SILINDER PARDESI ON SINGING, HIS AMAZING CAREER AND THE WEST END BHANGRA MUSICAL SHOW
by ASJAD NAZIR
Bhangra music played an important part in the evolution of British Asian culture and at the forefront were pioneering artists who bridged the divide with super songs.
That big British bhangra revolution took place in the 1980s, with bands laying the foundation for cross-cultural commercial music in the UK. One of the key acts that pioneered the change was The Pardesi Music Machine.
The heartbeat of the band was Midlands-based singer, songwriter and composer Silinder Pardesi, who went from singing devotional hymns in Sikh Temples as a youngster to helping shape British Asian culture with super hit Punjabi songs.
He later carved out a solo career and is now part of an exciting line-up of pioneers who have been brought together for The West End Bhangra Musical, which goes on national tour next month.
The exciting line-up includes Shin from DCS, Apna Sangeet, Heera, The Legends Band and young talent making waves right now. Eastern Eye caught up with Silinder to talk about his amazing career and the new bhangra musical show.
How do you look back on your musical journey?
When I first set out on this journey, I didn’t think beyond doing what I loved and that was singing. I never imagined being so successful and the musical journey being such a long one. It has been an interesting and enjoyable journey, which I look at as one big blessing in my life and by the grace of the almighty, it continues. I am truly thankful for every moment.
Which of your achievements are you most proud of?
I think doing what you love is an achievement in itself. Having a successful live band and producing so many evergreen albums as well as performing at world music festivals and gaining respect from fans worldwide are achievements I am proud of. Performing at the 850th anniversary of Moscow in Red Square alongside the late great Luciano
Pavarotti was particularly memorable.
What keeps the musical passion alive after so many years?
I think my love and passion for singing have been there since childhood. But it has grown over time, thanks to blessings from the almighty and the wonderful fans, who have shown so much support over the years.
Your band The Pardesi Music Machine was huge in the 1980s. How did that success feel?
It was like winning the jackpot and an immense reward for all the hard work we put in. It made me so proud and I am grateful to the almighty for getting so much love from the fans. I still look back and think to myself, did that actually happen.
What are your fondest memories of those golden days of British bhangra?
I think all the live performances around the globe and playing with great artists at world music festivals are amazing memories that will never leave me. Also, the live band scene was at its greatest heights then and it was such an exciting time.
Do you remember the first time you ever took to stage and what was it like?
I had been singing since a young age, but performing in front of an audience for the first time was nerve-wracking. (Laughs). Believe it or not, I was very shy back then. But I feel a higher power gave me the strength to be in front of a live audience and then they gave me the confidence to believe in myself.
How has a solo career compared to being in a band?
My solo career enabled me to record albums like Bollywood Seduction, which were away from the commercial bhangra space and that gave me great joy because, growing up, my biggest influence was Mohammed Rafi. As a solo artist, I was able to experience something different and show versatility in my vocals.
Which of your many live performances is closest to your heart?
Like I mentioned earlier, the best performance was in Russia on the same stage as the late great legend Luciano Pavarotti in front of an audience of more than a million in Red Square.
Tell us, which of your classic songs is your favourite?
It would be Pump Up The Bhangra because it was so different and path-breaking. What we did was an experimental idea that hadn’t been done before and it proved to be so successful.
What led to you getting involved with The West End Bhangra Musical?
Live music is what I have loved the most and so will support it. The West End Bhangra Musical is just a different experience altogether and so great to be a part of. It is great working with the best legendary bands and prominent live musicians on what will be a unique experience for audiences, so I couldn’t say no.
Tell us about the show?
It will be a different live musical experience and one I feel all ages will appreciate. The fans can expect bhangra music presented in a different way and I am really excited to see the audience reactions when they watch it.
How is it sharing the same platform as other legends?
It is a blessing and honour to share the same platform. We have all known each other for decades and were together during the golden period of British bhangra.
Was there any rivalry during that period?
From my side, there wasn’t any. I appreciated each band’s differences and respected the musical talents of each. Every band was quite diverse, which made it an amazing era to be involved with.
Does it sadden you that there are so few bands today?
Of course, it saddens me greatly as I believe in keeping live music alive. But thanks to the amazing Legends Band for keeping live music alive. They are very much part of The West End Bhangra Musical and are amazing on stage.
What do you see as the future of British bhangra?
Bhangra music will be appreciated. Yes, there is a lull right now, but that flame we ignited will not die and the world will continue to get influenced by bhangra. I hope future generations carry the legacy forward and keep enjoying bhangra music.
What is your advice to the new generation?
The key to success is working hard and learning your craft, whether you are a musician, singer or a songwriter. Don’t try to get fame overnight, perfect your craft first and remember that learning never stops, which is what makes music so great.
What inspires you as an artist?
Making great music that appeals to a wide audience keeps me inspired. I enjoy creating songs that will be remembered and played for generations to come. The thought that your music will live long even after you are gone is very inspiring.
Do you have any unfulfilled ambitions?
Music is an endless ocean, so there will always be new ambitions and goals. I would love to do playback singing for Bollywood movies.
What can we expect next from you?
Right now, I am preparing for The West End Bhangra Musical, which I am sure will be a landmark show. We are all working very hard on it. Musically, I am working on a few bhangra tracks and some Hindi language projects. I am also working on some religious musical projects.
Why should we come to The West End Bhangra Musical?
This will be an experience to remember for all with a different kind of live bhangra presentation. It is a family show that will connect different generations, have amazing live performances and will create lasting memories. I am looking forward to seeing you all there.
Why do you love music?
Music has been a key part of my life from a very young age. It has given me great strength, allowed me to express myself and form connections with people around the world.
Visit www.GoWebM.com, and Twitter: @westendbhangra
India’s $283 billion IT industry, which contributes more than 7 per cent to the country’s GDP, has for over three decades provided services to major clients including Apple, American Express, Cisco, Citigroup, FedEx and Home Depot.
INDIA’s IT sector is facing uncertainty as US lawmakers consider a 25 per cent tax on companies using foreign outsourcing services.
Analysts and lawyers said the proposal has led to customers delaying or re-negotiating contracts, raising concerns in India, the world’s largest outsourcing hub.
They said the bill is unlikely to pass in its current form but could trigger long-term changes in how American firms purchase IT services. Companies heavily dependent on outsourcing are expected to resist the move, setting up lobbying and possible legal battles.
India’s $283 billion IT industry, which contributes more than 7 per cent to the country’s GDP, has for over three decades provided services to major clients including Apple, American Express, Cisco, Citigroup, FedEx and Home Depot. The industry has also faced criticism abroad over jobs shifting to India.
Last week, Republican Senator Bernie Moreno introduced the HIRE Act, which proposes taxing companies that hire foreign workers instead of Americans. The bill also aims to prevent firms from claiming outsourcing expenses as tax-deductible, with the revenue directed toward US workforce development.
The proposal comes at a difficult time for Indian IT, which is already seeing weak revenue growth in its key US market as clients cut non-essential spending due to inflation and tariff concerns.
“The HIRE Act proposes sweeping changes that could alter the economics of outsourcing and significantly increase the tax liability associated with international service contracts,” said Jignesh Thakkar, EY India’s compliance head.
In some cases, combined federal, state and local taxes could raise the levy on outsourced payments to as much as 60 per cent, Thakkar added.
“While its partisan proposal may seem initially attractive, it’s ultimately an artificial cost which makes organisations less competitive and profitable globally,” said Arun Prabhu, partner at Cyril Amarchand Mangaldas.
The idea has been gaining traction. This month, White House trade adviser Peter Navarro reposted a call from far-right activist Jack Posobiec for tariffs on services as well as goods.
“When political noise turns into regulatory risk, clients quickly insert contingencies, reopen pricing and demand delivery flexibility,” said Saurabh Gupta, President of HFS Research. “Clients will simply take longer to sign, longer to renew, and longer to commit transformation dollars,” Gupta said.
Backlash expected
Industry watchers said US firms are likely to push back strongly against the bill and challenge it legally if it is enacted.
“A bill like this would probably face a lot of backlash from US companies that rely heavily on outsourcing, who would likely bring litigation to challenge various aspects of the bill, if it were ever to be passed into law,” said Sophie Alcorn, CEO of Alcorn Immigration Law.
Analysts noted that sweeping restrictions are unlikely due to the difficulties of enforcement. “More likely is a diluted version, with narrower provisions or delayed enforcement,” said HFS Research CEO Phil Fersht.
The bill could also affect US firms’ global capability centres (GCCs), which have developed from offshore back offices to high-value hubs for research, finance and operations.
“It will be hard to pull back from existing work, but new set-ups and expansion may get impacted,” said Yugal Joshi, partner at Everest Group.
The proposed tax will affect the cost advantage that drives GCC location decisions, said Bharath Reddy, partner at CAM.
“However, the lack of availability of appropriate human capital in the US will continue as a problem, and which can be addressed in the near future only through outsourcing,” he added.
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A still from Hotel London showing the Bangladeshi family navigating life in a temporary hotel room
Newly restored 4K version to debut at the festival on 16 October
Part of BFI National Archive’s ambitious Black and South Asian Workshop remasters project
Explores 1980s London housing crisis and South Asian migrant experience
Marks a cultural milestone for Retake Film and Video Collective, Britain’s first all-Asian film collective
The long-overlooked 1987 drama Hotel London is set for a fresh spotlight as its 4K remaster world premieres at the upcoming BFI London Film Festival. Spearheaded by the BFI National Archive, the restoration forms part of a major project honouring the groundbreaking Black and South Asian Workshop movement, which redefined British screen culture in the 1980s. The film, directed by Ahmed Alauddin Jamal, vividly portrays the harsh realities of London’s housing crisis while centring the South Asian immigrant experience.
A still from Hotel London showing the Bangladeshi family navigating life in a temporary hotel room www.easterneye.biz
What is the BFI National Archive Black and South Asian Workshop remasters project?
The BFI National Archive has launched an extensive initiative to digitally restore and preserve key works from the Black and South Asian Workshop era, which flourished in the 1980s and 1990s. These collectives, including Retake Film and Video Collective, Sankofa Film and Video Collective, Black Audio Film Collective, Ceddo Film and Video Workshop and Birmingham Film and Video Workshop, used drama, documentary and experimental forms to tell urgent stories about race, class and identity in Britain.
The workshops grew out of the 1982 ACTT Declaration and early backing from Channel 4, creating space for marginalised voices to make and distribute films collaboratively. So far, 14 titles have entered the BFI’s restoration pipeline, with Hotel London being the second to premiere at the festival, following the 4K revival of The Passion of Remembrance in 2022.
Hotel London was originally made in 1987 during the International Year of the Homeless. It follows a Bangladeshi family placed in temporary bed and breakfast accommodation by local authorities, exploring how they navigate bureaucratic neglect, racism and the emotional toll of housing insecurity.
Combining fictional storytelling with video activism, the film depicts the makeshift hotel as a microcosm of 1980s London, showing interactions between diverse communities in precarious situations. Actor Jonathan Pryce appears as an Irish rough sleeper drifting through the city, while dancer Alpana Sengupta and actor Aftab Sachak round out the ensemble cast. The production was shot inside an actual bed and breakfast after extensive research with homeless residents.
‘Hotel London’ 4K remaster premieres at BFI London Film Festival spotlighting Black and South Asian Workshop legacy
Why is Hotel London’s restoration significant?
The 4K remaster of Hotel London is a major step in reclaiming and preserving Britain’s Black and South Asian film heritage. The original 16mm negatives were scanned and restored by Silver Salt Restoration, with sound remastered by the BFI National Archive. This revival not only protects the film’s legacy but also reintroduces contemporary audiences to the ethos of the Retake collective, which was Britain’s first all-Asian film group. Retake championed democratic collaboration, training emerging filmmakers and challenging the invisibility of South Asians on British screens. Their efforts earned them the Arthur Young BFI Award for Independent Film and Television in 1988.
‘Hotel London’ resurfaces in 4K after decades to confront Britain’s housing injustice and lost South Asian screen history
How did the Black and South Asian Workshops change British film?
The Workshops emerged amid 1980s social unrest, when media representation of Black and Asian communities was minimal and often stereotypical. Their issue-driven films disrupted this narrative, inspiring a generation of creatives including John Akomfrah, Maureen Blackwood, Isaac Julien, Menelik Shabazz and D. Elmina Davis.
By offering paid training roles, access to equipment and editorial control, the Workshops opened doors for diverse talent to tell authentic stories. Their influence continues to shape British screen culture, making the BFI’s remastering effort both a cultural and archival milestone.
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'Our economy isn't broken, but it does feel stuck,' Reeves said, speaking alongside the release of a finance ministry report on business property taxation, known as rates.
CHANCELLOR Rachel Reeves said on Thursday she is considering changes to business property taxes to support small firms looking to expand, as part of her plans to boost growth.
Reeves’ comments come ahead of her annual budget on November 26, at a time when concerns about possible tax rises and inflation are weighing on businesses and households.
Economists expect Reeves will have to raise tens of billions of pounds in additional revenue, citing higher borrowing costs, weaker growth prospects and parliament’s rejection of welfare cuts.
"Our economy isn't broken, but it does feel stuck," Reeves said, speaking alongside the release of a finance ministry report on business property taxation, known as rates.
The report suggested reducing sudden tax increases for small businesses when they expand.
"Tax reforms such as tackling cliff-edges in business rates and making reliefs fairer are vital to driving growth," Reeves said in a statement.
Other options under review include changes to how the tax is calculated and additional reliefs when a property’s value rises after improvements. Further details will be set out in the budget, the ministry said.
Helen Dickinson, chief executive of the British Retail Consortium, welcomed the proposals but said the government should provide clarity on a promised reduction in rates for retail, hospitality and leisure businesses.
"Until we get clarity on these changes, which isn’t expected until the budget, many local investments in jobs and stores are being held back," she said.
(With inputs from agencies)
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Priyanka Chopra Jonas commands NYFW 2025 front row with Mindy Kaling as Nick Jonas looks on proudly
Power couple attend Ralph Lauren’s showcase at Madison Avenue
Priyanka dazzles in sheer skirt and structured blazer ensemble
Nick opts for earthy brown tailored look with relaxed flair
The duo join a star-studded front row including Oprah Winfrey and Jessica Chastain
Priyanka Chopra Jonas and Nick Jonas commanded attention as they attended Ralph Lauren’s New York Fashion Week 2025 show on 10 September. Arriving hand-in-hand on Madison Avenue, the pair stopped for photographers before entering the designer’s headquarters. Their appearance at the high-profile event was one of the evening’s most talked-about moments, with Priyanka’s daring outfit and Nick’s understated elegance sparking admiration from fans and onlookers.
Priyanka Chopra Jonas commands NYFW 2025 front row with Mindy Kaling as Nick Jonas looks on proudly Getty Images
What did Priyanka Chopra Jonas wear at New York Fashion Week 2025?
Priyanka opted for a bold yet refined take on power dressing. She paired a sharply tailored grey blazer with a sheer flowing maxi skirt, creating a balance of structure and softness. Instead of a buttoned shirt, she chose to cinch her waist with a wide statement belt, giving her look an edge that stood out on the monochrome-heavy runway backdrop.
Her accessories were deliberately minimal. Delicate hoop earrings and a few rings, while bronzed makeup tones and voluminous, softly waved hair framed her face perfectly. This merge of minimal styling with a high-fashion silhouette reflected her style perfectly, making her one of the evening’s best-dressed attendees.
Nick went for earthy sophistication, donning a relaxed brown suit layered over a crisp white shirt. He added subtle detailing with a patterned tie, matched it with polished brown shoes, and finished off with rimmed sunglasses for a cool, composed vibe.
His tousled curls gave the look a casual softness that contrasted nicely with the tailored suit, making him appear effortlessly stylish beside Priyanka. Their complementary colour palettes, her muted grey tones and his warm browns, created a coordinated yet individualistic statement look.
Nick opts for an earthy brown suit for the event Getty Images
Which celebrities were seen at the Ralph Lauren NYFW show?
The event gathered an impressive front row of fashion and entertainment heavyweights. The couple were seated beside Usher and his wife Jennifer Goicoechea, with industry icons including Oprah Winfrey, Anna Wintour, Jessica Chastain, Naomi Watts, Laura Dern and Gayle King also present.
Also in attendance was Mindy Kaling, who sat in the front row at Ralph Lauren’s intimate Spring 2026 presentation on Madison Avenue. Speaking to AP News, Kaling said the brand symbolised the “American dream” for her immigrant parents, adding that the polo logo felt like “the sign of making it.” Photographers singled her out in roundups of the best front-row style, where she was pictured alongside Oprah Winfrey, Usher and the Jonas couple.
Ralph Lauren unveiled their Spring 2026 collection at the showcase, which featured minimalist silhouettes, oversized jackets, fitted dresses and monochrome palettes. Priyanka’s presence was especially fitting, as she has a long-standing association with the brand, notably wearing a custom Ralph Lauren gown for her wedding to Nick Jonas in 2018.
Mindy Kaling attends the Ralph Lauren show Getty Images
Why does Priyanka Chopra Jonas remain a front-row favourite?
Priyanka’s journey from Bollywood star to Hollywood regular has a lot to do with her consistently strong style choices and a willingness to take risks. Her high-profile international projects, from leading Quantico to starring in Citadel and producing The White Tiger, have cemented her as a global figure, making her an obvious pick for designers looking to spotlight influential personalities on their front rows.
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The commemoration event honoured two South Asian WW2 veterans who died this year, Havildar Major Rajindar Singh Dhatt MBE and Sergeant Mohammad Hussain.
TWO South Asian Second World War veterans were honoured at a commemoration event in London on Wednesday, September 10. The ceremony paid tribute to Havildar Major Rajindar Singh Dhatt MBE and Sergeant Mohammad Hussain, who both died this year.
The event, hosted by British Future and Eastern Eye with support from the Royal British Legion, also launched My Family Legacy, a project to raise awareness of South Asian contributions in the world wars and preserve family stories for future generations.
More than 2.5 million people from India, Pakistan, Bangladesh, Nepal and Sri Lanka served in the Second World War, forming the largest volunteer army in history. New polling by Focaldata, released alongside the launch, found that only half of the UK public – and fewer than six in ten British Asians – know that Indian soldiers served in the war.
Sunder Katwala, Director of British Future, said: “We should never forget what we all owe to those who won the second world war against fascism. South Asian soldiers were the largest volunteer army in history. Ensuring that their enormous contribution is fully recognised in our national story remains important work in progress. My Family Legacy aims to help people to find, document and tell these family stories of courage and contribution, service and sacrifice in the world wars.”
Gail Walters, Director of Network Engagement at the Royal British Legion, said: “Honouring the South Asian soldiers who served in Britain’s World Wars is about remembering their bravery and also gives a fuller picture of our shared history. The service and sacrifice of South Asian soldiers are integral to Britain’s national story and helped build the country we are today.”
Amrit Kaur Dhatt, granddaughter of Havildar Major Dhatt, said: “It is so important to capture stories of Commonwealth and ethnic minority soldiers, like my grandfather’s, because they were left out of mainstream history. I find that even the disparity and awareness between VE and VJ Day remains shockingly significant. But remembering isn’t just about the past. It is about shaping the future. And I fear that today’s society clearly hasn’t learnt enough from history. Baba Ji had always hoped that future generations would never have to see the devastation that they [war veterans] had to endure.”
Ejaz Hussain, granddaughter of Sergeant Hussain, said: “As the last soldiers of the war fade before our eyes, it remains imperative that we capture their stories. We - as a country and a people - are blessed to be here today, enjoying liberty and safety directly because of the sacrifices of those from the greatest generation, of which my grandfather was one.”
Journalist Sangita Myska said: “Honouring the service given by South Asian soldiers is vital to understanding the intertwined and complex relationship forged by our forebears with Britain.”
Actor Adil Ray OBE said: “This is the greatest war story that’s never been told. Millions of Muslims, Hindus and Sikhs from India, today’s Pakistan and Bangladesh fought two world wars, fighting for our freedom. We owe everything to Major Dhatt and Sergeant Hussain and their fellow soldiers. Their history is our history.”