Mrinal Navell: Kundali Bhagya is a huge opportunity for me
Rising star on her acting career and power of positivity
By Asjad NazirSep 09, 2023
WATCHING films with her parents growing up combined with a love of painting, sketching, dancing and music first connected Mrinal Navell to creativity. This led her towards pursuing a career in acting and starring in successful drama serial Yeh Jhuki Jhuki Si Nazar.
She followed up that winning television turn by joining massively popular show Kundali Bhagya earlier this year. The rising star is looking forward to taking on more challenges as a performer and discussed her journey so far. She also spoke about her inspirations, Kundali Bhagya, future hopes and something not many people know about her.
What was the experience of working on Yeh Jhuki Jhuki Si Nazar like?
It was amazing and a great schooling for me. I have a stage background, so working in front of the camera was different technically. Everybody was so patient with me, and motivational. I was the youngest and most junior, but nobody tried to patronise or belittle me. They always said good things about my work and criticised me in a healthy way, if they had to. So, it was a very good experience and great atmosphere to learn camera acting.
How does it feel joining popular show Kundali Bhagya?
Kundali Bhagya
Kundali Bhagya is a huge opportunity for me. I was looking for something good and fortunately, after a year break, I did get great work and a superb role. Kundali Bhagya will give me the popularity I need in my career. The cast and director are great. I looked back at the storyline so far and was impressed. I realized how they keep audiences hooked. It’s a landmark moment in my career. I’m really lucky and happy to be part of it.
Could you tell us about your character?
My character Kavya Arora is the daughter of the main protagonists Karan and Preeta Arora. She has come back after 20 years to her house. They have decided to get her married. She’s actually a good mix of both Karan and Preeta. Kavya is responsible and mature, but at the same time, she’s chirpy, spreads positivity and makes everybody happy.
Why do you think Kundali Bhagya is so popular with viewers?
It is so popular because they always keep the storyline so relatable to the audiences, including women and homemakers. Topics the show covers like marriage are relatable to everyone in some way. The diverse characters in the series are also relatable. The storylines are always interesting and keep you hooked.
What do you enjoy watching as an audience?
I like all kinds of genres. I have two moods. I enjoy either artistic films and parallel cinema like Satyajit Ray classic Charulata or something very filmy. I’m a huge Amitabh Bachchan fan and enjoy his classics like Deewar and Kaalia.
Do you have a dream role in mind?
I don’t specifically have a dream role. I would really like to try all possible shades and characters of a person. That is why I became an actor - to explore different depths and layers of myself, and of human beings. I like to study human psychology and go deep into myself. I would like to try as many different characters and shades as possible, not just positive. I would like to explore negative or grey characters too.
If you could master something new, what would it be?
I joined pottery making classes a few months back and really enjoyed it. I don’t get time now but would really like to master it. Otherwise, I would like to learn a new language. I already learned writing in Urdu during and after lockdown.
What is the best advice you ever got?
I have got great advice at every point in my life and made the best use of it. My parents always told me that hard work always pays off and I believe in that. They always told me to concentrate on the work and not be worried about the fruit of it. And to let go of things that you cannot control. This is one thing I am still practising to inculcate in my life.
What about acting advice?
That being a good, hardworking, sincere person is more important than being a very good actor. That a very good actor, who is not a good person will never actually reach anywhere in life. You must be a very good person first, and then the acting can be improved. This is a very beautiful advice I’ve gotten.
Tell us something that not many people know about you?
People tend to think that I’m very extroverted and cheerful, but that’s not true. I’m very introverted and quiet when I’m on my own. I don’t like partying at all. When on holiday, I prefer sleeping, watching a beautiful movie, reading classic poetry and having a cup of ice cream. I’m a very homely kind of person. I’m kind of old-school girl.
What inspires you?
I still am looking for what inspires me. In terms of acting, a lot of actors inspire me. My parents, relatives and gurus inspire me all the time to be a good human. But what inspires me to keep living is something I’m still figuring out. I hope one day I’ll find it. Life is short, but we have to make it big. So, for now, I would like to make a difference in the world and spread positivity. I really would like to change the world a little bit at least, like maybe less hatred, less cruelty, less destruction. I guess I would like to do something in these areas
Nancy Tyagi is back at Cannes. But this time, the 24 year old influencer and designer from Uttar Pradesh is not just a surprise guest, she is a name many were waiting to see again.
Last year, she made her debut at the prestigious festival in a self stitched 44 lb (20 kg) ruffled pink gown, crafted from scratch in her Delhi home. It was not just the weight of the dress that turned heads but the story behind it. A year later, Nancy returned with another outfit of her own making.
This time, she wore a silver aqua gown with a plunging neckline, a shimmering corset, and layers of tulle. It had roses stitched into the skirt and headpiece, and bold shoulders that looked like unfolding petals. Her makeup was clean and glam with silver smoky eyes, a neatly tied bun, and just the right sparkle.
What is special is not just the gown, but the fabric. She sourced it from Seelampur, a market in northeast Delhi better known for its chaos than couture. But that is what makes Nancy different. She turns everyday materials into red carpet magic. She does not come from fashion schools or big labels. She learnt it all by herself.
The self-taught designer walks the red carpet in a look stitched from Seelampur fabricInstagram/nancytyagi
Nancy said she felt emotional returning to Cannes, where everything changed for her. “Last year, I was overwhelmed. This year, I feel proud,” she said. “This is my outfit. I made it. It is all mine.”
Her Instagram post summed it up in Hindi: “Phir se Cannes… phir se red carpet. Kabhi socha nahi tha yeh safar itna khoobsurat hoga” (Back to Cannes, back to the red carpet. I never imagined this journey would be so beautiful).
Nancy Tyagi brings local craftsmanship to the global stage in her second Cannes appearanceInstagram/nancytyagi
And the internet agreed. From fashion fans to fellow creators, the applause was loud. Comments flooded in praising her evolution, confidence, and creativity. One user wrote, “You have inspired millions. This is real talent: self made, rooted, and unstoppable.”
Nancy’s journey from a small town girl stitching clothes in her room to walking the world’s most watched red carpet continues to be proof that success does not need privilege. Just skill, grit, and imagination.
Lauren Sánchez didn’t need a red carpet to mark her pre-wedding celebration, just a close circle of friends and the charm of Paris. Days before tying the knot with Jeff Bezos, the former TV anchor turned aviation entrepreneur spent a laid-back but lavish weekend in the French capital with a dozen women she calls her pillars of strength.
The guest list was anything but ordinary. Kim Kardashian, Kris Jenner, Katy Perry, Eva Longoria, and a few other familiar faces from business, entertainment, and media joined Sánchez for what looked like a celebration of sisterhood rather than a spectacle. Over the course of two days, the group dined at chic spots like Lafayette’s and cruised through the city on a private boat, all while keeping things relatively low-key by celebrity standards.
From clinking espresso martinis to dancing to Earth, Wind & Fire, the vibe was expensive, chill, and relaxed. The celebration wrapped with a surprise vanilla meringue cake and laughter under the Paris sky.
Sánchez shared heartfelt moments on Instagram, calling her friends “the women who’ve lifted me up and shaped my heart.” The photos, mostly in black and white, showed candid rooftop laughs and cosy robe moments, far from the polished party shots one might expect.
Inside Lauren Sánchez’s Paris bachelorette Instagram/laurenwsanchez
Her outfit choices, too, while expensive, leaned into romantic minimalism. A short white Oscar de la Renta dress with 3D florals and a vintage pink Chanel bag added soft glamour to the weekend.
Heartfelt moments and low-key glam defined Sánchez’s pre-wedding celebration in Paris Instagram/laurenwsanchez
Sánchez and Bezos, who went public in 2019, got engaged in 2023 on board his yacht Koru, where he proposed with a rare 20-carat pink diamond worth approximately £15 million (₹160 crore). Their wedding is expected in June on the coast of Venice, Italy, although they’ve been tight-lipped about the specifics. Italian officials have already reassured locals that the ceremony will not disrupt the city.
A candid moment with Sánchez and her closest friendsInstagram/laurenwsanchez
Beyond the headlines and designer outfits, Sánchez’s celebration in Paris was about a woman pausing to honour the relationships that helped her grow, before stepping into a new chapter as Mrs. Bezos.
Ever walked into a cinema, popcorn in hand, all hyped for a big new Hindi release – only to realise, halfway through, that you have seen the exact same story before, just in another language? That weird sense of déjà vu has become all too familiar for Bollywood audiences in recent years, with one remake after another. Many are based on South Indian hits.
From Vikram Vedha to Shehzada, Bholaa to Selfiee, Bollywood seems to be treating South Indian blockbusters like a catalogue to borrow from. But here is the problem – most of them did not work. Not just with critics, but at the box office too. Which raises the obvious question: if the originals were such big hits, why can’t the Hindi versions strike gold?
The numbers do not lie Let us look at the figures.
The Tamil film Vikram Vedha (2017) was made on a budget of £103,695 (₹11 million) and earned £5.66 million (₹600 million). It had strong writing, originality, and standout performances. The 2022 Hindi remake starring Hrithik Roshan and Saif Ali Khan, despite slick production, was a costly misfire.
Bholaa, a remake of Kaithi, leaned too heavily on visual effects and forgot the raw, gritty storytelling that made the original shine. Made for £8.8 million (₹1 billion), it only grossed £9.7 million (₹1.1 billion) worldwide. Compare that with Kaithi, made for £2.2 million (₹250 million), which earned over £9.3 million (₹1.05 billion) – without big stars or CGI. This pattern keeps repeating itself.
Selfiee, based on Malayalam hit Driving Licence, flopped. Shehzada tried to replicate the success of Ala Vaikunthapurramuloo and failed miserably. Sarfira, based on Soorarai Pottru, came and went without impact. Even Baby John (a version of Theri) and Deva (inspired by Mumbai Police) could not turn strong originals into Hindi box office hits.
Ajay Devgn in Bholaa
Star power is not enough These numbers paint a clear picture: the remakes are not connecting. But what about star power? Salman Khan, Akshay Kumar, Shahid Kapoor, Hrithik Roshan, Kartik Aaryan – surely such big names should guarantee success? Unfortunately, it is not that simple anymore.
Audiences are smarter now. Thanks to streaming platforms, dubbed versions and social media buzz, many have already seen the originals – or at least know the storyline. So when the Hindi version arrives, it often feels stale.
Hrithik Roshan in Vikram Vedha
What is missing from the remakes? Successful films rely on many elements – chemistry between the leads, emotional tone, pacing – things you cannot script or transplant.
Take Vinnaithaandi Varuvaayaa. The chemistry between Silambarasan TR and Trisha felt electric, rooted in the film’s deeply emotional story of unrequited love. The Hindi remake Ekk Deewana Tha, with Prateik Babbar and Amy Jackson, lacked that connection.
Okkadu had raw energy, with Mahesh Babu anchoring the emotional weight. Ghilli, its Tamil counterpart, had similar intensity with Vijay’s charismatic presence and high-octane action. But the Hindi version Tevar lacked the same punch and raw emotion.
Similarly, Theri worked because of Vijay’s stardom, Atlee’s direction, and its emotionally driven story. Baby John has not captured that same feeling.
Mahesh Babu in Okkadu
Audiences want originality Here is the real kicker – audiences are not rejecting South Indian cinema. In fact, they are embracing it. Baahubali 2, the Pushpa and KGF franchises, RRR, Kantara – all became massive pan-India hits. The appetite for regional content is real.
What people are rejecting is lazy filmmaking – the idea that simply changing the language, inflating the budget, and casting a big Bollywood name is enough.
What works today is originality. Films like 12th Fail and Article 15 resonated because they told new stories. Even blockbusters like Pathaan and Jawan succeeded by playing to their own strengths – not copying someone else’s.
RRR
A call for change So what should Bollywood do? The answer is simple: focus on originality.
Stop leaning on South Indian remakes. Start backing fresh, innovative stories that speak to today’s diverse audience. The success of South Indian films lies in their ability to connect emotionally, to create real characters and tell untold stories. Bollywood needs to find that magic again.
In the end, remakes may seem like a safe bet – but they are not always the solution. Why settle for déjà vu when you can create something unforgettable?
The audience has evolved. Maybe now, it is time the industry asked itself: has it?X: @GeorgeViews
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Ananya Panday gets candid about body shaming on Lilly Singh’s podcast
Ananya Panday is no stranger to the spotlight, but she’s also tired of being stuck under a microscope. In a recent chat with Lilly Singh on her podcast Shame Less, the actor spoke honestly about the constant criticism of her body and the double standards women face in the film industry.
Ananya recalled the early days of her career when, at 18, she was mocked for being too thin. Terms like “chicken legs” and “matchstick” were thrown at her regularly. “They said I had no boobs, no butt, like a flat-screen,” she shared. Fast forward a few years, and as her body naturally changed, new rumours popped up, but this time accusing her of undergoing cosmetic surgery. “Now they say I’ve had my butt done. You can never win,” she said.
What hits harder for Ananya is that this scrutiny often comes from other women. “The harshest comments I get are from women. I rarely see this happening to male actors,” she said, pointing out the gender gap in how public figures are judged.
But Ananya doesn’t shy away from taking responsibility either. She admitted that Bollywood films, including some of her own, have pushed unrealistic beauty ideals. “We’ve shown women waking up with perfect hair and makeup. That’s not real life. I’ve been part of that narrative, and I’m trying to be more aware of it now,” she said. Off camera, she tries to keep things real, reminding her followers that what they see on screen isn’t always the truth.
This honesty is, in fact, a shift in Ananya’s journey, from someone who once felt pressured to fit in, to an actor willing to question the norms she’s grown up with. Her recent work also reflects that change. From light-hearted romances to more grounded roles like her turn as a lawyer in Kesari: Chapter 2, Ananya is clearly making deliberate choices.
Women in the public eye are constantly judged, but it’s time to break that cycle. “If I talk about it, maybe one other girl will feel less alone,” she said. That, perhaps, is the quiet power behind her loudest statement yet.
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Angelina Jolie stuns in a strapless nude gown on the Cannes 2025 red carpet
After a long break from the Cannes spotlight, Angelina Jolie stepped back onto the red carpet, quietly commanding attention without theatrics. It’s been nearly 14 years since she last appeared at the French film festival, but her recent appearance shows she never really left the scene, she just chose when to re-enter it.
At the premiere of Ari Aster’s Eddington during the 78th Cannes Film Festival, Jolie arrived in a strapless white and silver gown designed by Brunello Cucinelli, a label she often turns to for its classy, minimalist elegance. The look was elevated with diamond accessories from Chopard, adding just enough sparkle without overwhelming her understated style.
Jolie keeps it classic in Brunello Cucinelli with Chopard diamonds for Eddington premiereGetty Images
The nude-toned dress was detailed with subtle embroidery and featured a structured A-line silhouette. Its fitted bustier, square neckline, and flowing hem were all about clean lines and classic femininity: nothing flashy, just well-crafted. Her choice of accessories followed the same theme: a pear-shaped diamond pendant, teardrop earrings, and a striking ring.
Her hair was styled in soft waves, parted to the side, and her makeup was balanced with wine-toned nails, muted smoky eyes, a soft pink lip, and feathered brows that framed her face.
The actress makes a graceful return to Cannes after 14 years awayGetty Images
Jolie took on the role of Trophée Chopard godmother this year, an honour that involves presenting an award to two emerging talents in cinema: Marie Colomb and Finn Bennett. The award celebrates the future of film, and Jolie’s presence felt fitting. Over the years, stars like Julia Roberts, Cate Blanchett, and Charlize Theron have taken on this role, and Jolie now joins that distinguished list.
For the Trophée Chopard dinner, Jolie wore a simple one-sleeved gown with a slit, paired with ankle-strap heels and silver earrings. She kept her makeup light and her hair down, opting for ease over excess.
Angelina Jolie interacting with fans Getty Images
Though she’s been away from the Cannes red carpet, Jolie hasn’t been out of sight. Her recent film Maria, based on opera legend Maria Callas, kept her on the awards circuit earlier this year. She also made headlines as a producer of the Broadway musical The Outsiders, which went on to win big at the 2024 Tony Awards.
Jolie keeps her style effortless for Cannes 2025Getty Images
Angelina Jolie’s Cannes appearance was a glorious comeback. But more than that, it was a quiet reminder of who she is: a woman of style, substance, and selective presence.