A new exhibition at Kensington Palace, Victoria Revealed, shows how closely the histories of Britain and India are intertwined.
This will run for the rest of 2018 but next year there will be much more on Queen Victoria because 24 May 1819 will mark the 200th anniversary of her birth.
It is worth remembering that on 1 January 1877, Benjamin Disraeli, the Conservative Prime Minister, gave in to Queen Victoria’s insistent demands and proclaimed her “Empress of India”. India had come under direct rule from Whitehall after the 1857 First War of Indian Independence, supplanting the East India Company as the ultimate authority in India.
This bound India even more tightly to Britain, whose first world status derives substantially from the untold wealth it extracted from “the jewel in the Crown”, most fair-minded historians would concede.
Visitors to Kensington Palace can walk through the very room where Princess Victoria was born (with important witnesses present to attest this was a royal birth); where she played with her dolls’ house and her toys; and the Red Salon where she met 97 of her Privy Councillors on becoming Queen at the age of 18 in 1837.
The star of the exhibition is probably a matching suite of jewels given to her by her husband Prince Albert, comprising “a magnificent diamond and emerald diadem, emerald necklace, earrings and brooch”.
Justin Roberts, a jewellery specialist at Sotheby’s, said: “After 25 years in the jewellery business I have not seen a collection of emeralds of that quality.”
Until 1720, diamonds had been sourced from India, and after that from South Africa and Brazil, while Colombia supplied the emeralds, Roberts told Eastern Eye.
Also displayed is “the majestic Fife tiara, given to Queen Victoria’s granddaughter Princess Louise on her wedding day”.
The link between Victoria and India is directly established with the Koh-i-Noor diamond, which the Queen is shown wearing as a brooch in an 1856 painting by Franz Xaver Winterhalter, who was probably her favourite court artist.
Victoria sat for the oval half-length portrait on May 2, 3, 5, 6 and 8 May, 1856, and admitted in her diary that Winterhalter “has done really a fine picture of me, & very like”.
“She had been keeping a diary since the age of 13,” explained Deirdre Murphy, senior curator at Kensington Palace.
Despite the passage of time, many in India still consider the Koh-i-Noor to be stolen property. The BBC journalist, Anita Anand, who has c-authored a book on the “mountain of light” with William Dalrymple, jokes it should remain part of the Crown Jewels in the Tower of London “but with a police tape around it to denote the scene of the crime”.
It is perhaps not rational to judge the events of one and a half centuries ago by the moral standards of today. The chances are that had the British not given the Koh-i-Noor to Victoria in 1850 following the annexation of the Punjab, it might well have been lost to history.
In its uncut form, it failed to impress when shown in the Great Exhibition of London in 1851, when, according to The Times, it resembled “a piece of common glass” to the common man. Albert then spent £8,000 on producing a sparking diamond but in the process reducing its weight from 186 old carats to 106.
Going through the exhibition at Kensington Palace, visitors, who have followed the ITV drama Victoria, starring Jenna Coleman as Queen Victoria and Tom Hughes as Prince Albert, will consider the researchers have been faithful in their attention to detail.
When Queen Victoria died in 1901, she had been on the throne for 63 years, the country’s longest serving monarch – until she was eclipsed two years ago by Queen Elizabeth II.
Queen Victoria, in many ways a radical queen who would not tolerate racism in her own court, never visited India but her reign coincided with cataclysmic changes – some good, many bad – in India. These will probably be dealt with in exhibitions next year.
Victoria Revealed runs at Kensington Palace throughout 2018. For more information and ticket prices visit www.hrp.org.uk/Kensington-Palace
Vismaya Mohanlal to debut in Thudakkam, helmed by Jude Anthany Joseph.
The Malayalam film is produced by Antony Perumbavoor under Aashirvad Cinemas.
Mohanlal and Pranav Mohanlal posted heartfelt messages welcoming Vismaya to cinema.
Vismaya is also a published poet and visual artist with a book titled Grains of Stardust.
Malayalam superstar Mohanlal’s daughter, Vismaya Mohanlal, is stepping into cinema with Thudakkam, a Malayalam feature directed by 2018 filmmaker Jude Anthany Joseph. The announcement, made on social media by her father and production house Aashirvad Cinemas, marks Vismaya’s formal entry into acting after years of working quietly as a poet and artist.
Vismaya Mohanlal transitions from poetry and art to acting in ThudakkamInstagram/mayamohanlal
Jude Anthany Joseph teams up with Aashirvad Cinemas for Thudakkam
The upcoming film Thudakkam is being produced by Aashirvad Cinemas, the renowned banner behind many of Mohanlal’s blockbusters. Director Jude Anthany Joseph, known for 2018: Everyone Is a Hero, said he felt a personal responsibility when entrusted with Vismaya’s debut.
“It’s a humble film, but one made from the heart,” he shared, promising to honour the trust shown by Mohanlal and his wife, Suchitra. Details about the film’s plot and cast remain under wraps, though early hints suggest an action-driven storyline, possibly tapping into Vismaya’s martial arts background.
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Vismaya Mohanlal brings her artistic journey to screen
Before venturing into films, Vismaya carved a creative path through literature and painting. In 2021, she published Grains of Stardust, a collection of poems and illustrations that offered glimpses into her introspective world. Written in a raw, spontaneous style, many of the poems were jotted down during subway rides or inspired by fleeting moments in nature.
Her brother, actor Pranav Mohanlal, encouraged her to compile them into a book. With both siblings now in the film industry, Thudakkam also adds to the growing list of second-generation talents in Malayalam cinema, including Dulquer Salmaan, Keerthy Suresh, and Kalidas Jayaram.
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Glen Powell stars in Edgar Wright’s The Running Man based on Stephen King’s dystopian thriller
• Glen Powell stars as Ben Richards in The Running Man, directed by Edgar Wright.
• Based on Stephen King’s 1982 novel and a remake of the 1987 Arnold Schwarzenegger film.
• Powell plays a desperate father competing in a televised death game to save his daughter.
• The action-thriller hits cinemas on 7 November 2025 via Paramount Pictures.
Glen Powell races against time in The Running Man, the latest high-stakes action film from director Edgar Wright. Based on Stephen King’s 1982 novel, the story reimagines the cult 1987 film through a modern lens. Powell stars as Ben Richards, a working-class father who enters a violent, state-sponsored game show to fund his daughter’s medical treatment, but quickly becomes a national sensation and a symbol of rebellion.
Edgar Wright’s high-energy vision for Stephen King’s dystopia
Wright, known for Baby Driver and Scott Pilgrim vs. the World, employs his signature fast-paced style here. The film is set in a bleak future where contestants, or “Runners,” must survive 30 days while being hunted by professional assassins called “Hunters.” The entire ordeal is broadcast to a bloodthirsty audience, with each day increasing the prize money and the danger. Powell’s character gains unexpected popularity, forcing the game’s creators to reckon with the monster they’ve built.
Josh Brolin plays the charismatic yet ruthless producer Dan Killian, while Colman Domingo appears as host Bobby Thompson. The ensemble cast also includes Katy O’Brian as a fellow contestant, Lee Pace as a top-tier Hunter, and Michael Cera as a rogue insider aiding Richards.
Glen Powell’s rise continues with another genre-bending role
Following recent hits like Hit Man, Anyone but You, and Twisters, Glen Powell continues his streak with The Running Man. His role as Ben Richards combines grit, heart, and defiance, positioning him as a reluctant hero challenging a corrupt system.
The screenplay, co-written by Wright and Michael Bacall, blends action, satire, and social commentary. With a stellar cast and Wright’s kinetic direction, The Running Man is poised to be a major autumn release.
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Diddy trial recap as jury reviews Cassie testimony and flags juror concern
Jury in Sean "Diddy" Combs’ sex trafficking and racketeering trial sends fifth note to judge.
Concern raised about one juror’s ability to follow instructions; judge advises deliberations to continue.
Jurors request transcripts of Cassie Ventura and Daniel Phillip’s testimonies.
Combs faces five charges, including racketeering conspiracy and sex trafficking, and could face life in prison.
Jurors in the high-profile criminal trial of Sean “Diddy” Combs have raised new concerns as deliberations continue, sending a fifth note to the judge questioning whether one juror can follow instructions. The jury also asked to review key testimonies from singer Cassie Ventura and witness Daniel Phillip, signalling the complexity and weight of the decision they face.
Diddy trial jury raises alarm over juror and demands key witness testimoniesGetty Images
Jury seeks witness transcripts in Diddy sex trafficking trial
On the second day of deliberations, the jury asked to review four specific pieces of testimony: three from Combs’ ex-girlfriend Cassie Ventura and one from male stripper Daniel Phillip. The requests relate to critical events, including an incident at the InterContinental Hotel and a Cannes Film Festival encounter.
The defence and prosecution are currently negotiating which parts of these testimonies should be submitted to the jury. Combs, who has denied all charges, remained in court as the latest note was read and legal teams reconvened.
The jury’s focus on testimony details suggests they are carefully weighing evidence linked to the most serious allegations, including coerced sexual encounters allegedly orchestrated by Combs as part of a broader racketeering conspiracy.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal courtGetty Images
Concerns over juror raise questions during deliberations
Just hours into the first day of deliberations, the jury sent a note to Judge Arun Subramanian expressing concern that one juror “cannot follow” legal instructions. That juror, reportedly a scientist by profession, had earlier described the trial as a “good break” during voir dire.
Judge Subramanian instructed the jury to continue deliberating, reminding them of their duty to follow court instructions. Legal experts say such internal jury issues can complicate proceedings but are not uncommon in high-stakes trials.
Sean 'Puffy' Combs arrives at Manhattan Supreme Court in 2001Getty Images
If found guilty, Combs could face a minimum of 15 years and up to life in prison. The charges include racketeering, sex trafficking, and transporting women for prostitution. The trial, now in its final phase, has drawn intense public interest and influencer coverage outside the Manhattan courthouse.
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Diljit Dosanjh in a still from Sardaar Ji 3 set for overseas release only
Sardaar Ji 3 rakes in £275,000 (₹3 crore) on opening day in Pakistan, surpassing Sultan.
Diljit Dosanjh responds to backlash: “When we shot the film, everything was fine.”
Film was not released in India due to controversy over Pakistani actress Hania Aamir’s casting.
Worldwide opening weekend collection touches £1.6 million (₹18.1 crore).
The Punjabi-language horror-comedy Sardaar Ji 3, starring Diljit Dosanjh and Pakistani actress Hania Aamir, has become the highest-grossing Indian film ever released in Pakistan. Despite being banned in India, the film grossed £275,000 (₹3 crore) on its opening day and £825,000 (₹9 crore) over the first weekend in Pakistan alone.
The movie was released internationally on 27 June but did not receive clearance in India due to political tensions following the Pahalgam terror attack. Its success across the border has reignited debates around cross-border cultural collaborations and censorship.
Sardaar Ji 3 Pakistan box office collection sets new benchmark
Despite ongoing tensions and a ban on Indian films in Pakistan since 2019, Sardaar Ji 3 was cleared by the Pakistani censor board and released nationwide. The opening day collections broke the previous record held by Salman Khan’s Sultan, which had earned £265,000 (₹2.9 crore) on day one in 2016.
Nadeem Mandviwalla, a leading cinema distributor in Karachi, called it “the best opening for any Indian or Pakistani film in recent years,” adding that school holidays and the lack of quality cinema had contributed to packed halls.
Diljit Dosanjh shared videos of audience reactions from Pakistan on his Instagram, celebrating the overwhelming support while refraining from commenting directly on the boycott in India.
Diljit Dosanjh defends overseas release, says “situation changed after shoot”
The controversy stems from the casting of Hania Aamir, which violated the Indian film workers’ ban on Pakistani artists. Actor Naseeruddin Shah publicly defended Dosanjh, criticising attempts to scapegoat him for political gain.
Speaking in an interview, Dosanjh clarified, “We shot the film in February when everything was fine. After the attack, the producers knew they couldn’t release it in India. They’ve spent a lot on this film, and releasing it overseas is the only way to recover costs.”
Ranbir Kapoor calls Lord Ram the most meaningful role of his career during his final-day speech.
Ramayana: Part 1 shoot wraps after an extensive schedule led by director Nitesh Tiwari.
Ravi Dubey, who plays Lakshman, is seen sharing an emotional hug with Ranbir on set.
The film is set to release in cinemas during Diwali 2026, followed by Part 2 in 2027.
The filming of Ramayana: Part 1, directed by Nitesh Tiwari, has officially come to an end. Ranbir Kapoor, who plays Lord Ram in the ambitious mythological film, delivered a heartfelt speech during the wrap ceremony, calling it the most significant role of his career. A now-viral behind-the-scenes video captures Ranbir hugging his co-star Ravi Dubey, who plays Lakshman, as the cast and crew celebrated the emotional milestone.
Producer Namit Malhotra reveals how AI will make Ramayana resonate globally with native-language realism IMDB/Reddit
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Ranbir Kapoor calls Lord Ram his most meaningful role
In a clip circulating on social media, Ranbir Kapoor can be seen standing before the full cast and crew on the final day of the shoot. Addressing the team, he expressed deep gratitude for being part of what he called a “once-in-a-lifetime” project. “Portraying Lord Ram has been the most meaningful role of my life,” he said, standing beside Ravi Dubey, who portrays Lakshman. Ranbir also thanked co-stars Sai Pallavi, Yash, Sunny Deol, and others, acknowledging their contribution to the massive production.
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Director Nitesh Tiwari also addressed the gathering with an emotional speech, which was met with cheers and applause. Videos from the day show a close-knit crew cutting a cake and capturing candid moments, one of which was Ranbir embracing Ravi in a warm hug.
Ramayana Part 1 set for Diwali 2026 release
With filming now complete, Ramayana: Part 1 is set to enter post-production. The star-studded cast includes Ranbir Kapoor as Ram, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman, Kajal Aggarwal as Mandodari, and Lara Dutta as Kaikeyi. The film is being mounted on a grand scale, with Oscar-winning VFX studio DNEG handling visual effects.
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The first instalment is expected to hit theatres during Diwali 2026, with Part 2 planned for a Diwali 2027 release. An official poster reveal is expected on 3 July, as anticipation builds for what is shaping up to be one of Indian cinema’s most ambitious mythological sagas.