WHETHER it is delivering a stunning solo or dynamic duet, Nikhita Gandhi has a natural ability to add magic to any song.
That enchanting voice combined with her amazing versatility has enabled the singer to deliver a wide array of hits in multiple genres and in almost a dozen languages, including Hindi, English, Tamil, Telugu and Bengali.
The award-winning singer has performed popular songs such as Raabta, Ullu Ka Pattha, Ghar, Qafirana, Aao Kabhi Haveli Pe, Poster Lagwa Do, Burj Khalifa and Nach Meri Rani, which have established her as a top talent. She is looking forward to taking on more musical challenges including various international projects and adding to her impressive number of hit tracks.
Eastern Eye caught up with Nikhita Gandhi to discuss her action-packed career so far.
How do you look back on your musical journey so far?
It’s been a beautiful and organic one, and the role of music in my life has surprised me constantly in my journey so far, for which I am truly humbled.
What first connected you to music?
The first connection was with my dad’s love for Kishore Kumarji. Though my mother’s side of the family has quite a few artists, it’s my father’s passion for songs and his love for music that really drew me to it.
Which of your many hit songs is closest to your heart?
That is always a tough question to answer. I would have to say Ghar from Jab Harry Met Sejal. I was really honoured to sing such a powerful song. But the project closest to my heart was AR Rahman sir and Majid Majidi’s film Mohammad, which never saw its way into cinema halls in India, but was an absolute masterpiece and truly an Oscar artist’s piece of magic.
How do you feel when one of your songs becomes a huge hit?
It’s a feeling I cannot describe. It is like an out-of-body experience when people identify with you and your voice.
Have any of them exceeded your expectations?
I released a single based on a bhajan called Barase Badariya, which actually did a lot better than some of my film songs on streaming platforms. That was extremely empowering.
Do you prefer slow songs or faster dance numbers?
I honestly love them both. It just depends on the composition. Sometimes the faster ones can be more challenging to record, much to one’s surprise. I just love to sing.
Who have you most enjoyed working with?
There are so many artists I enjoy working with. I would say I love them all. Amit Trivedi comes to mind for super fun sessions because he is a really wonderful person to hang out with as well, and sort of let’s me just be me in front of the mic. You have sung in almost a dozen languages.
Does your approach change for each one?
Slightly, yes. I do have to mould my personality to an extent and pretend to be a woman of that state for those few hours. (Laughs) Method singing, if you will.
How much does performing live mean to you and how did you cope being in lockdown?
Performing live and being in front of a crowd means a lot. I really love the energy and more than that, the synergy with the audience. In terms of lockdown and not being able to perform on stage, I just dove into song-writing and other creative outlets like painting and crafts to channel all that stage FOMO.
Who is your music hero?
I look up to so many artists for inspiration and don’t have a singular hero. My mother is my biggest critic, so I suppose she is my hero, in more ways than the musical reality check.
What kind of music dominates your playlist?
It is a lot of r’n’b, neo-soul and r’n’b influenced pop.
What is next from you?
I have a few more singles already lined up and some major film tracks on the way. But I’m working hard to put together an album because that’s a big one on my checklist.
Which of your unreleased tracks are you most excited about?
(Smiles) I am always most excited about the next one.
If you could master something new in music, what would it be?
I really want to learn to play the piano like a beast. You recently collaborated with international artist Pink Sweat$ on the superb At My Worst.
What was that like?
It’s a big milestone for me. It put me on playlists alongside artists I listen to as a fan like Kehlani and Rihanna. So I’m overwhelmingly grateful to Pink Sweat$ and his team, and of course my team. I can’t wait for more.
What inspires you?
Kindness, positivity, animals and beautiful humans really inspire me.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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