a more forceful defence: “Yes, Superman is an immigrant. If you don’t like that, you’re not American.” For the cast and creators, the backlash isn’t a deterrent. In fact, it’s proof that the story still resonates and provokes thought.
Gunn’s Superman releases internationally this week and hits U.S. theatres on Friday, 11 July. Despite the controversy, early reviews are favourable, with many praising its emotional core and even the updated relevance.
But as the debate rages on, one thing is clear: this version of Superman isn’t just about capes and villains, it’s about what it means to belong in a country still struggling with the question of who gets to call it home.
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Models depicting migrants wearing life jackets in a small boat alongside two banners reading 'Stop the boats' and 'Veterans before refugees' are displayed on top a bonfire in Moygashel, Northern Ireland, on July 9, 2025. (Photo by PETER MURPHY/AFP via Getty Images)
POLICE in Northern Ireland have launched a hate crime investigation after a bonfire topped with effigies of migrants in a boat was set alight in the village of Moygashel, County Tyrone.
The incident, which took place on Thursday (10) night, has drawn widespread condemnation from political leaders, church officials, and human rights groups.
The Police Service of Northern Ireland (PSNI) confirmed they had received several complaints about the display and were treating it as a hate incident.
In a statement, the PSNI said, “Police have received a number of reports regarding the bonfire in Moygashel and the material that has been placed upon it. Police are investigating this hate incident.
"Police are here to help those who are or who feel vulnerable, to keep people safe. We do this by working with local communities, partners, elected representatives and other stakeholders to deliver local solutions to local problems, building confidence in policing and supporting a safe environment for people to live, work, visit and invest in Northern Ireland, but we can only do so within the legislative framework that exists."
The model at the centre of the controversy showed 12 dummies dressed in life jackets inside a dinghy placed on top of the bonfire, with a banner reading “Stop the Boats.”
An Irish tricolour flag and a separate sign reading “Veterans before Refugees,” alongside images of two guns, were also attached to the structure.
The bonfire was part of the annual July 11 and 12 celebrations held by loyalist communities to mark the victory of Protestant King William of Orange over Catholic King James II at the Battle of the Boyne in 1690.
Despite calls for its removal, the bonfire was set alight around 11pm, with a large crowd watching and filming on their phones. A pipe band played music and fireworks were set off before the fire was lit.
The display comes just weeks after attacks on migrants’ homes in nearby Ballymena, where masked rioters targeted police, homes, and cars.
Condemnation came from across the political spectrum. Sinn Féin assembly member Colm Gildernew called the act “vile and deplorable” and said it was “clearly a hate crime.”
Church of Ireland Archbishop John McDowell described the effigy as “racist, threatening and offensive,” calling it “inhuman and deeply sub-Christian.”
Social Democratic and Labour party councillor Malachy Quinn told The Irish News, “Those responsible for this hateful display claim to be celebrating British culture. Let’s be clear – racism and intimidation are not culture. This isn’t pride – it’s poison.”
Amnesty International’s Northern Ireland director Patrick Corrigan called the act “vile” and “dehumanising,” warning it fuelled hatred and racism.
Ulster Unionist party leader and Northern Ireland health minister Mike Nesbitt also condemned the display “without reservation,” calling the image “sickening” and “entirely out of step with what is supposed to be a cultural celebration.”
The Democratic Unionist party, Northern Ireland’s largest unionist party, issued a statement opposing the use of effigies or provocative symbols on bonfires, saying such acts “are not part of the cultural tradition.” The party added: “These should be positive cultural celebrations and we support those within our community who wish to celebrate their culture peacefully.”
However, prominent loyalist activist Jamie Bryson defended the bonfire display, arguing it was a form of political protest. He cited a European Court of Human Rights ruling that burning effigies could be considered “legitimate political expression.”
Bryson accused critics of hypocrisy, comparing the display to recent defences of performances by pro-unity rap group Kneecap.
In a social media post, the Moygashel Bonfire Association rejected claims of racism, saying the display was meant to protest illegal immigration. “This year’s bonfire ‘topper’ should not be seen as racist, threatening or offensive,” the group wrote. “We believe this unfettered invasion is the biggest threat to the UK since Adolf Hitler.”
This is not the first time Moygashel’s bonfires have drawn controversy. In 2024, a mock police car was burned on the same site, raising concerns in a region where police officers have historically been frequent targets.
Separately, the PSNI refused to help remove another bonfire in south Belfast earlier this week, despite safety concerns about asbestos and its proximity to an electricity substation that powers two hospitals. The police said after reviewing the risks, they decided not to intervene.
The July 12 bonfire tradition continues to be a flashpoint in Northern Ireland’s divided society, even decades after the 1998 Good Friday Agreement brought an end to most sectarian violence.
(with inputs from agencies)
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Root, in his 156th Test, again played a crucial role after England captain Ben Stokes won the toss and chose to bat on a sunny day at Lord's. (Photo: Getty Images)
JOE ROOT finished unbeaten on 99 as England reached 251-4 at stumps on the opening day of the third Test against India at Lord's on Thursday.
England were struggling at 44-2 after Indian pacer Nitish Kumar Reddy struck twice in his opening over, removing openers Ben Duckett and Zak Crawley. Root came in and steadied the innings, building partnerships and keeping the scoreboard moving at just over three an over, slower than England’s usual 'Bazball' tempo.
Root, in his 156th Test, again played a crucial role after England captain Ben Stokes won the toss and chose to bat on a sunny day at Lord's. Stokes was 39 not out at the close, having added an unbroken 79-run partnership with Root for the fifth wicket.
Stokes appeared to tweak his groin towards the end of the day, raising concerns for England, especially as fast bowler Jofra Archer was recalled to the side after a long injury break.
Earlier, Root had shared a 109-run stand with Ollie Pope. The partnership, built over 35 overs, helped England recover after the early wickets. Pope scored 44 after surviving a close chance on his first ball.
"It's not always been the way we've gone about our cricket, but I think long term in the game hopefully that will reward us if we can kick on tomorrow," Pope told Sky Sports.
Before the match, much of the focus was on the return of Jasprit Bumrah, the top-ranked Test bowler, after he was rested in India’s 336-run win at Edgbaston that levelled the five-match series at 1-1.
However, it was Reddy who made the biggest early impact. Bowling from the Nursery End, the 22-year-old took two wickets in four balls on his debut at Lord’s, ending the day with 2-46 in 14 overs.
His third delivery dismissed Duckett (23), caught down the leg side by wicketkeeper Rishabh Pant off a gloved pull. With the last ball of the same over, Reddy bowled a full-length delivery that swung late and took Crawley’s outside edge, with Pant taking the catch. Crawley made 18.
"I feel great bowling from that (Nursery) end," Reddy said after stumps. "I don't know much about the slope, but from that end when I bowled it's been moving a lot, and after pitching also it's going good."
Root masterclass
Root reached his half-century with a glance through fine leg off Reddy, his seventh four, coming off 102 balls. He remained steady throughout the day.
Pope was dismissed to the first ball after tea, edging Ravindra Jadeja to substitute wicketkeeper Dhruv Jurel, who was fielding after Pant suffered a finger injury.
Harry Brook followed soon after, bowled by Bumrah between bat and pad for 11. Bumrah ended with 1-35 from 18 overs.
At 172-4, Stokes came in to join Root. Stokes, who last scored a Test hundred during the Ashes two years ago at Lord's, was on 27 when Reddy’s lbw appeal was turned down on umpire’s call.
Root went past 80 with an on-driven boundary off Reddy, and play was briefly halted due to a ladybird interruption at the ground.
In the final moments, Stokes defended Akash Deep’s last two deliveries of the day, unable to rotate the strike, leaving Root one run short of his 37th Test century and eighth at Lord’s.
(With inputs from agencies)
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Justin Bieber returns with Swag album exploring marriage struggles and mental health
Justin Bieber surprise-released his seventh studio album, Swag, on Friday, 11 July.
The 21-track album explores themes of family, faith, and mental health.
Collaborations include Gunna, Sexyy Red, Cash Cobain, and Eddie Benjamin.
Album includes viral quote, “I’m standing on business,” from recent paparazzi incident.
Justin Bieber has stunned fans by releasing a surprise new album titled Swag, marking his return to music after four years. Released on Friday (11 July), the 21-track album signals a clear shift in tone for the pop star, who has drawn inspiration from his roles as a husband and father, as well as his spiritual beliefs.
The album comes shortly after a string of cryptic social media posts and fan speculation about Bieber’s mental health, triggered in part by a viral video of him confronting paparazzi on Father’s Day. The now-infamous line from the clip, “I’m standing on business,” has become a catchphrase among fans and is directly used in the track Butterflies.
Justin Bieber breaks silence with surprise album Swag amid fan concern over mental healthGetty Images
Swag marks Justin Bieber’s seventh studio album
Swag is Bieber’s first full-length release since Justice (2021), which topped charts globally. The new record presents a rawer and more introspective voice, according to sources close to the singer, and signals a move away from the polished pop of his previous albums.
The project includes collaborations with a diverse lineup of artists, including Gunna, Cash Cobain, Sexyy Red, Eddie Benjamin, and Marvin Winans. Tracks such as Therapy Session, Dadz Love, and Forgiveness explore intimate personal experiences, while others like Daisies hint at marital ups and downs.
A source told People magazine that the album is “darker, more vulnerable, and less polished” than Bieber’s past work, though not depressive. “It’s much deeper. Fans will notice the genre shift immediately.”
Several tracks on Swag appear to reflect Bieber’s personal struggles. In Daisies, he sings, “Falling petals, do you love me or not?”, a line many fans believe hints at tensions in his marriage to Hailey Bieber.
The couple’s relationship has drawn intense public attention in recent months. Justin previously shared a post celebrating Hailey’s Vogue cover while candidly admitting they had argued that day, which led to renewed media speculation.
Despite this, the album’s tone remains centred around commitment and faith. Songs like Devotion and Soulful reveal a continued emphasis on Bieber’s Christian beliefs, which have been central to his recent music and public image.
The phrase, “I’m standing on business,” which Bieber said while confronting a photographer, has been embraced by fans online and repurposed for Swag’s rollout.
Billboards teasing the album popped up in New York’s Times Square, Los Angeles, and even Reykjavík in the days leading up to the surprise drop, creating a sense of mystery and anticipation. Bieber also posted an Instagram Reel revealing the track list on a massive screen in NYC.
Many fans believe this subtle, meme-driven marketing campaign was intentional. One wrote on X: “We called him unemployed and with nothing to do, and now he’s feeding us like this? Thank you, Justin.”
Fans and fellow artists react to Bieber’s musical return
The response to Swag has been overwhelmingly positive online. Listeners have praised both the emotional depth and sonic variety of the album. “SWAG isn’t just a title, it’s a mission statement,” one fan tweeted. Others commented on its therapeutic quality, with tracks like Therapy Session and Forgiveness resonating especially strongly.
US rapper Big Sean joined in the celebrations, commenting, “Yes!!!!” on Bieber’s Instagram post announcing the album. With streaming now live on Spotify and Apple Music, Swag is set to make a major impact.