Nandini Das wins British Academy Book Prize for work on history of Britain-India ties
The book reimagines the early encounters between Britain and India, focusing on the arrival of the first English ambassador in India, Sir Thomas Roe, in the early 17th century
Nandini Das has won the 11th British Academy Book Prize for Global Cultural Understanding with for her debut work "Courting India: England, Mughal India and the Origins of Empire." The award was presented by professor Charles Tripp FBA, the Chair of the jury, during a celebratory event at the British Academy on Tuesday (31).
In Courting India, Das who is a professor of Early Modern Literature and Culture in the English faculty at the University of Oxford, reimagines the early encounters between Britain and India, focusing on the arrival of the first English ambassador in India, Sir Thomas Roe, in the early 17th century.
Das navigates beyond Eurocentric narratives, providing readers with an unbiased account of the clash of two cultures, highlighting the ambitions, misunderstandings, and prejudices that unfolded during this pivotal period.
The book, drawing from a diverse array of sources including literature, the memoirs of Mughal Emperor Jahangir, and the journals and correspondence of Sir Thomas Roe, plus the archives of the East India Company, invites readers to explore the intricate tapestry of history narrated from both perspectives, a press release by the British Academy said.
Commending Das for her work, professor Tripp said, “Nandini Das has written the true origin story of Britain and India. By using contemporary sources by Indian and by British political figures, officials and merchants she has given the story an unparalleled immediacy that brings to life these early encounters and the misunderstandings that sometimes threatened to wreck the whole endeavour.
At the same time, she grants us a privileged vantage point from which we can appreciate how a measure of mutual understanding did begin to emerge, even though it was vulnerable to the ups and downs of Mughal politics and to the restless ambitions of the British.”
He added, “Through her beautiful writing and exceptional research, the jury was drawn to the contrast between an impoverished, insecure Britain and the flourishing, confident Mughal Empire and the often-amusing, sometimes querulous exchanges between their various representatives. Moreover, we were reminded through this story of the first ambassadorial mission of the value of international diplomacy, but also of the cultural minefields that surround it in ways that still have resonance today.”
Das presents a nuanced view of this crucial pre-colonial era, shedding light on the complexities of cultural exchanges between two distinct worlds.
Additionally, Das's book serves as a testament to the value of international diplomacy, showcasing both the achievements and cultural complexities that surround it.
Professor Julia Black, president of the British Academy, extended her congratulations to Das, acknowledging the significant contribution of her work to global cultural understanding. She emphasised the importance of literature in fostering mutual understanding across borders, praising Das's ability to shed light on contemporary issues through historical storytelling.
Courting India: England, Mughal India, and the Origins of Empire is published by Bloomsbury Publishing
Courting India was chosen from a shortlist of six books, including titles such as Red Memory: Living, Remembering and Forgetting China's Cultural Revolution by Tania Branigan, The Violence of Colonial Photography by Daniel Foliard, Black Ghost of Empire: The Long Death of Slavery and the Failure of Emancipation by Kris Manjapra, Papyrus: The Invention of Books in the Ancient World by Irene Vallejo, and Ritual: How Seemingly Senseless Acts Make Life Worth Living by Dimitris Xygalatas.
Das will be awarded £25,000 for winning the prize, while each of the shortlisted writers will receive £1,000.
The British Academy Book Prize, previously known as the Nayef Al-Rodhan Prize, was established in 2013 to recognise outstanding non-fiction works that enhance public understanding of diverse global cultures and their interactions.
This year's jury, led by Professor Charles Tripp also included Professor Madawi Al-Rasheed FBA, Professor Rebecca Earle FBA, Fatima Manji, and Professor Gary Younge Hon FBA.
Raised in India, Das pursued her education at Jadavpur University in Kolkata before moving to England for further studies. Among other books, she serves as a co-editor for The Cambridge History of Travel Writing.
Additionally, Das is recognised as a BBC New Generation Thinker, contributing to various television and radio programmes, such as Tales of Tudor Travel: The Explorer's Handbook on BBC4.
The British Academy is the UK's national academy for the humanities and social sciences, and the book Courting India: England, Mughal India, and the Origins of Empire is published by Bloomsbury Publishing.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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