GERMANY is likely to urge India to restart talks on finalising a free trade agreement (FTA) with the European Union during Chancellor Angela Merkel's meetings with government leaders in New Delhi on Friday (1), two sources with knowledge said.
Merkel, accompanied by several Cabinet colleagues and a business delegation, began talks with Indian prime minister Narendra Modi that are expected to touch on trade, investment, regional security and climate change.
Germany is India's largest trading partner in Europe and more than 1,700 German companies operate in the country.
"Having a free trade agreement with India is a long-pending demand from Germany," said one of the sources, who asked not to be identified because the talks are private.
A second source made similar comments.
Eric Schweitzer, president of DIHK Chambers of Industry and Commerce, told that India has enormous potential but there has been uncertainty among companies after an investment protection agreement between the two countries ended in 2016.
A free trade pact that has been in discussion for years would help, he said.
"Small and medium-sized German companies stand in a labyrinth of regulations and shy away from larger investment. Negotiations should restart and Merkel's visit could help," he said.
VDA, Germany's car industry association that counts automakers like Volkswagen, Daimler, BMW and Audi as members, also wants India to restart the FTA talks, said the two sources.
The Germans have raised a few other concerns, including the decline in India's auto sector, lack of stable policymaking and ad-hoc decisions which they say has affected buyer sentiment and created uncertainty among carmakers, they said.
Daimler's Mercedes-Bez, BMW and Audi dominate India's luxury car market.
India was expected to become the world's third-largest car market by 2020 with annual passenger car sales crossing five million but it has failed to live up to the heady growth it once promised.
Wholesales of passenger vehicles to dealers have fallen for the past 11 months, with sales sliding 24 per cent in September from a year ago.
While a slowing economy and liquidity crunch among lenders is to blame for the recent decline, auto executives have said that a slew of new policies and regulations in recent years, some poorly conceived and implemented, have also hurt sales and economic growth.
Merkel's visit started early on Friday, with a reception at the president's house followed by a visit to the memorial of Indian independence leader Mahatma Gandhi.
Christian Hirte, state secretary in Germany's economic ministry, said there were several sectors such as technology and education where the two countries could collaborate.
"I see good potential in the cooperation of German companies with Indian IT companies. But it would be important to sign an agreement about common standards in dealing and securing data – which is a precondition for getting data processed in India," he told.
As the Toronto International Film Festival (TIFF) 2025 draws near, a wave of independently made films is already dominating conversations among critics, programmers, and distributors. These are not your typical star-studded blockbusters. In fact, they’re character-driven, stylistically bold, and often politically or emotionally charged stories. Many have already premiered at Cannes or Sundance, while a few are TIFF-bound discoveries. One Indian film, in particular, is catching the attention of international curators with its quiet force.
Here’s a look at 10 indie titles being talked about before the TIFF line-up is even announced.
Kristen Stewart steps behind the camera for her first feature, adapting Lidia Yuknavitch’s emotionally intense memoir. The story centres on a young woman navigating trauma, sexuality, and swimming, all told through a non-linear, stream-of-consciousness narrative. Imogen Poots plays the lead, and the film’s visual style has already drawn comparisons to Derek Cianfrance. It premiered out of competition at Cannes 2025 and is generating serious interest from indie distributors.
Lynne Ramsay’s return after an eight-year hiatus is being hailed as one of the most anticipated auteur-driven works of the year. Jennifer Lawrence stars in this adaptation of Ariana Harwicz’s novel about a woman struggling with postpartum psychosis. The script is by Alice Birch, and early responses from Cannes suggest this is Ramsay at her most unrelenting. A24 and Apple reportedly battled over rights, hinting at serious awards potential.
After Beau Is Afraid, Ari Aster switches tone again with this “modern Western,” featuring Joaquin Phoenix and Pedro Pascal. The film debuted at Sundance 2025 and won the Grand Jury Prize, making it a serious contender for further festival attention. The story follows two estranged brothers forced to reunite in a post-capitalist landscape. It’s moody, slow-burning, and already being called one of Aster’s most emotionally mature works.
Solondz is back with a genre twist. Dangerous Animals takes on his trademark bleak humour with a surreal, body-horror narrative that drew comparisons to Julia Ducournau’s Titane during early Cannes market talks. It follows a child star turned recluse who becomes the subject of a bizarre suburban experiment. Programmers expect this one to land in TIFF’s Midnight Madness section due to its provocative tone and overall risk-taking structure.
Celine Song’s follow-up to Past Lives is a sharp, darkly comic look at art, commerce and class. Starring Dakota Johnson and Pedro Pascal, Materialists premiered at Cannes 2025, where its razor-sharp satire of luxury culture and beauty standards won Best Screenplay. Industry insiders say its strong aesthetic and festival reaction make it a top Vanguard or Discovery pick for TIFF 2025.
A quiet surprise from India, Sabar Bonda is the first Marathi-language feature to screen in Sundance’s World Cinema Dramatic section. Directed by queer filmmaker Rohan Kanawade, it explores the relationship between a young boy and his teacher in a rural village, subtly exploring themes of gender, caste, and queerness. With TIFF’s history of championing regional Indian cinema, especially post-All We Imagine As Light, this is one of the most likely South Asian entries to break through.
Linklater’s latest film is a love letter to French cinema, both stylistically and thematically. Nouvelle Vague is set in 1960s Paris and follows a young American student who becomes entangled in a world of cinephiles, protests, and fleeting romance. It's less a plot-driven film and more an ode to a particular cinematic moment. Industry insiders say it’s tailor-made for TIFF’s cinephile crowd, possibly as part of a Cinema Makers tribute.
Wes Anderson returns with a twist on the heist genre. The Phoenician Scheme features an ensemble cast trapped in a fictional desert state during a crumbling political regime. It was screened privately during Cannes Village and quickly became one of the most talked-about titles among buyers. TIFF might host its North American premiere, offering a major red carpet moment while still fitting its indie tone due to Anderson’s distinct auteur status.
Scarlett Johansson’s first feature as a solo director was selected for Cannes Jury Screening and was met with strong praise. The story follows a reclusive former stage actor navigating grief and late-life reinvention in New York City. It’s intimate and character-focused, with a restrained visual style that allows its performances to shine. TIFF’s interest in debut directors makes this a strong candidate for a Platform slot.
Trier reunites with Renate Reinsve for Sentimental Value, a film that builds on the emotional resonance of The Worst Person in the World. The narrative centres around a family dealing with the return of a long-absent parent, told with Trier’s signature emotional clarity and subtle humour. It received warm reviews at Cannes and could emerge as one of TIFF’s most acclaimed European entries.
Why this matters?
Unlike blockbuster-heavy seasons, TIFF 2025 is shaping up to be a filmmaker’s festival. From deeply personal stories to hybrid genre experiments, this year's buzzed-about indie titles reflect a shift toward narrative risk and regional specificity. And with the inclusion of Sabar Bonda, there’s a clear sign that Indian independent cinema is no longer confined to the margins. It’s earning its seat at the global table.
TIFF 2025 runs from 4–14 September, with the official lineup dropping later this summer. Until then, these are the names to watch.
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Arjun Rampal says Rauf is the darkest character he has portrayed
Arjun Rampal has stepped into a deeply unsettling place with his portrayal of Rauf in Netflix’s Rana Naidu season 2. The actor, known for playing intense characters, says this role was unlike anything he’s done before.
“He’s the most terrifyingly real character I’ve ever played,” Rampal said. Rauf is unpredictable, violent, and entirely devoid of empathy, yet not completely soulless. What sets him apart is a surprising emotional sliver: the fierce love he holds for his niece. “She’s the only one he protects without question,” he explained. “It’s the only time you see something human in him.”
For Rampal, the challenge wasn’t just about playing a violent man. It was about showing the emotional contradictions buried under that rage. “The fine line between menace and vulnerability is where Rauf lives. That’s what made him so difficult to portray,” he said.
A new layer of conflict in Rana Naidu season 2
In the latest season, Rampal’s character is a new addition to the already explosive dynamic between Rana Daggubati and Venkatesh Daggubati, who play a feuding son and father. Rauf’s entry heightens the emotional stakes, bringing in a cold, calculated energy that shifts the entire tone of the show.
Directed by Karan Anshuman, Suparn Verma, and Abhay Chopra, and produced by Locomotive Global Media, Rana Naidu continues to explore themes of loyalty, power, and personal demons, with Rampal’s Rauf adding a new layer of darkness.
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'This is a symbol and celebration of rising India,' Modi said of the Chenab Bridge, which connects two mountains. (Photo: X/@narendramodi)
INDIA is committed to efforts to develop Jammu and Kashmir, prime minister Narendra Modi said last Friday (6), accusing Pakistan of seeking to destroy livelihoods there with April's deadly attack on tourists.
He was speaking on his first visit to the Himalayan region since Islamist attackers targeted Hindu tourists in the popular Pahalgam area, killing 26 men, triggering hostilities between the countries that ended in a ceasefire last month.
"The atmosphere of development that emerged in Jammu and Kashmir will not be hindered by the attack ... I will not let development stop here," Modi said in remarks after inaugurating infrastructure projects.
Key among these was a $5-billion rail link between the Kashmir Valley and the rest of India, which has been more than 40 years in the making and features the world's highest railway arch bridge.
Others include highways, city roads and a new medical college.
"Pakistan will never forget... its shameful loss," the prime minister told crowds.
"Friends, today's event is a grand festival of India's unity and firm resolve," Modi said after striding across the soaring bridge to formally launch it for rail traffic.
"This is a symbol and celebration of rising India," he said of the Chenab Bridge, which connects two mountains.
New Delhi calls the Chenab span the "world's highest railway arch bridge", sitting 359 metres (1,117 feet) above a river.
While several road and pipeline bridges are higher, Guinness World Records confirmed that Chenab trumps the previous highest railway bridge, the Najiehe in China.
Modi said the railway was "an extraordinary feat of architecture" that "will improve connectivity" by providing the first rail link from the Indian plains up to mountainous Kashmir.
With 36 tunnels and 943 bridges, the new railway runs for 272 km (169 miles) and connects Udhampur, Srinagar and Baramulla.
It is expected to halve the travel time between the town of Katra in the Hindu-majority Jammu region and Srinagar, the main city in Kashmir, to around three hours.
The new route will facilitate the movement of people and goods, as well as troops, that was previously possible only via treacherous mountain roads and by air.
Trains run in the Kashmir valley, but the new link is its first to the wider Indian railway network. Apart from boosting the regional economy, it is expected to help revive tourism, which plummeted after the April attack.
Pakistan's foreign ministry, in a statement, said India's "claims of development... ring hollow against the backdrop of an unprecedented military presence, suppression of fundamental freedoms, arbitrary arrests, and a concerted effort to alter the region's demography".
Around 150 people protested against the project on the outskirts of Muzaffarabad, the capital of Pakistani Kashmir.
"We want to tell India that building bridges and laying roads in the name of development will not make the people of Kashmir give up their demand for freedom," said Azir Ahmad Ghazali, who organised the rally attended by Kashmiris who fled unrest on the Indian side in the 1990s.
"In clear and unequivocal terms, we want to say to the Indian government that the people of Kashmir have never accepted India's forced rule."
More than 70 people were killed in missile, drone and artillery fire during last month's conflict.
Modi also announced further government financial support for families whose relatives were killed, or whose homes were damaged, during the brief conflict – mainly in shelling along the heavily militarised de facto border with Pakistan, known as the Line of Control.
"Their troubles are our troubles," Modi said.
Pakistan aimed to disrupt the livelihoods of the poor in Kashmir, who rely heavily on tourism, Modi said, adding that he would face down any obstacle to regional development.
Last month, Islamabad said a just and peaceful resolution of the Kashmir dispute was essential to ensure lasting peace in the region, known for its snow-topped mountains, scenic lakes, lush meadows, and tulip gardens.
The region drew more than three million visitors last year.
(With inputs from agencies)
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Director Sukumar could reunite with Mythri for a record-breaking project with SRK
Rumours are swirling that Shah Rukh Khan may soon headline India’s most expensive film yet, with a whopping £28.5 million (₹300 crore) offer reportedly on the table. The production house behind the buzz? Mythri Movie Makers, the banner that backed Pushpa and Rangasthalam. If true, this would be SRK’s biggest payday ever.
Mythri Movie Makers eye massive collaboration with SRK for their next big ventureGetty Images
A historic pay packet or just industry chatter?
Multiple outlets suggest that Mythri is in talks with SRK for a £28.5 million (₹300 crore) deal, a figure unprecedented in Indian cinema. The film is also said to be directed by Sukumar, whose skill in bringing together commercial appeal with deep storytelling made Pushpa a national sensation.
Early reports estimate the film’s overall budget could touch £95 million (₹1,000 crore), factoring in Khan’s fee, large-scale production elements, and a full-blown pan-India marketing campaign. If accurate, this would make it the most expensive Indian film ever made, surpassing RRR, Ramayana, and Adipurush in terms of scale and ambition.
But there’s a twist: according to sources, no meeting has yet taken place between Shah Rukh and Mythri. Sources close to the actor claim he is entirely focused on King, his upcoming action film with daughter Suhana Khan and director Siddharth Anand. As per this report, SRK will only start exploring new projects towards the end of 2025.
Shah Rukh Khan may become India’s highest-paid actor with this upcoming filmGetty Images
Sukumar’s direction, Mythri’s ambition, but what’s next for SRK?
If the project with Mythri Movie Makers does move forward, it could redefine how pan-India films are conceived, taking advantage of Bollywood’s reach with South India’s storytelling prowess. Sukumar’s directorial vision paired with SRK’s stardom might be the crossover moment Indian cinema has long awaited.
However, it’s important to note that nothing has been officially announced. The speculation may be premature, especially since SRK is currently tied up with King, expected to start production in early 2026. Until he wraps that, other projects remain on hold.
Pan-India film with ₹1000 crore budget reportedly being planned with Shah Rukh KhanGetty Images
For now, fans are watching closely. Whether or not this massive collaboration materialises, the very idea that Indian cinema is inching toward £95 million (₹1,000 crore) productions, with actors commanding £28.5 million (₹300 crore) fees, is itself proof that the stakes have never been higher.
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Experience the Vibrant Spirit of odissi in Birmingham
Lovers of classical Indian dance and culture will be drawn to a mesmerising evening of performance as Odissi Sandhya takes the spotlight at The Bhavan, London, on Saturday, June 21, 2025. Located at 4A Castletown Road, London W14 9HE, The Bhavan is one of the UK's premier institutions for Indian arts, and the perfect venue to host this celebration of heritage and artistry. The event will be led by the talented dancers of Nritya Alaap, who are renowned for their commitment to preserving and promoting Odissi — one of the eight recognised classical dance forms of India.
Odissi, which originated in the temples of Odisha in eastern India, is celebrated for its lyrical grace, expressive gestures (mudras), and devotional themes rooted in mythology and poetry. Through elegant body movements, dramatic storytelling, and rhythmic footwork, the dancers convey narratives from ancient scriptures and folklore, making the performance both spiritual and artistic.
The evening will not be limited to Odissi alone. In a rare opportunity for audiences, Odissi Sandhya will also feature guest artistes performing a range of other Indian classical dance forms such as Bharatanatyam, Kathak, or Kuchipudi. Each of these styles brings its own history, technique, and regional flavour, adding depth and variety to the evening’s programme.
Nritya Alaap has built a reputation in the UK and abroad for presenting authentic Indian classical dance with contemporary relevance. Their performances not only maintain the integrity of traditional form but also connect with audiences through creativity, expression, and precision. For students, enthusiasts, and newcomers to Indian culture, this event offers an ideal entry point into the world of classical dance, performed by skilled artists who bring years of training and passion to the stage.
The Bhavan, officially known as Bharatiya Vidya Bhavan, is a cornerstone of Indian cultural education in the UK, offering classes, concerts, and exhibitions year-round. Hosting events like Odissi Sandhya underscores its role in sustaining cross-cultural appreciation and dialogue, especially in a global city like London.
Whether you're an experienced patron of the arts or someone curious to explore classical Indian traditions for the first time, this evening of dance will be a powerful reminder of how ancient art forms continue to inspire, inform, and enthral contemporary audiences.