BHANGRA LEGENDS KS BHAMRAH AND SARDARA GILL TALK ABOUT THE GREAT JOURNEY WITH THEIR BAND APNA SANGEET
by ASJAD NAZIR
The legendary bhangra bands have helped to shape the British Asian culture by providing a commercial middle ground between eastern and western cultures.
The talented pioneers have helped to give a musical voice to the British Asian community and became world leaders in Punjabi music. One of the iconic acts at the forefront of what became a global movement was Apna Sangeet.
The legendary band has been entertaining audiences across four decades and delivered some of the most memorable bhangra songs ever created. They have been led by the unstoppable greats KS Bhamrah and Sardara Gill, who have balanced solo singing careers with being one of the most formidable teams in world music.
Eastern Eye caught up with the living legends to talk about their amazing journey in music, strong bond, Apna Sangeet, future hopes for British Asian music and what keeps their passion alive.
How do you look back on your amazing journey in music?
Sardara: As I enter my 40th year in the bhangra industry, I look back with a huge amount of gratitude as I have been able to achieve more than I could have ever imagined alongside Apna Sangeet. I will forever be thankful to almighty god, my family, friends and fans for the continuous support and love they have shown me.
KS Bhamrah: I can’t believe it, if I’m honest. I came straight from a village to the UK in 1979 with nothing and ended turning my hobby into a flourishing career. I have been lucky and we’re still performing, working hard and writing music.
Tell us about the first Apna Sangeet performance and how you felt?
KS Bhamrah: Our first show was only three members; Sardara, Kalsi and myself. We did a dharmik performance on Guru Nanak Dev’s birthday in 1983, four years after leaving the Bhujhangy Group. We were nervous, but after a great response from people, we took those blessings and began our journey together.
Which of your many achievements are you most proud of?
KS Bhamrah: Winning the best lyricist award in 1992, recording hit songs the audience likes even today and taking our music all around the world. Personally, appearing on Top Of The Pops in 2003 with Panjabi MC to make bhangra music history will always be memorable.
Sardara: Apna Sangeet Vaje Apna Sangeet taking the number one spot as the greatest bhangra anthem between 1970s to 2013. It was at that time, I realised how significant the song was and how many generations have appreciated it.
What has kept your passion for music alive?
Sardara: I simply have a love for music.
KS Bhamrah: I love the art of creating and entertaining fans. The reaction of audiences gives me happiness and strength to carry on and entertain even more.
Tell us, why do you think Apna Sangeet have lasted so long?
KS Bhamrah: Unity between Sardara and I, non-stop hard work, professionalism and genuine love from the fans are important for having such a long career. It is amazing to know that in November 2019 it will be 40 years of togetherness on stage and we already have shows lined up for 2020. Only our fans have allowed us to do this.
Your songs remain wonderful decades later; what was the secret behind writing the timeless classics?
KS Bhamrah: To be honest, there are no real secrets but a few important elements you have to work on. Never stop writing songs, keep experimenting and making music, use your imagination and study. Reading and experiencing other works of art are essential for a creative mind.
Which of the Apna Sangeet songs are closest to your heart?
Sardara: One of the songs closest to my heart is Soho Road as it became a huge hit across the globe. It was a pivotal part of my career as the song led to worldwide tours. It also made Soho Road even more popular and iconic. Another song close to my heart is Apna Sangeet Vaje Apna Sangeet because it became the anthem for the whole band and to this day, it is the most requested song of ours.
How much has live performance helped keep you energised and motivated?
Sardara: The energy I receive from my fans is so electrifying that it makes me want to give my 110 per cent in my performance every time. So, I would say that is my motivation.
What has been your most memorable live performance?
KS Bhamrah: There are so many. We have performed in so many different countries, iconic venues and to amazing audiences. Our first international live show was in Bombay and Delhi in 1987. However, our first show in Toronto, back in 1988, was spectacular. It was the first time I experienced superstardom and it made us perform on another level.
Sardara: Yes, our first band tour in Canada in 1988. We did not know what to expect and the response we received was overwhelming.
What is your opinion of the British Asian music industry, do you think we have gone backwards?
Sardara: Right now, the British Asian music industry has taken a different path. DJs are more popular and there are just not enough new live artists.
Does it sadden you that there are less bands today?
KS Bhamrah: I think the one aspect I miss the most about lack of bands is the competition. Every band and its member got along as great friends, but the positive competition we had was fierce. It made us all perform better and provided the audience with great moments. The new artists need to compete positively to be the best.
What would you change about the UK music industry?
Sardara: The only change I would like to see is more new live artists coming through as there has been in India.
Tell us, what do you think is the future of British bhangra?
KS Bhamrah: I hope 2019 is a positive one. I am working with producers today with new ideas, but we need more new artists to step forward. We need new writers, producers and singers. Also, as I am doing, my peers need to share their knowledge and collaborate more with young talent.
What has kept you connected to one another?
Sardara: Understanding, mutual respect and passion for what we do.
KS Bhamrah: We win, lose, celebrate and argue together. For 40 years we are like a family and I don’t think there are any two people in tune with each other as we are on stage.
Tell us, what advice would you give aspiring artists?
KS Bhamrah: Natural talent is important. You will have an advantage if you have a natural ability. But you need to make sure your foundations are strong. Finally, aim to entertain people and send them home happy.
Sardara: Perfect your skill, whether that be your vocals or instrument. Follow your passion, don’t give up and stay true to yourself.
What does the future hold for Apna Sangeet?
Sardara: As long as the fans appreciate our music, we will carry on.
What inspires you?
Sardara: My love for music and giving the fans a memorable performance are what inspire me.
KS Bhamrah: The fact we are still performing is inspiration itself and that people want our music even today. However, my life is very much inspired by supporting charities, inspiring communities, and making cultural and religious music. It may not be a world of CDs any more, but I still make albums, because, for me, it’s relaxation.
Why do you love music?
KS Bhamrah: Music gives me happiness. It has given me a career, experience and popularity that I never imagined I would ever have. I still practise every day. I keep writing and performing, and it is all to keep my mind active, busy and creative.
Sardara: Music is like a language of the soul. It can uplift you, put a smile on your face on a bad day or can simply be words to relate to. It unites people and forms part of everlasting memories.
Harvard University has agreed to transfer a collection of historic daguerreotypes believed to be among the earliest photographs of enslaved people in the United States to the International African American Museum in South Carolina. The move follows a protracted legal dispute with Tamara Lanier, a Connecticut author who claims to be a descendant of two of the individuals pictured.
The images, taken in 1850, depict several enslaved individuals, including a man named Renty and his daughter Delia, who were forced to pose for the photographs by Swiss-born Harvard professor and zoologist Louis Agassiz. Agassiz commissioned the daguerreotypes as part of his now-discredited research to support polygenism — the belief that different races evolved separately and unequally.
The 15 photographs, stored for decades at Harvard’s Peabody Museum of Archaeology and Ethnology, include individuals identified as Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty. The images were rediscovered in 1976 and have since become central to wider discussions about American universities’ historical ties to slavery.
Ms Lanier, who filed a lawsuit against Harvard in 2019, argued that the photos were taken without consent and accused the university of profiting from them through licensing fees. Although her legal claim to ownership was dismissed in 2022 by the Massachusetts Supreme Judicial Court, she was permitted to pursue damages for emotional distress. The court also found that Harvard bore “complicity” in the “horrific actions” linked to the creation of the images.
Harvard has not confirmed whether Ms Lanier is related to the individuals in the daguerreotypes. However, the university said it had “long been eager” to transfer the images to another public institution to place them in a more appropriate context. “Harvard has long been eager to place the Zealy Daguerreotypes with another museum or other public institution to put them in the appropriate context and increase access to them for all Americans,” a university spokesperson said. They acknowledged that Ms Lanier’s claim to ownership had created “a complex situation.”
The settlement now ensures that all of the images, not just those of Renty and Delia, will be transferred to the International African American Museum in Charleston, South Carolina — the region where the individuals depicted were once enslaved. Ms Lanier described the outcome as a “homecoming” and said she was “ecstatic” with the result.
“I have always known, first of all, that I could never care for the daguerreotypes at the level they would require,” she told the BBC. “There are so many ties that bind Renty and Delia and the other enslaved people to that particular part of South Carolina that to repatriate them there would be like a homecoming ceremony.”
Although the museum did not play a role in the legal proceedings, it has supported Ms Lanier’s genealogical research. Tonya Matthews, president of the museum, said the institution would display the images with “truth and empathy.”
“These are not gentle images and the story behind how they came to be is even more difficult to hear,” Ms Matthews said. “So to be in a space that has already created room for conversations about the inhumanity of slavery and enslavement and how far those implications echo even to today is what we do and it’s our mission.”
The transfer comes amid broader efforts across the United States to confront the legacy of slavery within academic institutions. In 2016, Harvard Law School retired a crest linked to an 18th-century slaveholder following student protests and a review of its historical ties.
While Harvard has not disclosed the full terms of the settlement, the decision to relinquish the images is seen as a significant development in the ongoing dialogue about historical accountability, reparative justice, and institutional responsibility.
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Taylor Swift celebrates full control over the music that launched her career
After years of fighting for control over her early music, Taylor Swift has bought back the master recordings of her first six albums. The deal marks the end of a bitter chapter in her career and gives her full ownership of every song she’s released since her teenage debut.
It all started in 2019 when Swift’s old label, Big Machine, sold her original recordings to music executive Scooter Braun. At the time, Swift called it her “worst-case scenario,” saying she wasn’t even given the chance to buy them herself. Instead, she was offered a deal where she’d “earn” back one old album for every new one she made. She declined. Braun later sold the masters to Shamrock Capital for around £222 million (₹1,848 crore), and Swift decided to take matters into her own hands.
Over the last few years, Swift has been rerecording her old albums and releasing them as Taylor’s Version, including Fearless, Red, Speak Now, and *1989*. These new versions allowed her to regain control and reduce the value of the originals owned by others.
Now, Swift has confirmed that she has officially bought her masters along with the rights to music videos, album artwork, concert films, and even unreleased songs from Shamrock. The price hasn’t been disclosed, but reports suggesting up to £800 million (₹6,656 crore) were exaggerated.
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Taylor’s Eras Tour spotlighted her catalogue as she reclaimed her legacyGetty Images
Of the original six albums, only Reputation and her self-titled debut are yet to be rereleased. Swift admitted she hasn’t finished rerecording Reputation, describing it as deeply tied to a difficult period in her life. Still, she hinted that both albums might see the light again, not out of necessity anymore, but as a celebration.
Swift’s Eras Tour, her biggest to date, presented her entire catalogue and has made over £1.6 billion (₹13,312 crore) globally. Along the way, she’s inspired newer artists to demand better deals, ones that let them own their own music from the start.
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'It was getting very bad. It was getting very nasty. They are both nuclear powers,' Trump said. (Photo: Getty Images)
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In recent weeks, Trump has repeatedly claimed that he told India and Pakistan that the US would stop trade with both countries if they did not stop the conflict.
India on Thursday said that trade was not discussed at all in talks between Indian and American leaders during the military clashes with Pakistan, rejecting Washington’s claims that trade stopped the confrontation.
Trump on Friday said, “I think the deal I’m most proud of is the fact that we’re dealing with India, we’re dealing with Pakistan and we were able to stop potentially a nuclear war through trade as opposed through bullets. Normally they do it through bullets. We do it through trade. So I’m very proud of that. Nobody talks about it but we had a very nasty potential war going on between Pakistan and India. And now, if you look, they’re doing fine,” Trump told reporters.
“It was getting very bad. It was getting very nasty. They are both nuclear powers,” he said.
Trump said Pakistani representatives are coming to Washington next week.
“India, as you know, we’re very close to making a deal with India,” Trump told reporters at Joint Base Andrews after departing Air Force One. “I wouldn’t have any interest in making a deal with either if they were going to be at war with each other. I would not and I’ll let them know,” Trump said.
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“We stopped India and Pakistan from fighting. I believe that could have turned out into a nuclear disaster,” Trump said during remarks in the Oval Office Friday afternoon in a press conference with billionaire Tesla CEO Elon Musk, who left the Trump administration after helming the Department of Government Efficiency.
Trump added that he wants to thank the “leaders of India, the leaders of Pakistan, and I want to thank my people also. We talked trade and we said ‘We can’t trade with people that are shooting at each other and potentially using nuclear weapons’.”
Trump said that leaders in India and Pakistan are “great leaders” and “they understood, and they agreed, and that all stopped.”
“We are stopping others from fighting also because ultimately, we can fight better than anybody. We have the greatest military in the world. We have the greatest leaders in the world,” Trump said.
India has been maintaining that the understanding on cessation of hostilities with Pakistan was reached after direct talks between the Directors General of Military Operations (DGMOs) of the two militaries.
An all-party delegation of Indian parliamentarians, led by Congress MP Shashi Tharoor, will arrive in Washington DC around June 3 after completing their visit to Guyana, Panama, Colombia, and Brazil conveying India’s resolve against terrorism and emphasising Pakistan’s links to terrorism.
The multi-party delegations from India to different countries have been underlining that the recent conflict with Pakistan was triggered by the Pahalgam terror attack and not Operation Sindoor as alleged by Islamabad.
The retaliatory Operation Sindoor launched by India targeted terror infrastructure in Pakistan and Pakistan-occupied Kashmir.
About two weeks after the April 22 terror attack in Pahalgam in Jammu and Kashmir in which 26 civilians were killed, India launched Operation Sindoor targeting terror infrastructure in Pakistan and Pakistan-occupied Kashmir.
India and Pakistan reached an understanding on May 10 to end the conflict after four days of cross-border drone and missile strikes.
(With inputs from agencies)
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The governing body, recently granted provisional recognition by the International Olympic Committee to oversee boxing at the 2028 Los Angeles Olympics, said the testing aims to ensure fair competition across male and female categories.
“Imane Khelif may not participate in the female category at the Eindhoven Box Cup, 5–10 June 2025, and any World Boxing event until Imane Khelif undergoes genetic sex screening in accordance with World Boxing's rules and testing procedures,” it said in a statement released on Friday.
Under the new policy, all boxers aged 18 and above must undergo a PCR (polymerase chain reaction) test to determine biological sex. The test detects the SRY gene, which reveals the presence of a Y chromosome, considered a key indicator of male biological sex.
The procedure can be conducted via a nasal or mouth swab, saliva sample, or blood test.
World Boxing stated the policy was introduced to create “a competitive level playing field” and forms part of its broader efforts to solidify its role as the sport’s international regulator after a period of governance disputes.
Khelif’s eligibility will remain suspended until the test is completed.
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Unlike most Indian celebrities who wear expensive designer gowns on the Cannes red carpet, Simran Balar Jain chose to do things differently. The social media influencer wore a striking outfit featuring a symbolic silhouette of one woman lifting another. Her hand-sculpted gold metal corset, made from recycled materials, conveyed a powerful message of collective empowerment and sisterhood. She also shared engaging behind-the-scenes vlogs from the film festival.
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The Sixth Sense (1999), directed by M. Night Shyamalan, was a spectacular success thanks to its unexpected twist ending. If the film were released today, it would not have had the same impact – social media users would have quickly given away the big surprise. Bollywood comedy Housefull 5, like many modern-day murder mystery films, is likely to face a similar problem when it is released next Friday (6).
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Five years from now
BAD BOLLYWOOD IDEA
Instead of using their platform to call for peace, most celebrities in India and Pakistan have either remained silent or acted as cheerleaders for bombings that have claimed lives on both sides of the border. Some C-listers in both countries have even used the ongoing conflict to generate cheap publicity. Perhaps the worst response has come from those already looking to cash in on what is ultimately a human tragedy. Bollywood producers and stars rushed to register the title Operation Sindoor and now plan to profit from a film named after India’s missile strike on Pakistan. If past films are any indication, the conflict will likely be exaggerated on screen, featuring caricatured villains and misinformation – further inflaming tensions rather than promoting understanding.
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