by LAUREN CODLING
AN ONLINE exhibition highlighting the contribution of migrant workers in the NHS has been launched this month.
Heart of the Nation: Migration and the Making of the NHS is a new virtual showcase by the Migration Museum, featuring the experiences stories of NHS staff in the past and present. Personal photographs of
migrant workers as well as artworks by award-winning artists The Singh Twins illustrate the display.
Curator Aditi Anand said the exhibition was a response to the pandemic and the “outpouring of love” for the NHS. “I think people are really realising just how important and essential (the NHS) is to all of our lives,” she told Eastern Eye last week. “But, at the same time, so many migrant workers and minority ethnic workers within the NHS have been working on the frontline and being disproportionately affected by (the virus), so we felt like it was a really important time to highlight the role of migrants within the services.”
Migrants have been integral to the NHS since its creation in 1948. In June 2019, NHS workforce statistics showed an estimated 13.3 per cent of NHS staff in hospitals and community services in England reported a non-British nationality. Among doctors, the proportion was 28.4 per cent.
Anand said migrant stories can sometimes be “overlooked,” but added that the pandemic has highlighted the key part they play. “It’s really positive that we are actually recognising (their contribution) now, but we know things fade from people’s minds when the immediate crisis is over,” she said. “That’s why it feels important to have an exhibition which would really put that story at centre stage and keep it there, even after the pandemic.”
It is the first time the Migration Museum has showcased an installation virtually, since it closed during the lockdown in March. Anand said the team wanted to make sure the work was still accessible to visitors, despite the restrictions. “We wanted to continue to tell stories which really matter to so many people, so being able to go digital and do that was in part inspired by the situation we’re in now,” she said.
In February, the Migration Museum moved from Lambeth in south London to Lewisham, a short distance away. Based in the Lewisham Shopping Centre, the museum was expected to attract thousands of visitors. Unfortunately, just six weeks after the launch, the museum had to temporarily close due to the coronavirus outbreak.
For Anand and the team, the closure was “disappointing” – especially as the museum had launched to great success, with approximately 10,000 visitors in six weeks. “We had lots of people coming in and sharing their stories, so it was definitely disappointing to have to shut down because we felt like there was such an appetite for it,” she said.
“So I’m really excited that we can reopen, put on new exhibitions and get people back in.”
As well as the Heart of the Nation showcase, the museum will debut its Departures exhibition when it reopens at the end of the month. The installation will explore people leaving the UK and migrating to other countries. Initially due to launch in April, it has been postponed until now. After such a lengthy delay, Anand admitted she is “very excited” by the prospect of its opening.
“It’s so nice to finally get it out there and have it be part of the conversation around migration,” Anand said. “We hope that people will come and see us and check it out.”
Visit heartofthenation.migrationmuseum.org







Agatha Christie boarding the EET Salon at lunchtime on the train from Bulawayo to the Cape. In 1922 Agatha Christie set sail on a 10-month voyage around the world. Her husband Archie had been invited to join a trade mission to promote the British Empire Exhibition and Agatha was determined to go with him The Christie Archive Trust
Agatha Christie under a tree on Honolulu beach after surfing, 1922. Agatha and her husband Archie were permitted to take a short holiday away from the 1922 trade mission and chose Honolulu where they learnt how to surf on longboards. Here Agatha purchased a surf suit in the local style, better suited to the demands of surfing than her swim attire for bathing in Torquay. The Christie Archive Trust
Agatha Christie relaxing during a sightseeing tour, Tajoura, Libya, 1955. Agatha and her second husband, archaeologist Max Mallowan had invited Agatha's daughter Rosalind and grandson Mathew to join them on a tour of the ancient sites of Leptis Magna and Sabratah during December 1955. The Christie Archive Trust
Kenneth Branagh as Hercule Poirot in Murder on the Orient Express, 201720th Century Studios
Still from Murder on the Orient Express, 201720th Century Studios
Still from And Then There Were None, 2015, BBC Agatha Christie Limited
Still from And Then There Were None, 2015, BBCAgatha Christie Limited
Still from And Then There Were None, 2015, BBCAgatha Christie Limited
Agatha Christie’s Remington typewriter from 1937 The Christie Archive Trust
Agatha Christie’s Remington typewriter from 1937The Christie Archive Trust
Agatha Christie’s study notes for her pharmaceutical exam taken in 1917The Christie Archive Trust
Letter from Agatha Christie to her second husband Max Mallowan, in December 1930. Agatha writes to Max describing her return home from their honeymoon, on the Orient Express. Documenting how the train had been halted by floods and her fellow travellers' reactions, this event would inspire her to write Murder on the Orient Express a few years later.The Christie Archive Trust
Cover of typescript ofHouse of Beauty, Agatha Christie’s first short story written when she was just a teenager.The Christie Archive Trust
Box for Tabloid Veronal tablets,1910-1940 Science Museum Group
Chemical storage bottle and glass stopper, labelled ‘POISON phosphorus P’,1907-1912Science Museum Group
Empty poison bottle for aconite, iodine and chloretone solution,1925-1960Science Museum Group
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