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Here’s what Salman Khan has to say about Coronavirus

We all know that Coronavirus started in China and unfortunately, a lot of people lost their lives because of it. It is spreading in other countries as well like Iran, India, Germany, and others. Today, Salman Khan took to Instagram to give a tip on how to be safe from Coronavirus.

The actor posted a picture on Instagram in which he is showing off his chiseled body. He captioned it as, “Namashkaar ... hamari sabhyata mein namaste aur salaam hai! Jab #coronavirus Khatam ho jaye tab Haath milao aur gale lago.... @beingstrongindia.”


Well, Salman is correct as one of the most important precautions of Coronavirus is not to shake hands with each other. We are sure fans of Salman are going to follow this and be safe.

Talking about Salman’s movies, the actor’s next release is Radhe: Your Most Wanted Bhai. The film, which is being directed by Prabhudeva, is slated to release on Eid 2020. The movie also stars Disha Patani in the lead role. This will be Salman and Disha’s second collaboration after last year’s release Bharat.

Salman also has a film titled Kabhi Eid Kabhi Diwali in his kitty. Produced by Sajid Nadiadwala and directed by Farhad Samji, the movie is slated to release on Eid 2021. Housefull 4 actress Pooja Hegde will be seen romancing Salman in the film.

Recently, there were also reports that Salman will return on the big screen as Tiger for the third time and the film is slated to release on Christmas 2021. However, there’s no confirmation about it.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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