Skip to content
Search

Latest Stories

Karan Johar announces his next directorial Takht

After directing Ranbir Kapoor, Aishwarya Rai Bachchan and Anushka Sharma in his last directorial venture Ae Dil Hai Mushkil (2016), filmmaker Karan Johar has announced his next film. Titled Takht, the period drama will be toplined by an ensemble cast featuring Ranveer Singh, Kareena Kapoor Khan, Vicky Kaushal, Alia Bhatt, Bhumi Pednekar, Janhvi Kapoor and Anil Kapoor.

Takht revolves around two warring brothers of Mughal dynasty who want to get hold of the throne. Announcing the project, KJo shared the first poster of the film on Twitter and wrote, “An incredible story embedded in history…An epic battle for the majestic Mughal throne… A story of a family, of ambition, of greed, of betrayal, of love & of succession…TAKHT is about WAR for LOVE….”

In his next tweet, the director of many blockbusters unveiled the star cast of the film along with the writing team. “I am so excited and honoured to announce the lead cast of #TAKHT,” read his tweet.


Apart from Takht, Karan Johar has a number of projects as a producer on his plate. Some of his upcoming films as a producer are Simmba, Student Of The Year 2, Kesari, Kalank, Brahmastra and Ranbhoomi.

Takht is scheduled to release in 2020.

More For You

5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

Keep ReadingShow less