THE BBC will no longer need to fight for its survival every ten years after the government announced it will be granted a permanent royal charter.
Culture secretary Lisa Nandy made the announcement on Tuesday (17), saying it was time to end what she called the "bizarre situation" in which the BBC could cease to exist if its charter was not renewed on time, reported the Times.
Speaking at the Society of Editors conference in London, Nandy said the current system, which requires the BBC to justify its existence roughly every decade, would be scrapped. The BBC would instead be placed on the same footing as institutions such as the Bank of England and the British Film Institute, which hold permanent charters.
"For too long we have ducked the big questions when it comes to the future of the BBC, so this will be the last charter of its kind," she was quoted as saying.
"If the NHS is essential to the health of our people, the BBC is essential for the health of our democracy. We should seek to end the bizarre situation where if the charter is not agreed in time then the BBC ceases to exist. We would not accept this for the NHS, and we should not accept it for the BBC."
Nandy said the move was partly driven by the need to protect public debate at a time of growing division. "Too often the BBC becomes a lightning rod for the ongoing, exhausting culture wars," she said.
Under the current system, the BBC is required to make the case for its own existence as part of each charter review, leaving it under what BBC chairman Samir Shah has called "almost perpetual" government scrutiny, a set-up he described as "really odd".

The announcement came days after the BBC submitted its response to a government green paper on its future. In that submission, the corporation warned that the existing arrangement created an "existential threat", where the public could lose its national broadcaster due to government "inaction or apathy" rather than any deliberate decision.
While the permanent charter would remove that threat, the BBC's funding and the terms under which it operates would still be reviewed periodically. In return for the greater security, Nandy said the corporation would be expected to become more transparent and accountable to the public it serves.
"Those at the very top of the organisation will be expected to answer to the people that they are tasked to represent," she said.
She added that this would include placing more BBC programme commissioners outside London and giving staff greater ability to raise concerns about leadership.
The move was welcomed inside the corporation. "This feels a significant and welcome step to move the debate on from simply whether the BBC should exist, to what we can deliver in the future and how we do it," said one insider.








Curator Emma Slocombe with ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
View of the entrance to Blickling Hall on a rainy autumn dayAmit Roy
Kente cloth from Ghana in the Long Gallery in Blickling Hall
Decoration in the Great Hall at Blickling Hall Amit Roy
Palampore fragment made in coastal south-east India in the Brown Room in Blickling Hall Amit Roy
Bed valance dating from early 1700s in the Italian Print Room at Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room in Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room with Indian carpet in Blickling Hall Amit Roy
Karun Thakar has picked out the geometric patterns in the bookcase and the Kente cloth in the Long Gallery in Blickling Hall Amit Roy
Large tapestry depicting Peter the Great defeating the Swedish army at the Battle of Poltava in 1709 Amit Roy
ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
Baghs and kanthas made by women provide contrast to the men only portraits in the Great Hall at Blickling Hall Amit Roy
Baghs and kanthas in the entrance Great Hall at Blickling Hall Amit Roy
Baghs and Kanthas in the Great Hall in harmony with stained glass window at Blickling Hall Amit Roy
Kimonos reflect Japanese influence in Upper Ante Room in Blickling Hall Amit Roy
Kimono in Upper Ante Room in Blickling Hall
A view of the Palace and fort at Agra shows romantic side of India Amit Roy
Blickling Hall Amit Roy
Table carpet, European 1670-1680 Amit Roy
Unfinished 17th century Italian embroidery in the Print Room at Blickling Hall Amit Roy
Picture of Kashmir shows a romantic view of India Amit Roy
A panel of Ashburnham bed hangings made in Gujarat for sale in Europe in the Brown Room in Blickling Hall Amit Roy
Colcha made in the 1600s by women in Bengal for the Portuguese market in the Long Gallery at Blickling Hall Amit Roy




