After the smashing success of Ishaan Khatter’s second film Dhadak (2018), which also marked the acting debut of Sridevi and Boney Kapoor’s elder daughter Janhvi Kapoor, people thought the newcomer would sign new projects right, left and centre.
However, it has been more than half a year since Dhadak hit screens and emerged as a clean hit at the box-office, but there is no update on what Ishaan has signed next. In the past few months, his name has been associated with many films, but there has never been any official confirmation.
Ishaan’s name is being linked to yet another big-ticket project and this time around for a Sanjay Leela Bhansali venture. Rumours are rife that the young actor has been signed on to play the male lead in Bhansali’s next which will be a light-hearted movie, a departure from the filmmaker’s larger-than-life cinema.
Reportedly, Bhansali was very impressed with Ishaan Khatter after watching his performance in Karan Johar’s Dhadak and hence he roped him in for his next directorial venture.
Homebound selected as India’s official submission for the 2026 Oscars.
The film premiered at Cannes and Toronto to standing ovations.
It stars Ishaan Khatter, Janhvi Kapoor and Vishal Jethwa.
Director Neeraj Ghaywan and producer Karan Johar expressed honour.
India is sending Neeraj Ghaywan’s Homebound to the Oscars. The hard-hitting drama, which follows two friends battling systemic prejudice, has been named the country’s official entry for the 2026 Academy Awards. This selection places the film in a global spotlight and has thrilled its cast and producers. It marks a huge moment for director Neeraj Ghaywan, whose last film was the critically adored Masaan.
Ishaan Khatter, Vishal Jethwa and Janhvi Kapoor shine in Homebound’s Oscar-bound drama Instagram/homeboundthefilm
What’s the story behind Homebound ?
Right, so it is about two friends from a small town. Chandan, played by Vishal Jethwa, and Shoaib, played by Ishaan Khatter, are best mates. Their one dream is to get a job as a police constable. They see it as their ticket out and a shot at real dignity. But the world keeps pushing them down. The film does not shy away from the ugly stuff, such as caste bias, religious discrimination and more. Janhvi Kapoor is in there too, fighting her own battles against the same rubbish system. The narrative, inspired by a true New York Times story, also touches on the harrowing migrant exodus during the Covid-19 lockdown.
It has had an impressive run. First stop was Cannes, where it premiered and received a standing ovation that lasted around nine minutes. Its success continued at the Toronto International Film Festival (TIFF), where it was named second runner up for the International People’s Choice Award and received another rapturous reception from the audience. Not bad for a film that has not even hit cinemas here yet. That festival love absolutely paved the way for this Oscar nod.
This is a significant development. The Film Federation of India picks one film from dozens to represent the country. This year they chose this film instead of obvious commercial giants like Pushpa 2. It tells you something: they are backing a story with something to say.
Now the real work begins. The team has to campaign for it and get Academy voters in the United States to watch it. India has only had three films ever nominated in this category. It is a tough nut to crack. But with heavyweight names like Martin Scorsese executive producing and Karan Johar backing it, they have a fighting chance.
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Amrit Ramnath on Sakhiye, the melody that found its own words and the duet that changed everything
Amrit Ramnath says the word “Sakhiye” just happened and became the heart of the song.
Sitara’s voice added a new layer, making the duet feel alive and unexpected.
He mixes Malayalam roots with modern sounds, keeping the classical influence but making it fresh.
Ramnath opens up about taking risks in independent music and film work without overthinking it.
The song is all about love and celebration, already appearing in wedding videos and personal posts online.
In an exclusive interview with Eastern Eye, Amrit Ramnath talks about the making of Sakhiye, taking musical risks, and teaming up with Sitara. He doesn’t just walk into music; you can feel it’s stitched into him. Every word he says about melody, risk, and the urge to experiment carries that energy.
Amrit Ramnath on Sakhiye, the melody that found its own words and the duet that changed everything Instagram/amritramnath
Music stitched into him
And then, of course, there’s the part you can’t ignore: his mother is Bombay Jayashri. The Bombay Jayashri. A legend. So when that Carnatic depth surfaces in his work, it isn’t a carefully researched influence, but inheritance.
But his sound is also a mash-up of everywhere else he’s from. A little Marathi, some Hindi, a touch of Urdu. For a long time, however, Kerala was the place he knew of, but didn't truly know.
That changed with his first film score for the Malayalam movie Varshangalku Shesham, a total knockout. The film was a super hit, and its songs were celebrated everywhere. For Amrit, something clicked. "The film really took me back to, obviously, the place, the language, the culture, all of it," he says.
Sakhiye is a product of that reconnection, an act of reminiscing. He also admits, “I do have a significant audience there, and I really enjoy the language.” Even though he’s not super fluent, he understands a fair bit.
This brings us to the song’s unexpected nucleus. Amrit built the melody first. He sent a scratch track, a tune hummed without words to lyricist Vinayak, and the word was already there, nestled in the gibberish. He explains: “the word sakhiye kind of came automatically in my sort of gibberish melody singing, so to speak, and it stayed that way.” Vinayak chose to keep it. That accidental utterance became the song’s emotional pivot. “From Sakhi, it takes a turn, in my opinion,” he says.
So what is a ‘Sakhi’? A person? A memory? Just love?
“I think you can tick all three,” he says. It’s the overarching idea of love, but the word itself is fluid. “Sakhi also could refer to a friend if I'm not wrong.” Friend, lover, memory, the ambiguity is the point.
Then there’s Sitara. Bringing her on board was, to most listeners, a masterstroke. But what did she actually bring to Sakhiye? Amrit lights up. He wanted to play with their vocal ranges. Her sections are lower, reminiscent of the ‘Cherathukal’ vibe from Kumbalangi Nights. His, in parts, are higher than he’d normally go. “The moments I swear the two voices come together, especially the second Sakhi, and right after that… those were the moments of synergy.” You can hear the excitement in his voice just talking about it.
His sound is often described as a bridge, like classical roots meeting contemporary arrangements. Is that a deliberate tightrope walk?
“For me, a lot of the language also draws me into certain cultural aspects,” he explains. The melody is inspired by that rooted, Indian core. But the arrangement is where he contemporises. He points to the track itself: “the song starts with a very… plucked acoustic sort of guitar riff that moves into a slightly… Afro beat.” It’s not a calculated fusion. “It's something that's very like core to my identity. So I think it sort of just happens.”
What about risk? Careers? The boring, inevitable question. Amrit didn’t offer a canned PR answer. He admitted it’s “a tricky question” and something he’s “learning along the way.” He nailed the honest bit: the music industry isn’t just about music anymore; it’s a whole ecosystem. But for him, the risk is innate. “It’s not a calculated career move. It’s curiosity.”
He’s currently juggling two lanes: independent music and film composing. “I have a fairly loyal audience when it comes to independent music. And I'm also growing my audience as a film composer; I just finished a Tamil film. Before that, I had a Malayalam film, and now I'm in the process of beginning a couple more projects.”
On sustainability, he is pragmatic: “The risk to reward ratio is never going to be great with any art form.” But he finds the reward in the act itself. “Taking risks in itself is so rewarding.”
Amrit Ramnath opens up on his creative risks and the magic behind Sakhiye’s duet with Sitara Krishnakumar Instagram/amritramnath
Chasing emotion, not audience
On the rise of regional music, he is clear-eyed: “It’s mostly organic.” He hesitates at the word ‘responsibility’. “Responsibility is a heavy word,” he says. But within that organic movement, “there is a responsibility for me to do as much as I can… it's only fair that if there is a voice that exists, then it's only fair that you express it.”
His process now is about stitching different fabrics and styles together, chasing a feeling, not an audience. “I'm trying to see if I can chase a certain emotion.” That’s the project now: chase the feeling, not the demographic.
So what’s the emotion he’s chasing with Sakhiye? What’s the one feeling he wants to leave people with?
“I just hope it gives them that, you know, that butterfly feeling.” Of love, yes, but also of celebration. He’s noticed it popping up in countless Instagram wedding reels. “So I thought, like, overall, it can be a song of celebration… if people are feeling that, then I feel like we've won.”
So there you have it. A melody that held onto a word. A duet that plays with range. A composer in love with the next curiosity. Listen once and you’ll feel it. Listen twice and you’ll hear the place where Sakhiye finally lands.
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Madonna returns to Warner Records with her first new album since 2019
Madonna confirms new album for 2026, her first since 2019.
The project is a sequel to her hit 2005 record Confessions on a Dance Floor.
She has reunited with original producer Stuart Price for the work.
The pop icon has signed a new deal with her original label, Warner Records.
Madonna is making a major return to her musical roots. The global superstar has announced a new dance album scheduled for 2026, her first studio release in seven years. In a significant full-circle moment, the project will be released under Warner Records, the very label that launched her iconic career. This highly anticipated record is set to be a direct follow-up to her Grammy-winning album Confessions on a Dance Floor.
Madonna returns to Warner Records with her first new album since 2019 Instagram/madonna
What is the new Madonna album called?
Right now, we don’t have an official title. Madonna herself has been referring to it informally as Confessions on a Dance Floor Part 2 or simply COADF Pt. 2 in her social media posts. That’s a pretty strong indicator of the sonic direction she’s aiming for.
The original Confessions on a Dance Floor album was a critical and commercial juggernaut, so this title sets a clear expectation for fans and the industry. Whether that’s the final name or just a working title remains to be seen, but it’s certainly got people talking.
This is the real story, isn’t it? It’s a homecoming. Her statement said it “feels like home” and that’s not just PR talk. Warner was her label home for the first 25 years of her career, the period that produced virtually all of her most defining work from Like a Virgin to Ray of Light. She left after 2008’s Hard Candy for a lucrative deal with Live Nation and Interscope.
But this return to Warner isn’t just about new music, but more like a holistic deal. It finally brings her entire catalogue, including those later Interscope albums, under one roof at Warner. That’s huge for legacy management and reissues. It seems to be about consolidating her empire and working with a partner that understands her history.
She’s bringing in the big gun for this specific sound: Stuart Price. His involvement is the clearest signal that Madonna is deadly serious about recapturing that Confessions magic. Price wasn't just a producer on the original album. He was its architect, co-writing and producing the majority of its tracks. He’s the genius behind those seamless, euphoric mixes that made it feel like one continuous nightclub journey. His recent work with her on the shelved Veronica Electronica remixes from the Ray of Light sessions seems to have reignited that creative spark. It’s a trusted partnership, and that’s often when she does her best work.
If Price is back, expect pure, unadulterated dance-pop. The original Confessions on a Dance Floor was a reaction to the guitar-driven rock of her previous American Life album and a successful return to her clubland origins. Given that she’s calling this a sequel, the logic follows a similar path. We’re likely looking at a record built on driving four-on-the-floor beats, soaring synth melodies, and those clever, subtle disco samples she and Price used so effectively before. It is music made for the dancefloor, designed to be both nostalgic and futuristic. After the more experimental and political tones of Madame X, this feels like a deliberate shift back to crowd-pleasing, euphoric energy.
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Nanda Kishore’s Vrusshabha promises grandeur with Mohanlal in a fierce avatar
Mohanlal plays a formidable warrior king in a dual-timeline narrative.
The highly anticipated film is set for a global Diwali 2025 release.
Initial fan reactions praise the surprising scale and visual effects.
The project is a major pan India collaboration with Balaji Telefilms.
The wait for a glimpse of Mohanlal’s grand pan India spectacle is finally over. The teaser for Vrusshabha has landed, and it immediately establishes the Malayalam superstar as a formidable warrior king in a story that thrillingly spans two eras. This Nanda Kishore directorial, which has faced its share of production twists, looks geared up to be a proper big-screen event with its visuals and a powerful father son dynamic at its core.
Nanda Kishore’s Vrusshabha promises grandeur with Mohanlal in a fierce avatar Youtube Screengrab/Aashirvad Cinemas/Instagram/aashirvadcine
What is the plot of Vrusshabha ?
Right, so the official synopsis gives us the bones of it. This isn’t just a straight-up historical war epic. The core idea is about two sworn enemies. They get reborn. But the twist is their new relationship: one is now the father, the other the son. That’s a seriously messy and dramatic starting point.
The teaser hints at this dual life, cutting between what looks like a modern-day setting and a lavish ancient period. It’s all about that destiny and revenge cycle, but with a massive familial conflict thrown in. It makes you wonder how they will navigate that.
Okay, this is the interesting bit. A lot of people were sceptical because of director Nanda Kishore’s previous filmography. The comments on X are a mix of shock and genuine excitement. The overwhelming feeling is that the VFX and production quality are far better than anyone anticipated. Words like ‘insane’ and ‘surprisingly good’ are everywhere.
— (@)
Some can’t help but point out a Baahubali vibe, especially with the kingdom shots and the warrior king aesthetic. A few are nitpicking Mohanlal’s wig in some shots, but overall the response has shifted from doubt to real curiosity. It looks like it has cleared that first hurdle, for sure.
— (@)
When is the Vrusshabha release date?
Mark your calendars for 16 October this year. That is the Diwali 2025 weekend. They are going for a huge worldwide release, aiming to capitalise on the holiday crowd. It is a smart move for a film that looks this expansive. It was shot in Malayalam and Telugu simultaneously, and it will also get dubbed releases in Hindi and Kannada. So it has a four-language rollout, making it one of Mohanlal’s most widely released projects.
Mohanlal is obviously the big draw, playing a king that will appeal to his fans. The cast around him has seen some changes. Originally Roshan Meka was cast as the son, but due to production delays he was replaced by Samarjit Lankesh. The film also features Ragini Dwivedi and Shanaya Kapoor.
Mohanlal stuns as a warrior king in the first teaser of VrusshabhaYoutube Screengrab/Aashirvad Cinemas
Behind the camera, it is a solid team. The music is by Sam CS and really stands out in the teaser. The action is handled by a committee of legends including Peter Hein, Stunt Silva and Nikhil. And Oscar-winner Resul Pookutty handles sound design. It is a proper collaboration between Connekkt Media and Ekta Kapoor’s Balaji Telefilms, which explains the pan India scale.
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Bella Hadid shares emotional hospital photos amid ongoing health battle
Bella Hadid shared worrying images from a hospital bed on Instagram.
The model apologised to fans for her frequent social media disappearances.
Sister Gigi and mother Yolanda offered public messages of love and strength.
The post has sparked fresh concern about a potential relapse of her chronic Lyme disease.
Bella Hadid has sparked major concern among her fans after posting a series of raw and emotional pictures from what appears to be a hospital room. The supermodel, known for her high-profile fashion work, shared a cryptic apology for her absence, directly linking it to an ongoing health struggle. The post has prompted serious conversation about the severity of her long-term Lyme disease diagnosis and the hidden realities of living with a chronic illness.
The Instagram carousel was a typical ‘photo dump’ in style, but its content was anything but casual. It opened with more aesthetic shots, including a double rainbow and some flowers, but quickly shifted to intensely personal images. Close-up selfies showed a tired-looking Bella with an IV line in her arm, another with a cooling pad on her head, and one where she is visibly emotional.
Perhaps the most alarming shot featured her lying in a medical bed wearing an oxygen mask. Her caption was simple: “I’m sorry I always go MIA. I love you guys.” It felt less like a curated update and more like a genuine, weary message from someone in the thick of it.
They reacted immediately and with full support. This was not a case of silent worry; her family publicly rallied in the comments. Her sister and fellow model, Gigi Hadid, wrote, “I love you! I hope you feel as strong and good as you deserve, soon.” Their mother, Yolanda Hadid, who has her own very public battle with the same illness, simply commented “Lyme warrior”, heavily implying the reason for this latest health scare. That one phrase from Yolanda essentially confirmed what many were thinking, turning the concern into a wider discussion about the family's shared health struggle.
Gigi Hadid and Yolanda Hadid send love to Bella after hospital scareInstagram Screengrab/bellahadid
What is Lyme disease and how does it affect people?
This is the crucial bit everyone is searching for. According to health authorities, Lyme disease is a bacterial infection you get from the bite of an infected tick. If caught early, antibiotics often clear it. The problem is that it is often missed. When it becomes chronic, it can be brutal. We are talking severe fatigue, joint and muscle pain, neurological issues and brain fog, a whole suite of debilitating symptoms that are mostly invisible. That is exactly what this looks like.
Who else has spoken out about having Lyme disease?
Bella and the Hadids are far from alone in this, though their platform is huge. This is why the topic gets so much traction. The list of celebrities who have battled Lyme is surprisingly long and includes singers such as Justin Bieber and Avril Lavigne, the latter of whom had to step back from her career for years because of it. Shania Twain’s documentary detailed how it caused terrifying blackouts on stage.
Lyme Disease: Everything you need to know about it Getty Images/iStockphoto
More recently, Justin Timberlake revealed his own diagnosis. When this many high-profile people talk about the same debilitating struggle, it stops being a private illness and becomes a public health conversation. Bella’s post, whether she meant to or not, has added another loud voice to that.