A NEW exhibition exploring the “human story” behind the Sikh Empire opened in London last Thursday (12).
Empire of the Sikhs showcases historical items from the “cosmopolitan Sikh empire” which saw Maharaja Ranjit Singh ruling modern-day Pakistan and northwest India between the 18th and 19th centuries.
He became known as the ‘Lion of Punjab’ during his 40-year reign.
Organised by the UK Punjab Heritage Association (UKPHA), in association with the Brunei Gallery, the collection features more than 100 objects. There are paintings, armour and weaponry, as well as personal items, including traditional jewellery which belonged to Maharaja Ranjit Singh and the most famous of his 30 wives, Maharani Jind Kaur.
“Sikhs have a romantic notion of what [the Sikh Empire was], and the framework of the story is known, but there are some remarkable aspects to the empire that they don’t know,” Amandeep Madra OBE told Eastern Eye.
Madra, who is the chair of UKPHA, revealed the exhibition was relevant to the UK as many of the items were taken back to London during the time of the Raj in 1849.
“In a sense, we have got the remnants of the treasury back to show to audiences,” Madra said.
Highlights of the exhibition include a replica of the Kohinoor diamond, which was presented to Queen Victoria in 1850 in the armlet that Maharaja Ranjit Singh had specially made for it, and jewels belonging to Maharani Jind Kaur, including a pair of gold pendant earrings.
Dr Hardeep Tamana, a registrar and volunteer for UKPHA, said: “The jewellery paints a lovely picture of what would have been the artisan workmanship at the time. They were handcrafted effectively and it was done with local tools, so it is quite incredible.”
Another highlight is a painting depicting the court of Maharaja Ranjit Singh at the fort of Lahore by artist Bishan Singh. Dr Tamana believes it will help audiences to gauge the range of people who helped to govern the Punjab.
It is thought that an estimated 100 men from 19 different countries relocated to the region to seek employment in his kingdom.
“You’ve got [all this diversity] captured in a very small scene, but it is a powerful image of how a human story had been weaved in an environment that had been so fragmented and split up to that point,” Dr Tamana said.
Although labelled as a display that would attract a Sikh audience, organisers hope people from all backgrounds will be drawn to the exhibition.
“At that time, the Empire and that region was a mix of all communities and our view is this is a story that stands out. It is about an empire that was powerful and attracted people from around the world,” Dr Tamana said. “The human story is for everybody.”
Empire of the Sikhs is showing at the Brunei Gallery in Russell Square, London, until September 23. Admission to the exhibition is free.
Amar Kanwar is getting a huge London show in 2026.
Will host a site-specific, immersive installation.
Feature both new and existing films, transforming the entire building.
A new catalogue will feature unpublished writings and a long interview.
Indian filmmaker and artist Amar Kanwar, a quiet but monumental figure in contemporary art, is getting a major retrospective at Serpentine North. Slated for September 2026 to January 2027, this Serpentine Gallery retrospective won’t be a standard exhibition. It’s being conceived as a complete, site-specific art installation that will turn the gallery into what organisers call a “meditative visual and sonic environment.”
Amar Kanwar’s immersive films and installations will fill Serpentine North next year Instagram/paolamanfredistudio
What can visitors expect from this retrospective?
Don’t walk in expecting to just sit and watch a screen. Kanwar’s work has never been that simple. The plan is to use the entire architecture of Serpentine North, weaving his films into the very fabric of the space.Yeah, the Serpentine's been tracking his work for years. He was in that 'Indian Highway ' show back in 2008. Turns out that was just the start.
What it is about his work that gets under your skin?
He looks at the hard stuff. Violence. Justice. What we’re doing to the land. But he does it with a poet’s eye. That’s his thing. And it’s put him on the map. You see his work at big-league museums like the Tate, the Met. He’s a fixture at major shows like Documenta. You don't get invited back that many times by chance. His work just has that weight. His art isn’t easy viewing; it asks for your patience and focus. The upcoming Serpentine show is being built specifically to pull you into that slow, deep way of looking.
Alongside the films, the Serpentine will publish a significant catalogue. It’s not just a collection of images. It will feature a trove of Kanwar’s previously unpublished writings, giving a deeper look into his process. The book will also contain an extensive interview between the artist and the Serpentine’s artistic director, Hans Ulrich Obrist.
The gallery is betting big on an artist who works quietly, but whose impact resonates for years. As one staffer put it, they’re preparing for an installation that changes how you see, and hear, everything.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.