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How Jacqueline Fernandez made her mark at the Oscars with ‘Tell It Like A Woman’

Despite fierce competition, Jacqueline’s subtle yet powerful presence continues to shine on the global stage.

Jacqueline Fernandez

Jacqueline Fernandez at the Oscars, representing Tell It Like A Woman, as global voices rise in celebration

In a year where Indian cinema made headlines across the world, one name that subtly but powerfully made her mark on the global stage was Jacqueline Fernandez. While all eyes were on RRR’s electrifying number "Naatu Naatu" during the Oscar nominations, quietly sharing the same spotlight was Tell It Like A Woman — a Hollywood anthology film featuring Jacqueline — nominated in the same Best Original Song category for Applause by Diane Warren.

For Jacqueline, this wasn’t just another credit on her filmography. It was yet another moment that reflects her ability to keep rewriting her own story. With every move, she defies the conventional. She’s never been one to chase the spotlight — instead, she lets her work speak louder, and somehow, it always finds its way to the big stage.


Jacqueline FernandezWith elegance and grace, Jacqueline Fernandez quietly makes her mark in Hollywood's prestigious spotlight


Tell It Like A Woman isn’t just another international project. It’s a female-driven anthology celebrating voices and perspectives across cultures. For Jacqueline to be a part of a film that stands for global sisterhood and creative courage is symbolic of her own journey — breaking barriers, crossing industries, and standing tall without ever losing her grace.

To be part of an Oscar-nominated project is no small feat. To do it quietly, without noise, and in direct competition with one of the most celebrated Indian films of the decade — speaks volumes about Jacqueline’s positioning as an artist who doesn’t follow the herd but walks her own path.

Jacqueline FernandezJacqueline Fernandez’s powerful performance in Tell It Like A Woman earns her a place among the Oscar nominees


Whether it’s being the face of major campaigns, using her voice for philanthropic work, or consistently choosing work that transcends borders — Jacqueline Fernandez continues to raise the bar. Effortlessly. Elegantly. And always on her own terms.

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Dulquer Salmaan recalls days on Hindi sets when he struggled to find a chair unless he acted like a star

Instagram/dqsalmaan

Dulquer Salmaan says he got 'pushed around' in Bollywood sets: "Wouldn't find a chair to sit"

Highlights:

  • Dulquer Salmaan says he was pushed around on early Hindi film sets
  • Reveals he had to “create an illusion of stardom” just to get a chair
  • Compares Bollywood’s entourage culture with simple Malayalam sets
  • Says perception drives behaviour on larger Hindi productions
  • Actor gearing up for the release of Kaantha on Netflix and his next Malayalam film

Dulquer Salmaan has spoken plainly about how different his early days in Hindi cinema felt. The actor, now seen as a pan-India name, said the size and pace of the industry forced him to project a sense of stardom he did not believe in. It became a matter of survival on set. The comments came during a roundtable with THR India, where he revisited those first months after Karwaan and The Zoya Factor. He kept using one simple point to explain it: perception. A word that keeps coming up when artists talk about hierarchy on Mumbai sets.

Dulquer Salmaan Dulquer Salmaan recalls days on Hindi sets when he struggled to find a chair unless he acted like a star Instagram/dqsalmaan

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