Grenfell Tower inquiry blames authorities, firms for 2017 fire
A photograph taken on September 3, 2024 shows the the makeshift memorial created on the wall surrounding Grenfell tower, in west London. (Photo: Getty Images)
By EasternEyeSep 04, 2024
A PUBLIC inquiry into the 2017 Grenfell Tower fire in London has placed blame on government failings, the construction industry, and, most significantly, the companies responsible for installing flammable cladding on the building.
The fire, which occurred on 14 June 2017 in a 23-storey social housing block in West London, claimed the lives of 72 people. It was the deadliest residential building fire in Britain since World War Two.
The final report from the inquiry, released on Wednesday, assigned the majority of the responsibility for the disaster to the companies involved in the tower's maintenance and refurbishment, as well as local and national authorities and firms that marketed combustible cladding materials as safe.
The report also criticised the government, the local authority of Kensington and Chelsea, regulatory groups, and the fire brigade for their inadequate responses and long-standing inaction on fire safety in high-rise buildings.
"The fire at Grenfell Tower was the culmination of decades of failure by central government and other bodies in positions of responsibility in the construction industry," the inquiry report stated. The report is nearly 1,700 pages long.
Since the fire, survivors and the families of those who died have been calling for justice and for those responsible to be prosecuted. British police have identified 58 people and 19 firms and organisations under investigation, but prosecutions, including for corporate manslaughter and fraud, are still years away due to the complexity of the case and the need to review the inquiry's findings.
"I can’t pretend to imagine the impact of such a long police investigation on the bereaved and survivors, but we have one chance to get our investigation right," said Deputy Assistant Commissioner Stuart Cundy.
Keir Starmer's spokesperson emphasised that the government is committed to ensuring that those responsible are held accountable.
An earlier report in 2019, focusing on the night of the fire, found that an electrical fault in a refrigerator in a fourth-floor apartment sparked the blaze. The fire then spread rapidly due to the cladding installed during a 2016 refurbishment, which was made of flammable aluminium composite material.
The inquiry, led by retired judge Martin Moore-Bick, identified numerous failures, noting that lessons from past high-rise fires had not been heeded and that fire safety testing systems were inadequate.
The report placed significant blame on those involved in the refurbishment of the tower with the flammable cladding, specifically naming architect Studio E, principal contractor Rydon, and cladding sub-contractor Harley. Fire safety inspectors Exova were also criticised for leaving the building "in a dangerous condition" after the refurbishment.
Kensington and Chelsea Council and the Tenant Management Organisation (TMO) were heavily criticised for their disregard for fire safety regulations in the years leading up to the fire. The TMO was particularly noted for its strained relationship with residents, which contributed to a "toxic atmosphere," and for being overly focused on cost-cutting.
While local community and voluntary groups were praised for their support, the council was criticised for its slow and inadequate response to the disaster.
The inquiry also condemned the firms involved in producing and selling the cladding and insulation materials—Celotex, Kingspan, and Arconic Architectural Products. The report concluded that these companies engaged in "systematic dishonesty" by manipulating testing processes, misrepresenting data, and misleading the market.
The use of exterior cladding has raised concerns across Europe, with similar fires occurring in apartment blocks in Valencia, Spain, in February, and in Italy in 2021.
In the UK, government figures from July revealed that 3,280 buildings 11 metres or taller still have unsafe cladding, with remediation work yet to begin on more than two-thirds of them.
Trumpeter Alison Balsom confirms retirement after 40 years of performing
Her final concert will be the Last Night of the Proms 2025 on 13 September
She will play the Hummel Trumpet Concerto in E flat major for her farewell
The 46-year-old OBE winner cites family and intensity of touring as reasons
Classical trumpeter Alison Balsom retirement news has been confirmed, with the British musician set to step away from performing after one last appearance at the Last Night of the Proms. Speaking to BBC Radio 4’s This Cultural Life, she revealed her “last night on stage” will be marked by playing the Hummel Trumpet Concerto, a work she has championed throughout her career. Married to filmmaker Sir Sam Mendes, Balsom said the decision was shaped by her family life and the unsustainable demands of constant touring.
Alison Balsom prepares for her final bow at the Last Night Of The Proms 2025 Getty Images
Why is Alison Balsom retiring after the Proms?
Balsom explained that the trumpet is an instrument that cannot be played “halfway.” Even a short break affects performance standards, making it difficult to sustain at the highest level. She compared recent years to “playing the Wimbledon final and then no tennis,” saying the cycle of intense preparation followed by long gaps is unsustainable.
She emphasised that she wanted to retire honestly, at a point where she still felt in full control of her playing. Touring, she added, had become mentally and emotionally consuming, making it harder to balance with raising a family.
Alison Balsom ends a 40-year career with the Hummel Concerto in E flat majorGetty Images
What will Alison Balsom play at her final concert?
Her farewell performance at the Last Night of the Proms 2025 on 13 September will feature the Hummel Trumpet Concerto in E flat major. The work carries personal significance, as it was the piece that first inspired her when she saw it performed on television as a child.
Balsom previously played at the Proms in 2009 while pregnant, describing that experience as both exhausting and meaningful. Returning to the same stage for her retirement, she said, “I know what I want to say about this piece, but I don’t think I’m going to have anything more to say after this.”
Over four decades, Balsom has established herself as one of the world’s leading trumpet soloists. She has performed with major orchestras, released acclaimed recordings, and won three Classic Brit Awards. In 2016, she was made an OBE for services to music.
Beyond her concert career, she has also been a visible advocate for classical music education, appearing on television and radio to promote the instrument she describes as “the best thing ever.”
Alison Balsom with her OBE which she received from the Prince of WalesGetty Images
What is next for Alison Balsom?
While she is stepping away from performing, Balsom has not ruled out continuing to champion the trumpet in other ways. She said her future would focus more on family life and new opportunities offstage. For now, she sees her retirement as the natural conclusion of a personal journey she has followed “honestly and with authenticity.”
Her final appearance forms part of a Proms season that has also featured performances by Grammy-winner Samara Joy, pianist Yunchan Lim and a Traitors-themed concert. The Last Night of the Proms will be broadcast live on BBC Two and BBC One on 13 September.
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Protesters calling for the closure of The Bell Hotel, which was housing asylum seekers, gather outside the council offices in Epping on August 8, 2025. (Photo: Getty Images)
Court of Appeal has overturned injunction blocking use of Epping hotel for asylum seekers.
Judges say human rights obligations outweigh local safety concerns.
At least 13 councils preparing legal action despite ruling.
Protests outside the Bell Hotel lead to arrests and police injuries.
MORE than a dozen councils are moving ahead with legal challenges against the use of hotels for asylum seekers despite the Home Office winning an appeal in the Court of Appeal.
Judges ruled that meeting the human rights of asylum seekers by providing accommodation outweighed local safety concerns.
The injunction was secured by Epping Forest District Council after protests following the alleged sexual assault of a 14-year-old girl by an Ethiopian asylum seeker.
The man has been charged and denies wrongdoing. A full hearing on the planning dispute over the Bell Hotel will take place in October.
At least 13 councils are preparing similar legal action, The Times reported, including Labour-run Wirral, Stevenage, Tamworth and Rushmoor. Epping Forest Council said it may appeal to the Supreme Court.
Asylum minister Dame Angela Eagle said the government remained committed to ending hotel use by 2029 and argued the appeal was needed to move migrants “in a controlled and orderly way”.
Conservative leader Kemi Badenoch criticised the government for prioritising “the rights of illegal immigrants above the rights of British people” and urged councils to continue legal action.
Reform leader Nigel Farage said the government had used the European Convention on Human Rights “against the people of Epping”.
Councils including Broxbourne and Spelthorne confirmed they were pressing ahead with enforcement action on planning grounds.
Protests outside the Bell Hotel on Friday led to the arrest of three men, while two police officers sustained minor injuries.
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Vishal and Sai Dhanshika at their Chennai engagement ceremony
Actors Vishal and Sai Dhanshika got engaged on his 47th birthday in Chennai
Wedding postponed until the Nadigar Sangam building is completed
Couple first confirmed their relationship in May 2025 at a press meet
Celebrities and fans flooded social media with congratulatory wishes
Tamil cinema stars Vishal and Sai Dhanshika made their relationship official in May, and on Friday, 29 August 2025, the pair celebrated their engagement. The event took place on Vishal’s 47th birthday in Chennai, with close friends and family in attendance. The engagement was widely shared on social media after Vishal confirmed the news on his X handle.
The Vishal and Sai Dhanshika engagement has now become one of the most talked-about events in Tamil film circles, especially as the couple postponed their wedding until the Nadigar Sangam building’s completion, a cause close to Vishal as General Secretary of the organisation.
Vishal and Sai Dhanshika at their Chennai engagement ceremony Instagram/actorvishalofficial/saidhanshika
When did Vishal and Sai Dhanshika get engaged?
The Vishal and Sai Dhanshika engagement was held on 29 August 2025, a date that was initially meant for their wedding. The couple chose the special occasion of Vishal’s birthday to mark their new chapter. Traditional Tamil attire marked the ceremony: Dhanshika wore a saree while Vishal opted for a white shirt and vesti, with both donning flower garlands. The event remained a private family gathering, but official photos shared online quickly spread among fans.
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Why was Vishal and Sai Dhanshika’s wedding postponed?
Originally scheduled for the same day, the wedding was postponed after Vishal decided to wait for the completion of the Nadigar Sangam building project. As General Secretary, he stated that marrying after the inauguration felt more meaningful. Speaking at a press meet earlier, Vishal explained, “This cause is important to me, and I want to step into married life once the building is completed.” His decision has drawn respect from industry peers and fans alike, who have admired his commitment to both personal and professional responsibilities.
What did Vishal and Dhanshika say about each other?
Back in May 2025, when the couple made their relationship public, both spoke openly about their bond. Dhanshika revealed she has known Vishal for 15 years and admired his respect and support, particularly during her personal struggles. Vishal expressed gratitude for finding his life partner later in life, saying, “They say God saves the best for the last, and I believe he saved Dhanshika for me.” His heartfelt note after their engagement echoed the same positivity, as he thanked fans worldwide for their blessings and “good vibes.”
On the professional front, Dhanshika awaits the release of Yogi Da, while Vishal is filming Magudam, his 35th project directed by Ravi Arasu, co-starring Dushara Vijayan, Yogi Babu and Anjali. Beyond films, Vishal continues to serve his role in Nadigar Sangam and has kept fans updated on the progress of its building. While the Vishal and Sai Dhanshika wedding is on hold, both actors emphasise they are “feeling positive and blessed” as they step into their engagement phase.
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Sabrina Carpenter unveils Man’s Best Friend with unapologetic lyrics and daring cover art
Sabrina Carpenter says Man’s Best Friend is “not for pearl clutchers”
Album includes nine explicit tracks and provocative artwork
Gayle King interview highlights singer’s unapologetic stance
Seventh studio release follows her Grammy-winning Short n’ Sweet
Sabrina Carpenter has addressed the backlash surrounding her Man’s Best Friend album, making it clear the project embraces explicit lyrics and bold imagery. Speaking to broadcaster Gayle King on CBS Mornings, the pop star said her record is “not for any pearl clutchers.” The 26-year-old explained that the music captures freedom of expression and fun, a theme she wants her fans to embrace despite criticism over her provocative stage visuals and artwork.
Sabrina Carpenter unveils Man’s Best Friend with unapologetic lyrics and daring cover art Instagram/sabrinacarpenter
What is Sabrina Carpenter’s Man’s Best Friend about?
Man’s Best Friend marks Carpenter’s seventh studio album and features 12 tracks, nine of which carry the explicit tag. The project has been produced by Jack Antonoff and was released through Island Records on 29 August. The album artwork itself has been a talking point: it shows Carpenter on her hands and knees while a man pulls her hair. The imagery quickly divided opinion online, with critics calling it unnecessarily provocative while fans praised her for owning her image.
The record follows her 2024 Grammy-winning Short n’ Sweet, which topped the Billboard 200 and delivered hits such as Espresso and Please Please Please. Carpenter told King that this new album expands her playful and self-assured identity in pop music.
The controversy stems from both the lyrical content and the visual presentation. Songs such as Never Getting Laid and My Man on Willpower lean into overt sexual themes. During her Short n’ Sweet tour, Carpenter had already courted debate with lingerie-inspired costumes and suggestive routines, including stage performances of Juno that mimicked sexual positions.
Addressing whether she overshares in her lyrics, Carpenter told King she sees the opposite: “At concerts, I see young women screaming with their friends, and there’s a collective sigh of relief that this is just fun.” She added that even so-called pearl clutchers could find humour in the record.
Carpenter has taken a direct but humorous approach to criticism. In her interview, she admitted her music is not designed for the prudish, yet she softened her stance by suggesting that even sceptics might privately enjoy it. She emphasised that her songs provide connection and lightness rather than being intended as shock value.
She also pointed to the irony of critics focusing only on the most provocative parts of her shows. In a recent interview, Carpenter noted that while audiences highlight her racy Juno routines, her concerts also include ballads and introspective moments.
Julia Roberts addresses tough questions on feminism and complicity
After the Hunt centres on misconduct allegations in academia
Director Luca Guadagnino defends the film’s bold narrative choices
Amazon MGM to release the film in North America on 10 October
Julia Roberts’ After the Hunt became one of the most talked-about premieres at the Venice Film Festival as the film stirred a heated #MeToo debate. With questions of complicity, feminism, and responsibility dominating the press conference, the actress and director Luca Guadagnino faced pointed scrutiny. The psychological drama, set in higher education, not only highlighted misconduct but also raised deeper issues of accountability and shifting cultural conversations.
Julia Roberts at the Venice Film Festival premiere of After the Hunt as debate on #MeToo intensifies Getty Images
What is Julia Roberts’ After the Hunt about?
After the Hunt follows Roberts as a popular philosophy professor whose professional and personal life unravels when a misconduct accusation disrupts her circle. The accuser, played by Ayo Edebiri, points the finger at a colleague and close friend of Roberts’ character, portrayed by Andrew Garfield.
Written by Nora Garrett, the screenplay avoids simple answers and embraces complexity. Its intention, as Roberts stressed, was never to deliver a manifesto but to capture uncomfortable conversations. The film’s tagline even states: “not everything is supposed to make you feel comfortable.”
How does After the Hunt link to the #MeToo movement?
At the Venice press conference, Roberts was asked directly whether the film undermines the progress of the #MeToo movement. She rejected the notion, clarifying that it is less about women being pitted against one another and more about exploring moral ambiguities.
Guadagnino added that the film should not be read as a statement on feminism but rather as an exploration of “the clash of truths.” For both filmmakers, the goal was to provoke discussion rather than resolve long-standing social debates.
The cast of After the Hunt at its Venice screening as conversations on misconduct dominate headlines Getty Images
Why did Luca Guadagnino reference Woody Allen?
One of the most controversial creative decisions was the use of the Windsor font in the film’s credits, famously associated with Woody Allen’s work. Guadagnino explained that the choice was deliberate, nodding to the artistic legacy of Allen while acknowledging the ethical complexities tied to his name.
“It was about considering our responsibility when admiring an artist whose personal life has faced scrutiny,” he said. This decision deepened the ongoing discussion about separating art from the artist, echoing broader cultural debates.
Luca Guadagnino joins Julia Roberts at the After the Hunt press conference in VeniceGetty Images
When will After the Hunt be released?
Although the film screened in Venice, it is not part of the festival’s main competition and will not contend for awards on 6 September. However, Amazon MGM Studios has confirmed a North American theatrical release on 10 October.
Roberts, attending Venice for the first time despite filming in the city before, described the experience as “magical,” though her schedule left little time beyond work. Guadagnino, a festival regular, previously premiered Bones & All and Queer in Venice. His Zendaya-led Challengers was pulled last year due to Hollywood strike disruptions.
The 82nd Venice Film Festival continues to host major premieres including Guillermo del Toro’s Frankenstein, Benny Safdie’s The Smashing Machine and Kathryn Bigelow’s A House of Dynamite.