Every day, Indian octogenarian Kaleem Ullah Khan wakes at dawn, prays, then ambles about a mile to his 120-year-old mango tree, which he has coaxed into producing more than 300 varieties of the beloved fruit over the years.
His footsteps quicken as he draws nearer and his eyes light up as he peers closely at the branches through his spectacles, caressing the leaves and sniffing the fruits to see if they are ripe.
"This is my prize of toiling hard in the scorching sun for decades," the 82-year-old said in his orchard in the small town of Malihabad.
"For the naked eye, it's just a tree. But if you see through your mind, it's a tree, an orchard, and the biggest mango college in the world."
The school dropout was just a teenager when he conducted his first experiment in grafting or joining plant parts to create new mango varieties.
He nurtured a tree to produce seven new kinds of fruit, but it blew down in a storm.
But since 1987, his pride and joy have been the 120-year-old specimen, a source of more than 300 different types of mango, each with their own taste, texture, colour and size, he says.
One of the earliest varieties he named "Aishwarya" after Bollywood star and 1994 Miss World beauty pageant winner Aishwarya Rai Bachchan. To this day, it remains one of his "best creations".
"The mango is as beautiful as the actress. One mango weighs more than a kilogram (two pounds), has a tinge of crimson to its outer skin and it tastes very sweet," Khan said.
Others he named in honour of Prime Minister Narendra Modi and cricket hero Sachin Tendulkar. Another is "Anarkali", or pomegranate blossom, and has two layers of different skin and two different pulps, each with a distinctive aroma.
"People will come and go, but the mangoes will remain forever, and years after, whenever this Sachin mango will be eaten, people will remember the cricketing hero," said the father of eight.
Famed fruit
Standing nine metres (30 feet) tall, his treasured tree has a stout trunk with wide-spreading, thick branches that yield a pleasant shade against the Indian summer sun.
The leaves are a patchwork of different textures and smell. In some places, they are yellow and glossy, and in others, a dark, dull green.
"No two fingerprints are the same, and no two mango varieties are similar. Nature has gifted mangoes with traits like humans," Khan said.
His method for grafting is intricate and involves diligently slicing a branch from one variety, leaving an open wound into which a branch from another variety is spliced and sealed with tape.
"I will remove the tape once the joint becomes sturdy, and hopefully, this new branch will be ready by next season and bear a new variety after two years," he explained.
Khan's skills have won him numerous accolades, among them one of India's highest civilian honours in 2008, as well as invitations to Iran and the United Arab Emirates.
"I can grow mangoes even in a desert," he says.
Climate threat
India is the largest producer of mangoes, accounting for half the global output. Malihabad, in the northern state of Uttar Pradesh, has more than 30,000 hectares of orchards and accounts for nearly 25 per cent of the national crop.
Mostly owned by families for generations, the orchards are a mango lover's paradise, with the best-known variety possibly the melt-in-the-mouth Dasheri, named for the nearby village where it originated in the 18th century.
But farmers are worried about climate change, with a heatwave this year destroying 90 per cent of the local crop, according to the All-India Mango Growers Association.
The number of varieties has also fallen, which Khan blames on intensive farming techniques and the widespread use of cheap fertilisers and insecticides.
Growers also plant too many trees packed too tightly together, leaving no space for moisture and dew to settle on the leaves, he says.
But he still has a good life, he says.
"I recently moved into a new house inside the farm to be closer to my beloved tree, which I'll keep working on till my last breath."
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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