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Murad Khetani beats Karan Johar to acquire the remake rights of Tamil blockbuster Master

Murad Khetani beats Karan Johar to acquire the remake rights of Tamil blockbuster Master

By: Mohnish Singh

According to reports, Cine1Studios’ Murad Khetani has acquired the remake rights of the Tamil film Master (2021), which recently released to packed houses in India. Khetani, who previously remade cult Telugu film Arjun Reddy (2017) as Kabir Singh (2019), has reportedly beaten Dharma Productions’ head honcho Karan Johar to buy the remake rights of the Tamil blockbuster, which stars Vijay and Vijay Sethupathi in lead roles.


A source in the know informs an entertainment portal, “Karan Johar was also trying to get the rights to make Master in Hindi. He was trying really hard but when Murad got a hang of it, he quietly raised his price and bagged the deal.”

The source goes on to reveal that Murad Khetani shelled out more than 600 million to ensure that he gets the official rights of the film, beating other contenders. “Murad is keen on making several remakes in the next few years. There is Thadam, then there is Namak Halal and now, Master. He paid over ₹6 crore (600 million) just for the rights. He had earlier paid around ₹4-5 crore (400-500 million) for Arjun Reddy’s official rights, but the moment he heard KJo is also at the other end, he raised his amount and got it. The team is now putting it all together and reworking the script for the Hindi audience. Casting will happen only once the scripting is done,” concludes the source.

Meanwhile, Murad Khetani is presently gearing up to begin production on the Hindi remake of the super hit Tamil film Thadam (2019). The remake, which stars Sidharth Malhotra in a dual role, was originally set to get off the ground in 2020, but the sudden outbreak of the Coronavirus pandemic threw all plans out of gear. Khetani has joined hands with his frequent collaborator Bhushan Kumar to co-produce the project.

Keep visiting this space again and again for more updates from the world of entertainment.

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  • Sudha Kongara on the turbulence around Parasakthi, from certification demands to online attacks
  • Why the film frames the 1965 anti-Hindi agitation through one man’s choices
  • Balancing politics, melodrama and cinema
  • How music, casting and tone were shaped by craft, not compromise

A film surrounded by noise

Sudha Kongara is among the few Tamil directors whose films carry a distinct voice. With Parasakthi, that voice has had to compete with chaos. Long before release, the film was caught in disputes over its title, shifting cast announcements, ED searches, plagiarism claims and, finally, a list of changes demanded by the Central Board of Film Certification.

In all that, the film itself risked becoming secondary. Parasakthi, starring Sivakarthikeyan, Ravi Mohan, Atharvaa and Sreeleela in her Tamil debut, retells the 1965 anti-Hindi imposition agitation in Tamil Nadu. The core of the film unfolds over just 19 days , from January 24–25 to February 12, 1965.

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