PUBLIC HEALTH ENGLAND is encouraging South Asian parents to protect their children from the flu this winter, as the largest ever flu vaccination programme gets underway.
Kuljit Deeljur, mother of three, Colly Ullah, mother of two, and Hamisha Mehta who is pregnant with her second child, share their experiences of the flu vaccine and urge other parents to vaccinate their children.
The flu vaccine is free for groups, including children aged two and three (provided they were this age on August 31, 2019), all primary school children and pregnant women.
For most children, the flu vaccine is not usually an injection, just a quick and easy nasal spray.
Children aged two and three (on August 31, 2019) receive the vaccine through their GP and all primary school aged children receive it in school.
Kuljit Deeljur, a teacher and mum of three, made sure her two-year-old daughter Surina got the flu nasal spray vaccine this year following advice from her GP.
Her elder son Jay, who is five, will be vaccinated at school this year.
Sharing her views, Deeljur said: “It’s really horrible when our little ones get sick and with flu, children can get fever, chills, aching muscles and headache. Like other parents, it’s important that I protect my children against illness when I can. Having the vaccine reduces the chances of getting flu, which is why Surina got the vaccine this year through our GP and it’s why Jay will be vaccinated at school.
“I was initially worried that Surina would be uncomfortable while getting her vaccine at the GP surgery, however, as with Jay previously, it was really quick, easy and I know it’s a painless alternative to needles."
Colly Ullah, a teacher and mum of two, signed and returned the consent form so that her two sons, Samiul aged eight and Elias aged five, both had the flu vaccine at school earlier this year.
She’s made sure they’ve been vaccinated against flu every year since they’ve been eligible.
Ullah said: “In the time they’ve had their vaccines, neither Samiul or Elias have been sick with flu. In my opinion, prevention is the key to remaining healthy and that’s why I’d remind parents of children in primary school to sign and return the consent form.
“I know that once children get flu, they spread it around. We are a busy family of four and it’s really important that we all stay well, and don’t miss any school or work days over the winter months. The flu vaccine is the best protection we have against flu, so I’d encourage all parents to get their children vaccinated.”
In addition to children, pregnant women are also eligible for the free flu vaccine. Pregnancy naturally weakens the body’s immune system and as a result flu can cause serious complications for women and their babies. The vaccine is available no matter how many months pregnant or how fit and healthy a woman may feel.
Mehta, a finance professional and mother, is pregnant with her second child.
She made sure her two-year-old daughter Anya got the flu nasal spray vaccine this year, and she'll also be getting herself vaccinated. Talking about the flu vaccine during pregnancy, Mehta said: "When you’re having a baby, there are so many things to think about and prepare for, however, making the decision to have the flu jab was easy and one less thing for me to worry about. I had it during my first pregnancy and I'll be having it again this winter as I'm pregnant again.
"The vaccine is safe and will protect me and my unborn child during my pregnancy, as well as for a few months after birth, so I can focus on being a mum. There is a higher chance that flu in pregnancy can lead to complications and this can be dangerous for your baby, so I would recommend the flu jab to other pregnant women as not only is it free, but it is also quick and safe.”
Those who are eligible for a free flu vaccine should contact their GP, pharmacist or midwife to protect themselves and their families before the flu season takes hold.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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