Indian prime minister Narendra Modi and Chinese President Xi Jinping will meet on the sidelines of a G20 meeting this week, aiming to build on a thaw in ties after a military standoff on their disputed border last year, officials said.
The 3,500 km (2,200-mile) border between the nuclear-armed neighbours has been calm since Modi and Xi held several hours of talks in the Chinese city of Wuhan in April, agreeing to prevent political disputes escalating into confrontation.
Later this year, their two armies will hold joint exercises in a bid to build trust after their 73-day face-off in a remote, high-altitude stretch of the Himalayan border that stoked fears of war.
Modi's meeting with Xi at the G20 summit in Argentina will be their fourth this year, Indian Foreign Secretary Vijay Gokhale said.
"It was decided that they would take the opportunity whenever and wherever they could meet. They could discuss issues on either leader's mind or issues of mutual concern," Gokhale told reporters.
As well as long-standing disputes over their border, the two countries are vying for influence in the Indian Ocean and squabbling over Xi’s signature Belt and Road infrastructure initiative.
India has warmed up to the new government in the Maldives, offering financial help after it accused the previous government of striking secret deals with Chinese firms that have left the tiny country of 400,000 people in debt.
India and China are also aligned with opposing sides embroiled in political turmoil in Sri Lanka.
In Buenos Aires, the leaders of two of the world's fastest-growing economies are expected to endorse efforts to liberalise their trade, Indian officials said.
Negotiators from the two countries held talks in New Delhi on Wednesday (28) to try to prise open each other's farm markets.
China wants to export apples and dairy products and India is hoping to export skimmed milk products and buffalo meat, two Indian sources with direct knowledge of the matter said.
India banned the import of Chinese apples in 2017 after finding pesticides, while China restricted imports of Indian buffalo meat because of concern over foot and mouth disease.
Chinese vice minister Hu Wei and Indian Commerce Secretary Anup Wadhawan are leading the talks on the farm products as part of a broader trade package.
"India's primary interest is exporting skimmed milk products and for China it is apples," one of the officials told Reuters on condition of anonymity due to the sensitive nature of the discussions.
Their bilateral trade reached $89.6 billion in 2017/18 with a deficit of $62.9bn in China's favour.
Indian officials said that China, locked in a trade dispute with the United States, has been more flexible than before with regard to the possible opening up of its markets to Indian pharmaceutical products and IT services.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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