AS Britain navigates its way through the coronavirus pandemic, the government insists that science is guiding its decisions. But a self-appointed group of independent experts says it sees little in Britain's response that is evidence-based, especially after an upturn in new cases forced a delay in lifting more lockdown restrictions.
Unlike in other European countries where debate has raged over how to control Covid-19, the scientific opposition to Britain’s approach is notably organised: the independent group sits almost in parallel to the government’s own scientists, assessing the same outbreak indicators but publicly identifying failings and inconsistencies.
The group has issued detailed reports on almost every major issue tackled in recent weeks: contact tracing, reopening schools, restaurants and pubs, and relaxing social distancing. And at nearly every turn, the independent experts have essentially pointed out glaring mistakes in the government’s approach.
“There is no long-term strategy, as far as we can see,” said University College London virology professor Deenan Pillay, who advised the government during the 2009-10 swine flu pandemic and is a member of the independent group.
“It is the role of scientists and those with expertise to hold the government to account.”
The British government had established a Scientific Advisory Group for Emergencies, also known as SAGE, as the coronavirus exploded in China in January to address the emerging crisis. Its membership was kept secret apart from a few exceptions.
That troubled David King, a former chief government scientific adviser, who then created an “Independent SAGE” in early May.
On the day of the shadow group’s first public meeting, the government finally released a list naming the scientists giving it advice. Cabinet ministers have since dropped giving regular coronavirus briefings and seem to have shifted focus to restarting the economy, while the independent experts hold weekly news conferences analysing the government’s latest virus indicators.
Mark Walport, a SAGE member and former chief government scientific adviser, said the rival group risks confusing the public with their assessments and that scientists should not be making policy decisions. But psychologist Susan Michie said she and other scientists were frustrated by what they perceived as their lack of impact with officials.
“What's depressing about it is they don't seem to be learning lessons or showing any evidence they're listening to (the World Health Organization) or to scientific advice,” Michie, who serves both on a SAGE sub-committee and with Independent SAGE.
Shortly before Britain reopened some schools on June 1, Independent SAGE published a reportwarning against it because the country did not have the necessary contact tracing system in place. Some schools did reopen, but many will stay closed until September.
Several weeks later, British Prime Minister Boris Johnson announced that social distancing guidelines would be reduced from two metres to one, including indoors.
Independent SAGE, however, said the rates of Covid-19 transmission were still too high for such a change, noting that 97 per cent of “super-spreading” events began in indoor environments.
And at a July 24 press conference, Independent SAGE scientist Christina Pagel said that given the risks of the virus spreading among people exercising indoors, she didn’t think it was safe to reopen gyms. The next day, Britain reopened gyms across the country.
While the group's criticism of government policy has mostly been couched in dry, scientific language, that was not the case when the U.K. imposed its first local lockdown in late June as infections surged in the central England town of Leicester.
Independent SAGE called that “a foreseeable crisis of the government's own making” and said that by enforcing new restrictions without consulting local authorities, it risked “creating uncertainty, dissent and even disorder.”
The group has called for the government to radically change its approach to Covid-19, saying the aim should be to wipe out the virus in the UK instead of allowing it to linger in the population at low levels.
The leader of Scotland, First Minister Nicola Sturgeon, recently adopted that strategy and is aiming to convince the other U.K. countries to do the same.
“We fear that the government has given up trying to control the pandemic further," the independent scientists wrote in a report last month. They said Britain should try to eliminate the disease completely, which would require measures like an aggressive contact tracing system and tighter restrictions on international travelers.
“What we are doing is deeply unpopular in the government because it’s a reminder that the virus hasn’t gone away,” said London School of Hygiene and Tropical Medicine professor Martin McKee, an Independent SAGE member.
Asked whether the government thought Independent SAGE was helpful, the prime minister’s spokesman, James Slack, said, “Scientists are making regular public comments and contributions to the discussion, and the government’s advisers will take any views into account.”
Some experts said that even if the British government hasn’t directly acknowledged the recommendations of the independent group, they are having an effect.
“The government might be more careful if they know they are going to be so closely scrutinised,” said Michael Head, a public health expert at the University of Southampton.
Britain’s decision to halt the easing of its pandemic restrictions suggested the independent experts were right about the dangers of exiting lockdown too quickly, according to Head.
Earlier this month, the government delayed reopening venues like bowling alleys, skating rinks and casinos, citing recent estimates of about 4,900 new cases per day, up from about 2,000 daily cases in June.
Independent SAGE member Pagel, who is also a professor of operational research at University College London, said the group’s objective is ultimately not to criticize, but to offer alternative strategies.
“I think our approach of a more gradual opening would have reduced the need for the new restrictions,” she said, referring to some of the recently adopted controls to stop the surge of Covid-19.
“We try not to be negative about everything, but at the moment, it’s hard not to be negative about what the government’s been doing.”
Nancy Tyagi is back at Cannes. But this time, the 24 year old influencer and designer from Uttar Pradesh is not just a surprise guest, she is a name many were waiting to see again.
Last year, she made her debut at the prestigious festival in a self stitched 44 lb (20 kg) ruffled pink gown, crafted from scratch in her Delhi home. It was not just the weight of the dress that turned heads but the story behind it. A year later, Nancy returned with another outfit of her own making.
This time, she wore a silver aqua gown with a plunging neckline, a shimmering corset, and layers of tulle. It had roses stitched into the skirt and headpiece, and bold shoulders that looked like unfolding petals. Her makeup was clean and glam with silver smoky eyes, a neatly tied bun, and just the right sparkle.
What is special is not just the gown, but the fabric. She sourced it from Seelampur, a market in northeast Delhi better known for its chaos than couture. But that is what makes Nancy different. She turns everyday materials into red carpet magic. She does not come from fashion schools or big labels. She learnt it all by herself.
The self-taught designer walks the red carpet in a look stitched from Seelampur fabricInstagram/nancytyagi
Nancy said she felt emotional returning to Cannes, where everything changed for her. “Last year, I was overwhelmed. This year, I feel proud,” she said. “This is my outfit. I made it. It is all mine.”
Her Instagram post summed it up in Hindi: “Phir se Cannes… phir se red carpet. Kabhi socha nahi tha yeh safar itna khoobsurat hoga” (Back to Cannes, back to the red carpet. I never imagined this journey would be so beautiful).
Nancy Tyagi brings local craftsmanship to the global stage in her second Cannes appearanceInstagram/nancytyagi
And the internet agreed. From fashion fans to fellow creators, the applause was loud. Comments flooded in praising her evolution, confidence, and creativity. One user wrote, “You have inspired millions. This is real talent: self made, rooted, and unstoppable.”
Nancy’s journey from a small town girl stitching clothes in her room to walking the world’s most watched red carpet continues to be proof that success does not need privilege. Just skill, grit, and imagination.
Imagine your dream designer bag now costs more than a month’s rent. Welcome to 2025, now luxury isn’t just a splurge but a high-stakes financial tango, right? Inflation, tariffs, and a dash of geopolitical drama have collided, sending price tags into orbit. This time, brands aren’t just nudging numbers, but they’re launching full-blown price tsunamis. Can you still play the luxury game without drowning in debt? Let’s break down who’s hiking, why, and whether that iconic piece is worth the squeeze.
Chanel
In 2025, Chanel has been on a price-raising spree, almost as relentless as their signature tweed. The iconic Classic Flap Bag Large, for instance, now retails at 9,400 GBP (9,52,000 INR), a steep jump from 7,870 GBP (7,97,000 INR) back in January. That’s not just a rise; it’s a whole statement. With demand booming and the brand’s push for exclusivity, Chanel clearly shows no signs of slowing down.
Louis Vuitton’s strategy? Keep things steady but consistently pricier. In 2025, the Alma PM handbag crept up to 1,590 GBP (1,61,000 INR), marking a 6.4% increase. Meanwhile, the Clooney BB inched to 1,925 GBP (1,95,000 INR), a 4.9% hike, while the Capucines MM surged by 7.2%, now priced at 6,310 GBP (6,39,000 INR). Inflation’s impact? Definitely. The only thing rising faster than these prices? Their legendary prestige.
The iconic Hermès is giving luxury lovers something to chew on, especially if their taste leans toward legendary bags like the Birkin or Kelly. In the U.S., prices for the Birkin 25 in Togo leather rose from 8,400 GBP (8,52,000 INR) to 8,900 GBP (9,03,000 INR): a 6.1% increase. The Kelly 25 in Togo Retourne jumped from 8,350 GBP (8,47,000 INR) to 8,900 GBP (9,03,000 INR), marking a 6.2% hike. Some exotic models, like the Kelly 25 in Matte Alligator, saw a staggering 23.8% increase, now priced at 38,800 GBP (39,37,000 INR). Because nothing says 'forever status' like a price tag that stings.
Rolex has increased prices on its gold models by up to 14%, reflecting a 27% rise in the cost of gold itself. For instance, the white gold Daytona with the OysterFlex bracelet now retails at 24,300 GBP (24,70,000 INR), up from 22,350 GBP (22,70,000 INR) last year. Stainless steel models have seen more modest increases of about 1-3%. Gold just got a little more golden right?
Known for its cashmere and quiet luxury, Loro Piana isn’t shying away from price hikes either. Some items, like the Loom handbag, rose by 8%, while select pieces saw a staggering 23% increase. Soft just got pricier.
Tag Heuer quietly nudged up the price of select U.S. models by around 10% this summer, a direct response to looming U.S. tariffs on Swiss imports. It’s a cautious buffer rather than a drastic shock, as the brand hedges against potential margin hits. Rather than surprising buyers later, Tag Heuer is choosing to gently pad prices now, just in case.
Even beauty brands aren’t safe from the pricing squeeze. Sisley bumped up the price of its Korean products by 5%, while L’Oréal increased prices of Yves Saint Laurent and Lancôme items at duty-free outlets by about 10%. It’s partly due to higher ingredient costs and partly because “flex splurging” in Korea shows buyers aren’t put off by a little extra cost.
In a more gradual move, Coach has been incrementally hiking prices over 19 of the last 20 quarters, while Ralph Lauren pushed its average retail price up by about 12%. Instead of shocking customers, they’re taking a slow and steady approach, which has surprisingly fuelled demand rather than dampened it.
Cartier’s parent company, Richemont, is taking a softer approach, avoiding major price hikes despite the pressure of U.S. tariffs. Instead of gambling on big increases, Richemont is holding prices steady, particularly for its luxury jewellery, which continues to perform well without any drastic changes.
With higher-end items becoming even more unreachable, brands are shifting focus to “affordable luxury.” Think sub-400 GBP (40,000 INR) accessories like designer scarves and wallets, small indulgences that keep aspirational customers engaged. It’s a strategic play to maintain interest without alienating the middle-class luxury lover.
Luxury prices in 2025 are skyrocketing as iconic brands make big movesiStock
The luxury gamble?
The overall picture is clear. Some players have quietly bet on patient, incremental hikes and are already reaping rewards, while others have pushed hard and risk alienating shoppers. Observers note that Coach and Ralph Lauren’s measured markups drove a surprising sales boom (+42% Coach growth in Europe in Q4), whereas ultra-luxe giants saw only minimal gains. In short, moving slowly seems to have paid off, at least so far while exorbitant jumps have mostly just made headlines.
The gamble now is on for every brand. Every new price tag is a wager: will wealthy buyers shrug and splurge, or push back and hunt for deals?
A deep cut from Connie Francis’ 1962 catalogue is suddenly back in the spotlight, thanks to a viral trend on TikTok. Pretty Little Baby, a track from her album Connie Francis Sings Second Hand Love, has captivated a new generation of fans over six decades after its original release.
Unlike her chart-topping hits such as Everybody’s Somebody’s Fool or Don’t Break the Heart That Loves You, Pretty Little Baby was never released as a single. But today, it’s enjoying a second life online. TikTok users have embraced the romantic tune, using it in more than a million videos. Many creators are seen lip-syncing the line “You can ask the flowers / I sit for hours / Telling all the bluebirds / The bill and coo birds / Pretty little baby, I’m so in love with you” – often while dressed in retro-style outfits or serenading real babies.
- YouTubeYouTube / LEO MARK TELEG
The social media buzz has translated into a dramatic surge in streaming numbers. In the week ending 10 April, the song recorded just 17,000 on-demand streams in the US. Four weeks later, that number skyrocketed to 2.4 million – a jump of over 7,000%. It has since entered Spotify’s Daily Top Songs charts in both the US and globally, and could soon make an appearance on the Billboard Hot 100 for the very first time.
Francis was one of the biggest pop stars of the late 1950s and early ’60s, scoring 15 top ten hits on the Billboard Hot 100. Although Pretty Little Baby didn’t chart during her heyday, the song’s timeless melody and sweet lyrics are striking a chord with today’s audiences.
The track’s sudden popularity underlines how vintage songs can enjoy fresh success in the digital age. For many, the charm of Pretty Little Baby lies in its simplicity – a gentle, heartfelt tune with lyrics that still resonate.
For longtime fans and first-time listeners alike, the revival of Pretty Little Baby is a reminder of Connie Francis’ enduring appeal and the surprising ways in which classic music can resurface – even 63 years later.
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The initiative will empower more women to speak openly about their health
A new community-led initiative has been launched in the UK to provide culturally sensitive support for South Asian women navigating midlife and menopause.
The Sattva Collective, founded by certified Midlife and Menopause Coach Kiran Singh, officially launched on 14 May 2025 as a registered Community Interest Company (CIC). It is the first initiative in the UK focused specifically on the experiences of South Asian women during what Singh describes as a “deeply personal and often stigmatised” phase of life.
“South Asian women are navigating physical, emotional, and identity shifts in silence – often without the language, space, or support to talk about it,” Singh said. “The Sattva Collective is here to change that. We are reclaiming midlife as a powerful, transformative time – and doing it together.”
The name 'Sattva' is drawn from Sanskrit, referring to clarity, balance, and inner peace – values reflected in the collective’s approach.
The organisation will offer a range of services throughout the year, including:
Monthly community meet-ups in local cafés
Educational workshops on hormone health, mental well-being, and cultural stigma
An annual flagship Midlife Summit launching in January 2026
Public awareness campaigns and digital resources
One-to-one and group coaching sessions
Singh, who is of Indian heritage, aims to address the gaps in both mainstream and cultural conversations around menopause. According to her, many South Asian women face barriers to accessing support due to stigma, lack of awareness, and limited representation in public discourse.
The Sattva Collective is now preparing to roll out its 2025 programme and is actively seeking funding, sponsorship, and community partners to expand its reach and resources.
Describing midlife as “not a crisis, but a calling,” Singh hopes the initiative will empower more women to speak openly about their health and experiences, while building a supportive community.
Further details about upcoming events and resources will be made available through the collective’s official channels in the coming weeks.
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Bella Hadid stuns at the Cannes Film Festival 2025 in a daring Saint Laurent black gown
Bella Hadid’s return to the Cannes Film Festival was anything but quiet. This year, the model showed up ready to challenge the red carpet rules without actually breaking them.
With new restrictions in place like no sheer fabrics, no visible nudity, no dramatic trains or bulky silhouettes, fashion-watchers wondered if Bella, known for her daring Cannes looks in the past, would tone it down. Instead, she found a clever way around the rules.
Her choice for the opening ceremony? A sleek black Saint Laurent dress with a high slit that climbed nearly to her hip. It was revealing but not banned. The asymmetrical cowl neckline and bare back added to the drama without crossing any lines. Paired with barely-there strappy heels, emerald statement earrings, and a ring, the outfit managed to be both understated and provocative.
Earlier in the day, she’d already turned heads arriving at Hotel Martinez in a white corset top and matching bootcut trousers, another Saint Laurent nod. Her honey-blonde updo, oversized sunglasses, and vintage accessories made it clear that Bella wasn’t here to just blend in.
And while the Met Gala missed her this year, Cannes got the full Hadid effect.
The model’s new hair colour, a shift from brunette to a summery honey blonde, felt like a fresh chapter. Soft waves framed her face, complementing the dark, moody tones of her red carpet outfit. Makeup stayed simple with smokey eyes, matte skin, and nude lips. No theatrics, pure elegance and confidence.
The most impressive part of it all? She managed to follow every rule while still standing out. While some stars played it safe under the stricter dress code, Bella turned the limits into a challenge. No sheer panels? Try bold cut-outs. No dramatic trains? Go for shape-hugging minimalism with impact.
Fashion at Cannes has always been about pushing boundaries. This time, Bella Hadid did it with precision, walking the tightrope between compliance and creativity.