The ongoing coronavirus pandemic has broken the backbone of almost all industries across the globe, but the one business which has grown by leaps and bounds even in these trying times is the digital medium.
While staying home and following all rules and regulations of lockdown, most of us turned to one streaming media platform or the other to stave off boredom. Digital platforms also came in handy for all those filmmakers whose films were ready for a theatrical release but just could not find a way into cinemas because of the lockdown.
To save themselves from further financial burden, many filmmakers turned to such platforms to release their films. While several people from within the industry are not very much in favour of leaning too much towards such platforms, others are quite thrilled about the new trend that has been gaining prominence in the industry for over a year now. Actor Abhishek Bachchan is one of them.
Talking to an Indian publication, Bachchan said, “Earlier, traditionally, the film’s trailer would come out six to eight weeks before its release. Now, it is a shorter window. By the time the film comes out, as an actor, the excitement goes out of the window because of all the nervousness around initial reactions to the film. Although I have to admit that on a scale of one to hundred, if theatrical was a 100, with films coming out on streaming platforms directly, nervousness level is at 98.”
Bachchan, who made his digital debut with Amazon Prime Video’s streaming show Breathe: Into The Shadows (2020) and then had the digital premiere of his films Ludo (2020) and The Big Bull (2021) on Netflix and Disney+ Hotstar respectively, added that there is no pressure of box-office figures with films releasing on digital platforms. “But in case of the web, they do not release this kind of info. So, it is a sustained release. There is no pressure to watch it first-day first show, it is going to be available. That is the only thing slightly lesser — the pressure to meet the opening day figure. The rest of it is pretty much still the same,” he signed off.
Critics praise Gulzar’s opening narration as the series’ emotional anchor.
Several reviewers find the animation ambitious but uneven.
Many reviews note secondary voice performances lack range compared with the narration.
Reviewers differ on pacing and storytelling focus: some call it tight, others say it feels stitched.
Viewers and critics recommend watching for the scale and music, not for flawless character work.
This Kurukshetra review is a round-up of what critics and early viewers are saying about Netflix’s new animated retelling, and one name keeps coming up: Gulzar. Across reviews, the opening narration is almost universally singled out as the strongest element, while opinions split sharply on animation quality, voice casting and whether the series’ narrow battlefield focus pays off.
Netflix’s animated Kurukshetra draws praise for its ambition but criticism for uneven voice performances Instagram/netflix_in
What do reviewers say about Kurukshetra and Gulzar’s role?
Multiple reviews call Gulzar’s baritone the series’ single greatest asset. Critics write that his lines give scenes emotional gravity. They said the narration "grounds" the show and often rescues moments that might otherwise feel flat. A few outlets even suggested his voice elevates sequences beyond the animation’s limits.
Do critics think Kurukshetra gets the animation right?
The answer is mixed. Several reviewers applaud the scale, chariot set pieces, wide battle frames and the sheer ambition. Others point out inconsistencies, like faces that do not always register emotion and occasional stiffness in character movement. Many reviews used the same phrasing: “impressive in scope, uneven in detail.”
How do reviewers view the voice cast beyond Gulzar?
This is where opinions cluster on the negative side. A number of critics say secondary voiceovers feel one-note and do not match the gravitas Gulzar brings. A handful of reviews praised specific performances, but the dominant note was: solid, not stellar.
Pacing and focus. Some reviewers appreciated the choice to limit the story to battlefield days and called it focused and brisk. Others felt certain backstories were teased, leaving them wanting more, and described the structure as stitched together. So, pick your critic: some loved the discipline, others wanted a fuller sweep.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.