Ram Madhvani’s Dhamaka (2021), which recently premiered on Netflix, received positive response for its gripping storyline, sterling performances, and deft direction. Actor Soham Majumdar, who shot to fame with Kabir Singh (2019), plays the antagonist in this action thriller film. He is happy that audiences have liked his performance despite his being a not-so-conventional role.
In a candid conversation with Eastern Eye, Majumdar spoke at length about the kind of response he has been getting for his performance in Dhamaka, his experience of working with Madhvani, the film skipping theatrical release for a digital premiere, and much more. Read on…
Your film Dhamaka has received overwhelming response from critics and audiences alike. What kind of response have you been receiving for your performance?
First of all, I would like to thank you for doing this with me. I mean, thank you for allowing me to tell my story. The response has been amazing, overwhelming, actually. Of course, it is the main antagonist part but it was just through my voice. So, you know, people tend to sometimes overlook these roles because there is so much at bay and so much happening. Thankfully, that did not happen in this case and I am getting my due, I hope. So, yeah, that’s all that I can say. But kudos to Ram Madhvani for making this film and giving me this character to explore it.
Ram Madhvani’s process of directing is really different. How was it to work with him and understand his process?
Actually, if you ask me, it is the easiest for actors – his process – because he lets the actors fly. He is not the director who believes in saying ‘action’ and ‘cut’. He is the director who believes in making it all live. Like everything is happening live. He is not bothered about the close-ups and all of that. So, yeah, his process is entirely different from other filmmakers. Even a set, like even a chair which is a part of the set, is not moved to take a shot because that chair also has an emotional life of its own and he lets life happen. That’s the thing that he keeps saying that let life happen and then we can see what we capture out of it. So that was the most exciting bit. Our job as actors was just to come prepared because he is a sort of a director who does not divide scripts into scenes. He is a sort of a director who designs and devices the script into chapters. And those chapters were like ten to fifteen pages long and he used to go for a roll for those ten to fifteen pages altogether without any cut in between. So, you know, you have to be amply prepared. But as a process, it is very invigorating, very exciting and I could not have asked for more. If the universe conspires, it would love to work with him again.
This is a very unconventional role. Were you apprehensive about doing it initially?
Not at all. It’s actually the other way round because I was a part of this film called Kabir Singh (2019) where I play the friend’s part. Although I love Shiva, the character that I play in Kabir Singh, I did not wish to get under the bracket of only doing the friends’ role. You know how representation also plays a very important key there. So that representation had to be a little different every time or, at least, I will try to make it different every time. So that’s why I felt that this was quite an exciting thing to be a part of because it is entirely different from what people had seen me in. And I was equally very excited to work with Ram sir because I am a huge fan of his work. I have seen Neerja (2016). I have been a huge fan of his work, so I was just waiting for this collaboration. In fact, Ram sir was one of the directors who messaged me post Kabir Singh. Back then, I had met him but he could not really find a suitable way to work with each other because he is not the kind of director who makes three to four films a year. He makes one project, like then another project till the time is right. That wait was necessary but it came at the right time.
Soham Majumdar from the sets of Dhamaka
Were you disappointed that Dhamaka did not get a theatrical release and that it was released on a streaming platform?
It’s quite the contrary actually. Theatres have a charm of their own and I will always be a lover of theatrical cinema. A 70mm screen cannot be replaced in your life. But having said that, these past two years, we really need to congratulate and clap for Netflix and all the other platforms that kept us people entertained in some way or the other. You know, my father suddenly got introduced to many new forms of cinema and otherwise. These things wouldn’t have happened if he was just going to the theatre to watch a film. He saw many new actors, he got excited about many new actors. Now, imagine a very hardcore Amitabh Bachchan fan suddenly watching a Vikrant Massey movie, that is a revolution in itself. So kudos to them to create these platforms for new stories to be told and. I am not at all disappointed and having said that, Netflix does a fine job in promoting and making people aware of their films. So right now, I feel our film has released in over 190 countries. In that sense, we have got a huge global audience. So, we could not have asked for more.
It's always said that when a film works, it benefits everyone involved with that project. How did the success of Kabir Singh help you as an actor?
First of all, Kabir Singh was my second film as before that I had only done one Bengali film. In Kabir Singh, I was involved for around 60 plus days in the 72 days of shooting that the film had and I got to learn everything about filmmaking through that process because Sandeep sir is a very passionate director who really pushes his actors to get the best out of them. So yeah, I learned so much not only from Sandeep sir but Shahid Kapoor, from all the other co-actors as well. I keep learning from Shahid Kapoor every now and then. Now that his Jersey trailer has released, I keep telling him that it’s so great that I learn from you every time I watch you. Whether it’s on a cell phone, whether it’s on a tablet, or whether it’s on the screen. He is just amazing. So, it helped me in that way. Other than that, he has brought me somewhere on the map of things where people started taking notice. But having said that, Bombay, or let me put it this way, that the Hindi film industry has a very fair system of working in some ways where there are auditions taking place for everything right now. It’s a very fair process, I say. It’s not like if I fit Rahul, I will fit Siddharth as well. They test me for Rahul and if I do that part also, it’s not that I will get Siddharth automatically. I will have to test for that Siddharth as well, separately. I feel that’s a very fair process of judging an actor’s capability because it’s not just how good an actor is, it’s also about whether he or she fits that part or not that. So that’s why I feel that a screen test or an audition is a very fair process. It’s a very democratic process and post Kabir Singh, what has happened is that those auditions have been screened. I have been getting good auditions and good parts to choose from.
You have made your place on your own, without any showbiz connections. Tell me something about your background.
So, basically, it was back in school when I did a play. My English teacher had sort of forced me into doing that play. This happened in Kolkata when I was studying at Don Bosco School. It was probably for Labour’s Day function on 1st May. In one of those programmes, I was asked to play a part where I suddenly discovered a very new side to me. Because in my school, I was more known for music. Like I used to sing songs for the school band and all of that. For the first time, I discovered stage in a very different way and that did not stop. Post-school, I started my own theatre group. We travelled to different places. I still remember that it was in June 2014 when I stepped onto the stage of Prithvi Theatre for the first time. So, when I stepped onto the stage, I was like, ‘this is it. I cannot be anything else.'
You were also doing engineering at that time, right?
Actually, simultaneously, I was also doing my engineering degree right after college. I graduated, I finished my course but, see, I knew it for a fact that I wouldn’t be pursuing something related to engineering and pursuing something completely different. But yes, then it happened by chance. It was not like I planned to. Because I was doing theatre and I was happy with doing it. In fact, if you consider where the experience of voice acting came from, I had done a lot of audio plays as well for a radio channel in Kolkata. It was not exactly in my college; it was like I started my theatre group and after a few years, we also got an opportunity to be a part of a radio channel by doing radio plays for them. My college was almost over, I was in my last year or something of that sort. But I had done a lot of audio plays so that’s why I could maybe use that experience for Anand Mhata as well, you know, the character that I play in Dhamaka. So, the films that have happened to me were completely by chance because I did not come to Bombay to act in some films or something like that. I had come to Bombay to act in a musical, the auditions of which had happened in Kolkata itself, and I was called here to be a part of that musical. It’s called Aladdin. That’s the reason why I came to Bombay. And I was supposed to fly back again in May to Kolkata because the first season of that show would have ended by then. Somehow Kabir Singh technically was my first audition in Bombay and God was kind and the universe conspired and that’s how I got the film.
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.
Identical twins Croo and Sach have gained recognition in the fashion and digital space for their vibrant content, often shot in scenic locations. Heavily inspired by cinema, the ambitious Indian duo make bold style statements with their eye-catching outfits and have big plans ahead.
Eastern Eye asked the rising social media stars to share the 10 things that creatively inspire them most.
Rajesh Khanna’s acting and fashion: The legendary Hindi cinema icon has always been a huge inspiration for us. His romantic aura, unique walk, and killer fashion sense – especially those retro fits – influence a lot of our personal style. We love turning up in vintage clothes because they instantly bring out that old-school Bombay mafia gangster vibe we admire.
Dilip Kumar’s pure acting: There is a reason he is regarded as one of the greatest actors in Indian cinema. His raw, natural style is a masterclass for us. We study his expressions and pauses to craft emotion-driven reels. Whether we shoot dialogue-heavy content or silent dramatic clips, his influence is everywhere. He helps us elevate even the simplest concept into something powerful and deeply moving.
Amitabh Bachchan’s persona and vintage style: When the superstar burst onto the scene in the 1970s, his fierce screen presence redefined intensity – and that shapes how we approach high-energy, gritty reel content. We recreate cinematic moments with hard-hitting lines, commanding expressions and dramatic walk-ins. His blazer and sunglasses look and deep baritone also inspire how we style and deliver those punchy, “don’t mess with us” characters on Instagram.
Amitabh Bachchangetty images
The timeless beauty of Madhubala: Often hailed as the most beautiful star of Hindi cinema, Madhubala’s elegance influences how we frame our female leads. Soft lighting, dreamy close-ups and graceful movements – all come from her legacy. We use her timeless charm to blend vintage aesthetics with modern storytelling in our reels.
Madhuri Dixit’s 1990s glamour and dance: The dancing queen made a huge impact in her prime. The multi-talented star’s expressions and dance finesse have definitely inspired our rhythm-based reels. We blend Bollywood thumkas with glamorous visuals and fast cuts – always with her finesse in mind. Her 1990s colour palettes and glam styling also guide how we create fashion transitions in dance reels.
Ranveer Singh’s fashion and attitude: The unique actor’s over-the-top style and wild energy are our go-to when we want to break the internet. Loud outfits, bold moves and unexpected transitions – that is Ranveer’s zone. We love channelling his “no rules” attitude into our fashion-centric reels, adding an unapologetic flair to every frame we create.
Les Twins’ dance and fashion: The French duo – dancers, choreographers, producers, models and designers – have made an impact across multiple creative fields. They completely changed the way we view dance. Their precision, swag and effortless flow inspire us to choreograph sharp, clean and stylish reels. We also love their streetwear aesthetic – it has shaped how we dress, shoot and edit our content with a fresh, global urban vibe.
Ranbir Kapoorgetty images
Shah Rukh Khan’s struggle to stardom: The superstar’s journey really hits home for us. Coming from nothing and building an empire through passion, dedication and relentless hustle – that story is our biggest motivation. We see ourselves in that grind and share the same fire to prove something. Whenever we create reels or any kind of content, we channel his energy – starting small, thinking big and pouring our heart into everything. His romantic intensity, raw vulnerability and on-screen confidence push us to dream bigger and stay true to ourselves. He reminds us that the journey matters just as much as the destination.
Ranbir Kapoor’s acting: From the newer generation of actors, Ranbir inspires us with the way he fully becomes his character without ever overdoing it. There is a softness, depth and quiet strength in his performances that we try to bring into our creative reels. His expressions often speak louder than words, and that minimal, emotional style teaches us how to connect with the audience on a deeper level.
Instagram: @vaghelabrothers
Keep ReadingShow less
Deepika Padukone is redefining what power looks like in Bollywood
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
— (@)
But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.
Keep ReadingShow less
Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.