45-Year anniversary special celebrating iconic movie
By Dharmesh PatelAug 17, 2024
BOLLYWOOD’S biggest star of all time, Amitabh Bachchan, first teamed up with the industry’s most successful filmmaker, Yash Chopra, with blockbuster hits Deewaar (1975), Kabhi Kabhie (1976) and Trishul (1978).
Their fourth film together was the under-rated Kaala Patthar, which has become a cult classic since it was released in August 1979.
Chopra brought out the best in his strong star cast that also included Shashi Kapoor, Raakhee, Shatrughan Sinha, Parveen Babi, and Neetu Singh with a story based on a real-life mining disaster.
Kaala Patthar
Eastern Eye decided to mark the 45th anniversary of the mega-multi starrer by presenting 12 reasons why this hidden gem remains a timeless treasure.
True story:Kaala Patthar had added gravitas because it was based on the true story of a 1975 disaster that took place in Chasnala (near Dhanbad), where 375 miners were killed after an explosion caused flooding in a coalmine. The ace director added layers to the real-life tragedy by weaving together several stories of protagonists seeking some kind of redemption. This resulted in the classic masterpiece finding a middle-ground between reality and fiction. Interestingly, Amitabh Bachchan’s first job before joining films was in a coal department, and he actually worked in the Dhanbad and Asansol mines.
Amitabh Bachchan: Although big-thinking filmmaker Chopra assembled a strong cast, Kaala Patthar was Bachchan’s show all the way. He played his author-backed role of an ex-navy captain fighting his inner demons to perfection. The pain and rage in his heart exploded during lone scenes, verbal confrontations, and key action sequences. He also spoke intensely, yet subtly, through his eyes in every frame. The film’s posters and stills alone reveal his unmatched towering presence in the film. His naturally magnificent and electrifying performance proved why he always stood tall as the king of Indian cinema.
Multi-starrer: The film brought together some of the most sought-after artists in commercial Hindi cinema with Amitabh Bachchan, Shatrughan Sinha, Shashi Kapoor, Raakhee, Parveen Babi and Neetu Singh. There were also guest appearances from Sanjeev Kumar and Poonam Dhillon. Prem Chopra, Sharat Saxena, Krishna Manmohan, Yunus Parvez, Satyen Kappu, Gita Siddharth, Sudha Chopra, Iftikhar, and Madan Puri were some of the many added to the impressive ensemble cast. Also, it was rare for seniority to be shown respect even then. Bachchan despite being the biggest star in the film and industry was gracefully credited below Shashi Kapoor and Raakhee.
Dialogues: Although visually powerful, there were great dialogues throughout the movie. Despite Bachchan’s character’s broodiness, he delivered powerful replies and monologues in the film, including his surprise outburst in English “My pain is my destiny, and I can’t avoid it”. Shatrughan Sinha, too, known for his elaborate insults and cocky sermons delivered the unforgettable line “teesre baadshah hum hain” (I’m the third king) – perhaps one of the most memorable dialogues of his career.
Performances: Each lead was on top of their game, playing their characters to the fullest. Sinha delivered one of his career-best performances and proved a worthy opponent to the power-packed Bachchan role. Shashi Kapoor as the sharp, jolly and tactful engineer became the bridge between the warring Bachchan and Sinha. Although it was a male-dominated story of miners, the females also had strong roles with Raakhee, Parveen Babi and Neetu Singh playing contrasting characters that added multiple layers to Kaala Patthar. They all essayed their roles convincingly. Bachchan, Sinha and Singh earned Filmfare nominations for best actor, best supporting actor, and best supporting actress, respectively for their performances.
Rulebreaker: Whether it was not giving the hero a flashy entry scene, presenting a bleak landscape, or delivering a story that was decidedly different to all other commercial Bollywood films being made at the time, Kaala Patthar did things differently. This not only offered audiences something new but also enabled it to be a performance driven film filled with onscreen moments not seen before.
Kaala Patthar
Realism: The film being based on an actual disaster meant that it needed to look real, which doesn’t always happen in larger-than-life commercial Hindi cinema. But with his story set in a mining village, Chopra presented the dark reality faced by labourers in a convincing backdrop. Poverty, susceptibility to injury, death, grief, hopelessness and how it is handled in permanently dire situations were illustrated in the film. This was a far cry from his signature colourful escapist movies in exotic locations. The filmmaker dared to be different by staying as true to real life as possible.
Emotions: The gritty drama exposed the dark side of the human mind and brilliantly explored it through overlapping emotions like greed, fear, guilt, anguish, deception, desperation, and survival instincts. Chopra also blended in the three parallel love stories, all interestingly different from each other, seamlessly.
Unity: One of this film’s greatest aspects is the togetherness shown by all the miners and their families. This includes scenes of supporting small businesses, the more affluent characters coming together to participate in a poor deceased miner’s daughter’s wedding and every main character celebrating a small victory with the Dhoom Mache Dhoom song, with the whole village. The truck driver was always on hand for the locals, especially in the climax. Despite being enemies, the characters played by Bachchan and Sinha come together during the crisis moment in the climax. These unifying scenes added a heart-warming aspect to Kaala Patthar.
Music: The uplifting soundtrack in the disaster movie gave Rajesh Roshan a nomination for best music director. The energetic Ek Raasta Hain Zindagi gave Shashi Kapoor a fabulous entry and Kishore Kumar a nomination for best male playback singer. The soothing Jag Gaya Jag Gaya by Mahendra Kapoor was continuously inspirational in various portions of the film, and provided thought-provoking lyrics calling for love, peace, and harmony.
Direction: Chopra showed just why he was a master director with a sleekly made movie. The expert storyteller brought the smart screenplay from Salim Javed to life. He showed technical precision and brought out great performances from his accomplished cast. He captured the claustrophobic aspects and delivered a nail-biting climax. Not surprisingly Kaala Patthar earned Filmfare nominations for best film, best director and best story.
Timeless:Kaala Patthar may be 45 years old, but many of the themes, including exploitation of workers and need for unity, remain relevant today. The emotions experienced by diverse protagonists are still relatable on a human level. This makes it a timeless movie that deserves more love than it has received and why we celebrate it.
FIFTY years since Sholay was released, it has been watched by generations of audiences, but its director has said it is not a perfect film.
Written by Salim Khan and Javed Akhtar, Sholay tells the story of two small-time criminals hired by a former policeman to capture the ruthless gangster, Gabbar Singh.
The action-adventure movie was praised for its gripping storytelling, powerful dialogues and unforgettable characters played by Amitabh Bachchan, Dharmendra, Hema Malini, Jaya Bachchan, Sanjeev Kumar and Amjad Khan in his first major role as the villain Gabbar.
Director Ramesh Sippy said, “The fact that Sholay was made means something better than Sholay can also be made and people will learn to like that kind of film as well.”
He added, “I think you always want to better Sholay. That’s how you keep your spirits up. Otherwise, how will you carry on?”
In an interview at his office in Mumbai, the renowned filmmaker acknowledged the audience’s enduring love for every frame of the classic as “amazing”.
Gabbar Singh’s evil laughter, Jai-Veeru’s undying friendship (played by Bachchan and Dharmendra, respectively), Thakur’s (Kumar) quest for vengeance, Soorma Bhopali’s boastful banter and Basanti’s (Hema Malini) exuberant defiance are part of Indian cinematic history.
Since it was released on August 15, 1975, the film has stayed on in the hearts of generations of film goers who discovered it later.
Sippy said the entire team worked hard on the project and, when shooting was completed, he knew he had a “fine film” in hand. “You can’t think of any of these characters being played by any other actor or actress. It was just simply so good. They did their best. I was able to get performances which were amazing, because they are such fine artists and because as a script it was very satisfying and promising and everybody worked towards achieving what they could in their own capacities.”
“At the end we had a fine film in our hand which till today we are here talking about it 50 years later, it’s amazing,” he said.
Sippy’s filmography also includes hits such as Seeta Aur Geeta, Shaan, Shakti and Saagar, but the popularity of Sholay sets it apart. “I have tried my best to make good films before and after Sholay and I have succeeded as well, but somehow nothing stands out like Sholay,” the 78-year-old said.
“I do hope one day there is a film that beats Sholay. That’s the way the world is.
“You need to be better than what was. So everybody has to strive to do that.
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Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists
Filmmaker Anurag Kashyap criticised Vijay Subramaniam for backing the AI-made film Chiranjeevi Hanuman – The Eternal.
Kashyap said the project undermines creativity and betrays the artists represented by Subramaniam’s agency.
Vikramaditya Motwane also expressed disapproval, warning of AI sidelining writers and directors.
The AI film is produced by Abundantia Entertainment and Collective Media Network, with a 2026 release planned.
Filmmaker Anurag Kashyap has sharply criticised the upcoming project Chiranjeevi Hanuman – The Eternal, promoted as India’s first fully AI-made film. The director targeted Vijay Subramaniam, head of Collective Artists Network, accusing him of betraying the very writers, actors and directors his agency represents. The backlash follows recent controversy over AI’s use in altering the Tamil release of Aanand L Rai’s Raanjhanaa.
Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists Getty Images/ Instagram/abundantiaent
What is Chiranjeevi Hanuman – The Eternal ?
Earlier this week, production houses Abundantia Entertainment and Collective Media Network unveiled the poster of Chiranjeevi Hanuman – The Eternal. Marketed as the country’s first “Made-in-AI, Made-in-India” film, it is scheduled to release on Hanuman Jayanti 2026.
Producers claim the project will combine mythology with modern innovation, reimagining Lord Hanuman’s story for global audiences. They described the initiative as a tribute to India’s cultural legacy, brought alive through technology.
However, the announcement triggered heated debate within the industry. While backers framed the film as innovation, critics argue it risks erasing the role of human storytellers in cinema.
Anurag Kashyap, known for outspoken views, voiced his anger on Instagram after the poster launch. Addressing Subramaniam directly, he wrote:
“Here is the man heading an agency representing artists, writers and directors, now producing a film made by AI. End of the day, all these agencies are only interested in making money off you. Any actor or anyone who calls themselves artists and has a spine should be questioning him or leaving the agency.”
The filmmaker went further, describing the project as “the future for the spineless and cowardly so-called artists in the Hindi film industry.” His remarks reflect wider concerns that agencies profit from talent while backing projects that remove creative workers from the process.
Kashyap has previously worked on films tackling issues of power, exploitation and authenticity in cinema. His latest outburst adds to growing resistance against AI in filmmaking.
Kashyap was not alone in condemning the move. Director Vikramaditya Motwane, who recently explored AI themes in his project CTRL, reposted the announcement on Instagram with the blunt caption: “And so it begins. Who TF needs writers and directors when it’s ‘Made in AI’?”
Motwane’s reaction highlights a fear shared by many in the industry: that studios may prioritise cost-cutting AI tools over human creativity. His remarks echo discontent following Raanjhanaa’s AI-altered ending, which led to protests from Aanand L Rai’s team.
The Chiranjeevi Hanuman backlash has therefore become symbolic of a larger struggle, of filmmakers fighting to safeguard artistic integrity in an era of technological disruption.
Filmmaker Vikramaditya Motwane criticised the AI project and warned of the threat to writers and directors Instagram Screengrab/motwayne
What has the producer said in defence of AI films?
Vijay Subramaniam, head of Collective Artists Network and producer of Chiranjeevi Hanuman – The Eternal, defended the film at its launch. He argued that the project is not replacing tradition but enhancing it, describing it as “a unique opportunity to reimagine cultural storytelling for audiences who value both heritage and innovation.”
Supporters of the film insist that AI technology can make epic stories more accessible and visually ambitious without the usual budget constraints. Yet the criticism from Kashyap and Motwane shows strong resistance within Bollywood towards projects perceived as sidelining human talent.
The debate reflects a broader global conversation on AI’s role in creative industries, from Hollywood writers’ strikes to controversies in Indian cinema. With Chiranjeevi Hanuman – The Eternal set for release in 2026, the clash between technological innovation and artistic integrity is likely to intensify.
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Shah Rukh Khan supports son Aryan Khan during the Netflix launch of his debut series
Aryan Khan made his first public speech at the launch of his Netflix series The Ba**ds of Bollywood.
The debutant director admitted he was nervous and joked about keeping his father Shah Rukh Khan as backup.
The show stars Sahher Bambba, Lakshya, Bobby Deol, Mona Singh and Manoj Pahwa.
The Ba**ds of Bollywood will release on Netflix on 18 September.
Shah Rukh Khan’s son Aryan Khan stepped into the spotlight at the preview launch of his directorial debut The Ba**ds of Bollywood. Delivering his first-ever public speech, Aryan openly admitted he was “extremely nervous,” a moment that has quickly drawn attention. Speaking with a mix of honesty and humour, Aryan said he had been rehearsing for days and even carried backup notes in case the teleprompter failed. The much-anticipated Netflix series marks his debut as a director after four years of preparation.
Aryan Khan makes his first public speech at The Ba**ds of Bollywood* preview in Mumbai Getty Images
What did Aryan Khan say in his first speech?
Aryan Khan confessed that facing the media for the first time left him anxious. “I’ve been practising this speech for two days and three nights,” he said, before joking that he had even written it down on paper in case of a power cut. He added, “Aur agar iss sab ke baad bhi mujhse galti ho jaaye toh papa hain na (And even then if I make a mistake, my dad is here).”
In a lighthearted moment, Shah Rukh Khan joined in by showing a copy of Aryan’s speech taped to his back, drawing laughter from the audience. Aryan ended his address by requesting forgiveness if he stumbled, saying, “This is my first time.”
The Netflix series The Ba**ds of Bollywood is described as a high-energy, stylised drama set against the backdrop of the film industry. It features Lakshya and Sahher Bambba in lead roles, with Bobby Deol, Mona Singh, Manoj Pahwa, Raghav Juyal, and Anya Singh in pivotal parts.
The series, produced by Red Chillies Entertainment, also features cameos from Salman Khan, Ranveer Singh and Karan Johar. According to Aryan, the project took four years of development, with “hundreds of discussions and thousands of takes” before reaching its final form.
Netflix has confirmed that The Ba**ds of Bollywood will begin streaming worldwide on 18 September. The platform has promoted it as a fresh take on the glitz and chaos of the industry, promising stylised visuals, sharp humour, and a look at ambition and rivalry in the world of cinema.
For Aryan, the series represents not just a professional debut but also the culmination of years of behind-the-scenes work. He said at the launch: “We’ve tried to bring entertainment to people everywhere, and I want to thank everyone who made this possible.”
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How did fans react to Aryan Khan’s speech?
Clips of Aryan Khan’s speech quickly spread online, with many fans pointing out his striking resemblance to his father’s manner of speaking. Comments like “Sounds just like SRK” and “Aryan’s voice = SRK’s voice” dominated social media reactions.
The warm reception suggests that Aryan’s entry into filmmaking has sparked high curiosity, both because of his family legacy and the scale of the project. With his directorial debut soon arriving on Netflix, expectations are running high.
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Charli XCX confirms her next chapter with upcoming A24 film The Moment
Charli XCX ends her Brat era with a South Korean festival performance
Pop star leaves fans emotional with farewell message on stage screen
Teases upcoming A24 film The Moment based on her own concept
Singer shifts focus from music to film after blockbuster success
Charli XCX has officially closed the chapter on her acclaimed Brat era with an emotional final performance at South Korea’s One Universe Festival, where she also teased her next project. The British pop star, who dominated global charts with Brat, used her farewell show to surprise fans with a teaser for her upcoming A24 film The Moment.
Charli XCX confirms her next chapter with upcoming A24 film The Moment Getty Images
What happened at Charli XCX’s final Brat concert?
On 15 August, Charli XCX took the stage in Gwacheon-si for her last headlining performance linked to Brat, the album that turned her from cult favourite to mainstream force. As she wrapped her set, a huge screen behind her displayed the words: “Please don’t let it be over.”
The message struck a chord with fans, who had been following her whirlwind year of success. Shortly after, she posted a clip on Instagram showing a film slate marked The Moment, confirming her move towards cinema.
Why is the Brat era significant in Charli XCX’s career?
Released in June 2024, Brat became Charli’s most successful album to date, peaking at No. 3 on the Billboard 200. Its lime-green cover, hyperpop energy, and cultural reach made it more than just a record. From influencing U.S. political campaigns to dominating TikTok trends, Brat marked a turning point in the perception of experimental pop.
Charli herself admitted she never expected the record’s impact. Speaking earlier this year, she said: “I don’t really feel the pressure because you can never do the same thing twice. My next record will probably be a flop, which I’m down for to be honest.”
What do we know about Charli XCX’s new film The Moment ?
The most talked-about reveal from her farewell concert was her upcoming A24 project The Moment. The film, based on her own concept, signals a bold shift into storytelling on screen. While details remain under wraps, fans online are already speculating about its potential to capture the same disruptive energy that made Brat so influential.
This is not Charli’s first step into acting. She is also set to appear in several upcoming films including I Want Your Sex with Olivia Wilde and Cooper Hoffman, the satire Sacrifice with Chris Evans and Anya Taylor-Joy, and a fantasy adaptation of 100 Nights of Hero.
Charli XCX closes Brat era with final show and teases new film ‘The Moment’Getty Images
What’s next for Charli XCX after Brat ?
With music milestones behind her, Charli XCX is turning her attention to film while still maintaining her reputation as an artist. She recently collaborated with Japanese horror director Takashi Miike for a new project and continues to expand her acting portfolio.
On a personal note, the singer also married The 1975’s drummer George Daniel in London last month. The wedding was a private ceremony at Hackney Town Hall, attended by close friends and family.
Charli XCX and George Daniel’s wedding photos spark a new alt-pop moodboard Instagram/charli_xcx
As she steps into a new creative phase, fans may have to wait before hearing another record, but Charli’s latest pivot suggests she is just as committed to breaking boundaries in cinema as she has been in music.
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Quentin Tarantino confirms his first West End play debut in London
Quentin Tarantino says his first-ever play will premiere in London’s West End.
The director confirmed the script is complete and work begins in January 2026.
He plans to relocate with his family to the UK during the production.
Tarantino hinted the play could also become his final film if it succeeds.
Hollywood filmmaker Quentin Tarantino has confirmed he is bringing his West End play debut to London, marking his first step into theatre. Speaking on The Church of Tarantino podcast, the Oscar-winning director of Pulp Fiction and Kill Bill revealed that the script is finished and that he will begin work on the project in early 2026. The move signals a new chapter for the 62-year-old, who said he intends to spend two years on the production and even relocate to the UK with his wife, singer Daniella Pick, and their two children.
Quentin Tarantino confirms his first West End play debut in London Getty Images
What has Quentin Tarantino said about his West End play?
Tarantino told the podcast that the untitled play is “all written” and confirmed it will be his next project. He explained that rehearsals and production will begin in January 2026, with the expectation that the show could premiere by 2027.
“It’ll probably be a year before it’s in front of an audience,” he said, adding that he is preparing for the play to be a success. “If it’s a flop, then I will be done very quickly.”
The filmmaker also suggested that if the West End production is well received, it could later be adapted into a film, potentially serving as the tenth and final movie of his career.
Tarantino plans to relocate with his wife Daniella Pick and children to the UKGetty Images
Why is Tarantino moving to the UK?
The director revealed he is planning to move to England with his family for the duration of the play’s production. Tarantino, who currently lives in Tel Aviv, said the relocation would allow him to closely oversee the project.
He explained that he intends to spend the rest of 2025 with his family before shifting focus entirely to his West End debut. “We’ll start the ball rolling on it in January… it’s going to take a year and a half to two years of my life,” he told the podcast.
Reports have also pointed out that staging a production in London is more financially viable than Broadway, where higher costs often limit new works.
Rehearsals for Tarantino’s West End debut are set to begin in January 2026Getty Images
Has Quentin Tarantino worked in theatre before?
Although this will be Tarantino’s official West End play debut, it is not his first experience with theatre. In 2015, following a script leak, he staged The Hateful Eight as a live reading. He also adapted his 2019 film Once Upon a Time in Hollywood into a play, showing his interest in moving stories from screen to stage.
His new project is expected to be a comedy, although no storyline or cast details have been announced yet.
Quentin Tarantino says the play could also be adapted into his final filmGetty Images
What else is Tarantino working on?
Alongside the play, Tarantino has been busy with film projects. He wrote the script for The Adventures of Cliff Booth, a Netflix sequel to Once Upon a Time in Hollywood centred on Brad Pitt’s stuntman character. The film is being directed by David Fincher, whom Tarantino praised as “one of the two best directors working today.”
He also revealed why he abandoned his planned project The Movie Critic, saying: “Every Tarantino title promises so much, except The Movie Critic. Who wants to see a movie about a critic?”
Quentin Tarantino revealed his theatre script is already completeGetty Images
Tarantino has long maintained he intends to retire after making ten films, counting Kill Bill Vol. 1 and Vol. 2 as a single entry. With nine films already completed, the success of his West End debut could shape how he closes his directing career.